Winter Reads

Winters in Minnesota can be very long and very cold. They are perfect for curling up by the fire, wrapped in a blanket, and with a good book in hand.

Next week the weatherman is saying that our warm spell is over. Our highs in the Minneapple will only be in the 20s Fahrenheit. That is some chilly weather with which to start December, and that means out come the books.

I have a couple stories I intend to re-read during the Yuletide season. They are Lovecraft’s “The Festival” and Crispian Thurlborn’s A Bump in the Night. Both are excellent holiday reads by master craftsmen of the written word.

As for new (to me) books, I have on my list the following:

Mannegishi by Ben Willoughby. Mr W is a very fine storyteller. He truly deserves a much wider audience.

Ganbaru by Michael Cormack. I met Mr Cormack on Facebook quite incidentally. I’m glad I did. He writes post-apocalyptic books just how I like them: cozy catastrophes in the manner of John Wyndham, John Christopher, JG Ballard, and George R Stewart. I’m almost finished with his Don’t Dream It’s Over. A superb read. Mr Cormack very definitely deserves a much wider readership.

I love Kazuo Ishiguro. I’ve read his books An Artist Of The Floating World and The Remains Of The Day. I’ve also seen the movie versions of The Remains Of The Day and Never Let Me Go. So I’m thinking I might start with his first book A Pale View Of Hills and then go on to read Never Let Me Go.

The older I get the more I find that I truly enjoy reading traditional mysteries. At first I pretty much limited myself to private detective mysteries. But recently I’ve found myself branching out into the realm of the amateur sleuth. And I’m enjoying the foray. So I’ll probably add a few mysteries to the pile. Perhaps a couple Nero Wolfe novels. It’s been a long time since I’ve read any Nero Wolfe and he’s long overdue for re-reading.

I’ll also probably spend a little bit of time looking at those free books that I’ve downloaded over the past year and haven’t read. There will probably be a gem or two that will make for fine winter reading.

Do you have any favorites you will be revisiting over the winter months? If so, do let me know what they are in the comments below. I’m always on the lookout for a good book.

Until next time, happy reading!

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Buying Online

As far as I’m concerned, the brick-and-mortar store is a dinosaur waiting to become extinct. I have been a mail order shopper since I was a kid. There’s just something magical about getting packages in the mail. And with the advent of the internet, my mail order shopping — now called online shopping — has dramatically increased.

I regularly buy the following online: books, music, clothes, shoes, paper, pencils, pens, ink, tea, special food items, cat food, cat litter, soap, razor blades, vitamins, toothbrushes, and I’m sure I’ve forgotten something.

My wife buys most of her art supplies online, as well as toys for her grandkids.

Shopping online is my kind of heaven and I can’t wait for the day when I can do all of my grocery shopping online.

Being a reader — and a book buyer — my decision to buy online is of importance to brick-and-mortar bookstores and traditional publishers, both the corporate giants and the small press. Why? Because 63% of traditionally published adult fiction was bought online in the US in 2016. And the trend isn’t reversing. (Data from authorearnings.com)

That means trouble for physical bookstores which is where traditional publishing has for over a century done business. It also spells trouble for traditional publishing companies because their traditional sales outlets are disappearing.

Many of you are aware of the Amazon-Hachette fracas. As physical bookstores disappear and more and more print books are sold online, the online stores — we’re really talking Amazon here — are going to have more and more clout. And while Hachette got more or less its way this time, I doubt Amazon will be so nice in the future.

But that’s not all, traditional publishing is tied to the physical book. Yet last year in the US, 70% of fiction sales were digital. That’s ebooks and audiobooks. And when we add in that 42% of all adult fiction was non-traditionally published in 2016, the way the book business has done business is fast becoming a thing of the past. (Data from authorearnings.com)

Non-traditional publishing consists of indie author/publishers and Amazon. Yes, Amazon. The mega-giant is setting itself up as a publisher. To date, Amazon has 17 imprints. They regularly recruit authors to publish through them and offer those authors, generally speaking, contracts which are far less draconian than those of traditional publishers. It truly is time to beware the beast.

