The Rocheport Saga-Part 2

Last week I talked a bit about my post-apocalyptic series The Rocheport Saga. I said it was part philosophy, part family saga, part satire, part libertarian thought, part action/adventure novel, and all post-apocalyptic speculation. I also noted that the series is written in epistolary form; that is, as diary entries. I’m very fond of the epistolary format because of the intimate picture it can give us of the main character’s thoughts. Provided of course he or she is a reliable narrator. If not, then we enter a mystery world of trying to figure what is real and what is not. Either way, the epistolary novel is an ideal vehicle.

The Saga is written in story arcs, not unlike television writing, and the first seven novels form the first arc. The arc itself is divided into three parts.

Part I comprises the first two books: The Morning Star and The Shining City. And might be called “Beginnings”. This is where the story begins. Where we learn about Bill Arthur’s dream and how he intends to go about it. His dream of creating a libertarian utopia and of returning to the 21st Century’s technology.

Love Is Little, The Troubled City, and By Leaps and Bounds form Part II. The little community of Rocheport faces enemies from without and within. Our hero, Bill Arthur, is struggling to hold it all together and to do so faces the ugly reality that he will have to betray a few of his most cherished beliefs.

Nevertheless, in By Leaps and Bounds we begin to see that it does indeed look as though the community has turned a corner and will in fact survive.

Part III comprises Freedom’s Freehold and the soon to be published Take to the Sky. Whereas Part II might be titled “Conflict”, Part III could be called “Hope”. The corner has been turned and Bill Arthur feels confident the people of Rocheport will usher in a new era of peace, freedom, and technological advancement.

While The Rocheport Saga is many things, it is all post-apocalyptic speculation. The series is a realistic attempt, I think, at speculating how civilization might come back from a massive catastrophic event — and come back better than it was before the disaster. Therefore there are no zombies or other monsters in the story. Nor are there aliens from space. This is a human story of human dreams and aspirations.

The Marquis de Sade wrote philosophy in the form of pornography. And pornography was a suitable format for him to present his philosophy.

The post-apocalyptic cozy catastrophe, I found, was the most suitable format for me to express my philosophy and social views. Because, at base, the cozy catastrophe is about building a better world.

Which makes it a vehicle by which the author can criticize the current world in which he or she lives and present a model of how the problems can be solved.

S. Fowler Wright used Deluge and Dawn to portray the legal injustices against the labor class and to challenge certain social assumptions. John Wyndham used The Day of the Triffids to hint at the dangers associated with bio-engineering and to point out the dangers of military weapons orbiting the planet. In Earth Abides, George R Stewart points out how a poor black rural working family would be much more capable of surviving, than a white urban couple in New York City. Pointing out how fragile our urban worlds are. Stewart also pointed out that when push comes to shove, we are all equal by having his white protagonist marry a woman who wasn’t white. All that in a book written in the late ‘40s.

The cozy catastrophe is the perfect vehicle for world building. For creating our utopias. I’m surprised that few writers see this and utilize this form. For in the end, all writers are philosophers. Our books are either our ideal worlds or a graphic picture of what we think is wrong with the current world.

And so, in The Rocheport Saga, I present my version of what utopia would be like. No government. Sovereign and self-responsible individuals. Family centered. Social and intellectual freedom. A place where people follow the Golden Rule, respect each other, and help each other. I think it’s a vision that is very appealing and attainable.

As always, comments are welcome! Let me know your thoughts. And until next time, happy reading!

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The Rocheport Saga

 

The Rocheport Saga is part philosophy, part family saga, part satire, part libertarian thought, part action/adventure novel, and all post-apocalyptic speculation. It is my contribution to the cozy catastrophe sub-genre of post-apocalyptic fiction.

The story structure is that of one of my favorite forms: the epistolary novel. The story is told by means of diary entries from a man named Bill Arthur, with occasional diary entries from other characters.

Bill’s diary begins eight months after the cataclysm that kills off most of humanity, the event he simply calls “That Day”. The first sentence he writes is “Today I killed a man and a woman.” He follows that sentence with a brief explanation of what life is like in the new world where everyone is faced with a daily struggle to survive and where some do not make it.

Today I killed a man and a woman. I didn’t want to, but I had no choice. It was me or them. This is how it is now. How it has been for not quite eight months. Everyone on his or her own. The quick or the dead. It wasn’t how it used to be, though. We complained about the old days. Now anyone who remains would do anything to return to even the worst of the old days. But they are gone and will not return for a very long time. Maybe never.

The focus in the cozy catastrophe is on building a better world out of the ashes of the old one. And The Rocheport Saga is no different.

There is no focus on and very little discussion of the disaster. It happened. It was horrible. And now we must move on. The milk is spilt. No sense crying over it.

And Bill Arthur doesn’t. His quest is to preserve as much knowledge as possible and bring the Twenty-first Century back on line as soon as possible.

Of course no story, even one that is essentially “plotless”, can survive without conflict, and Bill has plenty of conflict in Rocheport. All the way from the silly and inane to the deadly serious and life threatening.

Next week we’ll take a look at the books published thus far in the series and provide a synopsis of each.

Until then, happy reading!

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