Why do I buy online? Because it’s easy, and I like getting packages in the mail. I have, quite literally, the entire world from which to choose whatever I want to buy. Can’t quite say that when I go to the local shopping mall. Plus I have to drive there.

I am, though, concerned about my online shopping. Mainly because it feeds the mega-giant Amazon. The Zon makes online shopping so easy, it’s difficult not to buy from them. It takes a conscious effort to not buy from the Zon. And I have to admit, I’m rather lazy about exerting that effort.

Recently I did buy a pair of jeans from The Duluth Trading Company. Excellent service and product, by the way. And I bought a pair from Lands’ End. Again, excellent service and the product was very good. Zappos is another fine online store.

I buy pens and ink from small online retailers such as Jet Pens. chewy.com is an excellent online source of pet food and supplies.

Nevertheless, the Zon is the 800 pound gorilla on the block and it takes much diligence to avoid the beast. And quite honestly, there are times when I’m just too lazy.

For indie authors, I think we already know where the future lies. It lies in ebooks and audiobooks. Print books aren’t necessarily a thing of the past, but as we baby boomers die off and generations take over who grew up in a digital world — the paper book will become a specialty item. Akin to handmade paper, or handmade wooden kitchen utensils, or custom made shirts.

The only real question facing indie authors is how much clout are we going to give Amazon? Are we going to invest our futures to the Zon? Or are we going to support competing enterprises, such as Apple, Kobo, or Scribd, or Findaway Voices (an ACX alternative, available through Draft2Digital).

Because if we indies tie ourselves to Amazon’s shirttail, then we have to go where they go — and what happens when they stick it to us, as the traditional publishers did so very many, many decades ago? Then where will we go?

A very difficult decision. Very difficult.

As an online buyer, I need to ensure that I don’t help create a monopoly that will in the end bite me. I must diversify my purchases. So fellow online buyers, lets not feed the Zon. Let’s put it on a diet.

As indie authors, let’s seriously consider a publishing world where the only distributor is Amazon. I know that isn’t a nightmare I’m willing to have.

Comments are always welcome! And, until next time, happy reading!

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The New Pulp Era

 

Are indie authors the pulp fiction writers of the 21st century?

That question came to me in response to a comment JazzFeathers made on my May 2nd post about indie author TS Paul. She wrote that it seemed to her the indie movement is “a new incarnation of the pulp magazines”. I think she’s on the money.

Before I start, let me emphasize that as a reader I find that most authors, the vast majority of authors, are average. They tell a decent story and that’s about it. It doesn’t matter if the author is published by the Big 5, small press, or is self-published.

We readers, I think, operate under the delusion that the big corporate publishers publish only good books. However, that’s not so. Why? Because most authors in their catalogs are mid-listers. Which means the publisher is taking a gamble on them that they might, possibly, maybe make a buck for the publisher. Most don’t and the publisher is not shy about giving those authors the boot.

The big corporate publishers are ruthless. The bottom line is king. Money, money, money.

The pulp era was a golden age for readers and writers. The pulp magazines were cheap entertainment and they proliferated like mushrooms after a rain. And every wannabe writer rose to the challenge to provide the magazines with stories.

We remember the giants. The Lovecrafts, the Howards, the Blochs. We’ve forgotten such as Seabury Quinn, Donald Wandrei, Frank Gruber, Carl Jacobi, Manley Wade Wellman, and Mary Elizabeth Counselman. And the list of the forgotten would go on for far too many pages.

But we don’t even have to go back as far as the pulp era to find forgotten authors. Who today reads E.M. Delafield, or Shirley Jackson, Pearl S Buck, Patricia Highsmith, Margaret Millar, Jay Flynn, or Cornell Woolrich? None of them are bad. They’re just mostly forgotten.

Most writers are average; and, dare I say, mediocre? But that doesn’t mean they can’t deliver a decent and entertaining story. I still remember Stanton A. Coblentz’s Hidden World 45 years after reading it. I still remember Men, Martians, and Machines by Eric Frank Russell — a book I read in elementary school 50+ years ago. They still have a hold on my memory.

Today’s indie authors are the reincarnation of the pulp era writer. They write fast, publish often, and don’t care about perfection. Why not perfection? First, it doesn’t exist; second, it gets in the way of producing lots of decent work; and third, it gets in the way of making a buck. Indie authors are writing to make money. Just like Shakespeare. Although few authors anywhere reach the lofty heights of The Bard.

From a reader’s perspective, a writer’s being average isn’t bad. Those average writers produce the bulk of the fiction we read. If the book is decent, then we feel satisfied. I mean, how many movies or TV shows are stellar? Most are ho-hum to average. And a great many, let’s face it, suck.

As a reader, I love the indie revolution. I’ve discovered great writers out there. And I dare say not a single corporate publisher would have gambled on any of them. I’ve also discovered writers who didn’t inspire me and who I won’t buy anymore books from. The market does tend to weed out the chaff.

Conversely, I’ve gotten sick of being taken for a ride by the corporate giants. I won’t read anymore Lee Child. Uninspired and boring. The same for the Quiller novels. The first couple were okay. After that they’re all the same. I’m finished with Sara Paretsky, Marcia Muller, Cara Black, and Sue Grafton. They started out great and quickly went downhill. The books are simply too expensive for the little they deliver.

This is a great time to be a reader. I love it. There are so many good books out there. Many of them quite cheap, making for satisfyingly inexpensive entertainment.

Instead of TV or the movies, read a book with your family, spouse, partner, kids, or a friend. Books truly are the greatest thing since sliced bread.

Comments are always welcome, and, until next time, happy reading!

Oh, here is the link to Cinder — it is a #mustread!!

 

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Why Read Indie?

Why read indie, indeed? Aren’t self-published authors losers who couldn’t get a big publisher contract? Won’t I get a better book from a mainstream big corporate publisher?

As a reader, I can say one thing for sure: you’ll pay more money for the book you’re buying from the big corporations. And that is about it.

A few days ago, Jack Tyler posted on the Facebook public group, The Steampunk Dominion, his thoughts on the subject. Before we go any further, let me give you Jack’s post in its entirety:

WHY INDIES?

A simple question. Why should you, an experienced reader, carry a selection of independent authors on your reading list? For a very good reason. Originality.

What was the last original movie you saw? Can’t think of one? That’s because no one is making them anymore. That’s why we’re inundated with remakes of old movies, re-envisionings of old TV shows, old, popular books “brought to life” by the “magic of Hollywood,” episode CCXLVII of the big Space Saga. No one will take a chance anymore that something, God forbid, might not rake in a billion dollars a day.

Books have gone down the same path. Publishers, unwilling to take a risk, compete with one another to shovel out copies of copies of copies of The Last Big Thing. Where is the grand fantasy tale that doesn’t follow Lord of the Rings to the letter? How many versions of Twilight can you read before you can recite the plot points before you come to them? You may be surprised to hear that those cutting-edge stories and novels are out there waiting to be read, and I’m going to tell you where to find them.

In the files of independent authors. While traditional publishers cling to the center of Writingtown, searching the carefully tended lawns for the next retelling of a tired old tale, independent authors, just as independent filmmakers and musicians, are out on the fringe, past the edge of the map, chronicling the tales that no one has yet heard, that have yet to be told. These are the stories you want to read, the stories that are worth finding, the jewels that you’ll remember long after the last elf/dwarf/human/orc slashfest is in the landfill and long forgotten. These are the heirs to the tradition of storytelling.

Authors decide to self-publish for any number of reasons. Some because we have been rejected by traditional publishers, often for being too original to suit their no-risk publishing model. Some have gone indie because we didn’t want to get involved with the “you do the work, and we’ll keep the money” policy of the big publishers. Some of us are well-known traditionally published authors who have been screwed out of our due one time too many, but we all have one thing in common: We answer to our creative muse, and no one else.

We have all had an experience, maybe more than one, with an independent author who had no business writing a grocery list, let alone a book, and some of us may have said, “Enough of this! I’m sticking to the Big Five from now on.” That’s your choice, but you do yourself a grave disservice by that reasoning.

We all try new products every day. Whether it’s a new makeup, pain reliever, pipe wrench, or ball-point pen, we have all gotten our hands on one that doesn’t do what the advertisement said it would. But do we then say, “I’m never wearing makeup again!” Of course we don’t. We learn to be more careful consumers. There are many ways to carefully consume books, one of them being to never stray from the big names. Again, that’s your choice, but there are ways to find the quality indies as well, and if you want to read the books that are telling the new stories, you must include indies on your reading list. How do you find quality indies? Amazon.com is a huge help. Most of us publish there because they make it so easy, and they provide useful tools. Look for an indie who has high ratings, even if there aren’t too many of them. A low rating isn’t a deal-breaker either, unless that’s all there are, but ratings can help. Then once you find a book that looks interesting, use the “Look Inside” feature. Yes, it only shows you a few pages, but if the author can’t write, you won’t need more than a paragraph to determine that. Then, of course, there’s the tried and true method, word of mouth. If someone you know and trust is recommending an indie, by all means, take a look. You may discover worlds beyond imagining that lie at the tips of your fingers. So, come on out to the fringe; we’re waiting to welcome you.

As a reader of my fellow indie authors, I have to largely agree with Jack. Self-published authors, or Author-Publishers as I like to call them, can write and publish works no major or even small press would touch. Not because of quality, but because the publishers aren’t risk takers, or they have no idea how to market the book.

That doesn’t mean there aren’t indies who ride the current waves, for there are and their name is Legion. They are also the ones, who tend not to be very good.

Several of my current favorite authors are indies and I look forward to their new releases, because I know I’ll get a good read. One that will be entertaining, fresh, thought-provoking, and stimulating.

As a reader, I’ve been disappointed by too many big corporate-published authors. A writer who perhaps starts out promising and then fizzles by book three. Or a writer who never really starts out at all and I close the book only partly read and ask, “Why the heck did they publish this?”

By way of example: I love the TV series Midsomer Murders (well, until John Nettles retired). So I bought the first three books of the series on which the TV show was based. Carolyn Graham’s first book was great. The second book was so boring I put it down with only a quarter of it read. I loved the TV episode, though, which was based on the book.

Another example is Murder in the Marais by Cara Black. I stopped reading when Aimee Leduc (the detective) just so happens to have a neo-nazi outfit in her closet to wear when she tries to infiltrate a neo-nazi group in Paris and the group readily accepts her! Obviously Ms Black has no concept of how closed extremist groups are, and we all have neo-nazi outfits in our closet just in case we might need them. Right? Sheesh.

Yet, the Big 5 accepted Death of a Hollow Man (as boring as it is) and Murder in the Marais (as preposterous as it is) and published them. Why? Because they are easy to market. The fit conveniently on the bookstore shelf.

One more example. I love SJ Rozan’s private detective Lydia Chin. I’m less enthralled with her PI Bill Smith. The Chin books are fresh and interesting. The Smith books are typical and I’d even have to say average PI fare. Yet which books garnered the awards? Why the Bill Smith books, of course. Go figure. Not even the award givers want to go out on a limb!

I know readers frequently bash indies for typos. But seriously? Have they read current Big 5 books? Typos abound! And we get to pay big bucks for the privilege to read them!

Good indie books are out there in abundance. And they are very often at least half the price of the books put out by the Big Boys.

Take Jack’s suggestions and go hunting. A few of my favorite authors are J. Evan Stuart, Steve Bargdill, Chad Muller/CM Muller, Janice Croom, Ben Willoughby, Crispian Thurlborn, Erik Ga Bean (he’s not on Amazon), Renee Pawlish, and Sophia Martin (her Raud Grima series). And there are more!

Jack Tyler makes a great case for readers to venture outside of our little boxes and to read books written by indie authors. Independent author-publishers. The writers who are responsible only to themselves and their readers. Instead of the corporate bottom line.

You can find Jack’s series Beyond the Rails on Amazon. Here are links:

Beyond the Rails

Beyond the Rails II

Beyond the Rails III

Comments are always welcome and, until next time, Happy Reading!

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Where Do You Buy Your Books?

Bookstores are dying! Print books are making a comeback! Men don’t read fiction! The publishing world is full of fake news.

The truth of the matter is that in the US, bookstores are on the ropes (along with many other brick-and-mortar stores), the Big 5 aren’t dead, print books aren’t making a comeback, and men do indeed read fiction.

Yesterday, I received Mary Rosenblum’s email. I subscribed quite a while ago because of friend found her critique of his book very helpful. She offers interesting insight into the world of publishing.

Her email contained a link to her blog post on which publishing venues are crushing it in the various genres. Her information was drawn from Author Earnings. I found the data and her speculations of interest. Hence my question

Where do you buy your books?

For myself, I buy all of my books online. And I can’t actually remember when I last bought a book in a store. Maybe 20 or 30 years ago. Possibly less than that. I honestly don’t remember.

Why online? First, I’ve always loved mail-order. Second, it’s easy. I don’t have to go anywhere to buy the product and only to the mailbox to pick it up. The cost of shipping is negligible when compared with the value of my time, wear and tear on my car, and sales tax. Although some online stores now charge sales tax.

For books, I buy ebooks mostly from Amazon. A few from Apple. Never from Barnes & Noble because they are usually higher-priced and their search engine is lousy.

When I retired, my team gave me a Barnes & Noble gift card — and I was very happy to get it. But trying to find something to buy on B & N’s website was a trip through Dante’s Inferno. Their subject search is pathetic when compared to Amazon’s. In the end, I searched for an author’s name and got what I wanted.

Physical books, I buy used from online vendors. But even there it’s difficult to get away from Amazon since they now own ABE and bookfinder.com.

Unfortunately, Amazon gets the lion’s share of my book business. And perhaps most people’s. Mostly because the competition is either on life support (Barnes & Noble) or doesn’t really care to compete (Apple) or is just very small (Smashwords and Kobo). I wish it wasn’t so, but it is. Quite honestly, along with Walmart, Amazon is the evil empire.

So where do you buy your books? Let me know in the comments!

Until next time, happy reading!

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Nothing Beats A Book

Last week I talked about being a multi-genre reader and writer. This week I’d like to focus on the reader part and next week on the writer part.

There are readers who basically read just one genre. Whether it’s romance or mysteries or fantasies or westerns or horror, they are satisfied with the variety their chosen genre provides. And there is a certain comfort in knowing what the book will be like even before you start. There are enough writers out there that one will not exhaust the possibilities in any given genre.

Other readers like variety. They’ll read a horror novel and follow it up with a mystery and then a mainstream novel and will read a biography after that. These readers like to experience the limitless variety that is the reader’s world. And, as they say, variety is the spice of life.

I liken it to the person who wants meat and potatoes for every dinner and the one who wants spaghetti one night, cabbage curry the next, sausage and potatoes on the third, and Lobster Thermidor on the fourth.

We like what we like, after all. It is a reflection of who we are. And whatever one’s choice of reading material, if it works — it works.

From my perspective, when it comes to reading, less does not equal more. For me, more genres equals more pleasure. More adventure!

This partly reflects, I think, my broad range of interests.

After a long period of not reading non-fiction, I’ve started to get back into it. I’ve picked up a biography of a WW II German U-Boat ace. The travelogue of the R34’s flight from England to America and back. I’ve read a book and articles on marketing. I’m getting back into philosophy. I’m partway into a book that is part biography and part history of the zeppelin by Ernst Lehmann. And recently my nephew was showing me his copy of the Encyclopedia of Ships and I know I have to get myself a copy so I can read it in more detail. These books reflect some of the wide range of topics I’m interested in.

On the fiction side of things, I’ve been reading horror and dieselpunk of late, but also some libertarian science fiction, a fantasy mystery, and am currently reading a coming of age literary novel.

And I don’t just read what I like. For example, I’m not partial to YA (young adult) literature. Yet one of my favorite authors is YA writer Daniel Pinkwater and one of my all time favorite books is his Wingman. Last year I read Catherine, Called Birdy by Karen Cushman and thoroughly enjoyed it.

I’m also not partial to coming of age novels or stories and yet I bought and am currently reading Billy Maddox Takes His Shot by Jay Lemming. And again, am enjoying this read by a new indie author.

Reading is, in my opinion, the best way to explore possibilities. Movies can do that to some degree, but not as well as a book because of how one approaches the two forms. With movies, the viewer is essentially passive. He or she is acted upon by the film.

With a book, the reader must use his or her mind. There is a collaboration between reader and writer that is needed in order to reach an understanding of the text’s meaning. No matter what the author intends, I as reader can’t approach the text with the author’s experiences. I can only do so with mine and therefore what I get out of the book is unique to me.

A friend of mine and I were discussing a poem I’d written. He made the comment, “I don’t think you understand what you’ve written.” He clearly saw something in the poem I didn’t. His experience picked up on the words I’d written and he saw something that I didn’t intend in writing the poem, which came from my experiences.

I don’t think that happens very often when we watch movies due to the passivity of the experience. Movies are passive entertainment and books are active entertainment.

Because of the active engagement, I think reading is the best form of entertainment — and it needn’t be a solo endeavor.

Family reading time is a wonderful way to spend time together. With or without popcorn!

I introduced my daughter to some of my favorite books during family reading time. She shared books with all of us that she wanted to read, such as Daddy Long Legs by Jean Webster. An aside here. Jean Webster’s heroines are strong young women in an age when women weren’t expected to be. Her books are very readable today. Webster died in 1916 at 39 years of age in childbirth.

My wife and I read The Hunger Games out loud together. A great way to spend an evening or several evenings.

If you aren’t an avid recreational reader, I encourage you to rediscover books. Add books to family or couple time. Like bread, books really are the staff of life.

Comments are always welcome and until next time — happy reading!

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A Reader’s and Writer’s Life

I love to read. Give me a book any day. I’ll take it over TV, movies, and video games. Nothing can replace my imagination. TV, movies, and video games give me someone else’s imagination which may be truly fabulous, but it isn’t mine. With my imagination, I can interact with a book’s author in a way that’s impossible through other media.

My love of reading goes back to the beginning of my life. My mother was not a good reader, by her own admission. But she did think reading was important. She read to me before I could read and once I could read on my own, she did not stint on the books I could have.

And I had all manner of books: novels, books on science and technology, the World Book Encyclopedia, books on archeology and history and ships and the sea.

To this day, my choice of reading material is still broad. I read novels and short stories in a wide range of genres. Books of history and biography. Poetry. Philosophy. Science and technology, mostly online. Cookbooks. Travelogues. Art.

Currently I’m reading Zeppelin: The Story of Lighter-Than-Air Craft by Ernst Lehmann, who was an important figure in the history of the airship. But that’s not all I’m reading. Also on the pile of works in progress are 2 short story collections, a book on criminology, and one on the famous Route 66. And as if that wasn’t enough, also on the pile is a post-apocalyptic cozy catastrophe novel. And the occasional letter from my favorite philosopher, Seneca, might just start my day.

I almost always have a book with me. And the reason I so love my iPad is because at present it contains over 600 books and that’s a lot of books! And I can carry them all with me wherever I go. What a wonderful age we live in!

Most readers don’t have so many books going at once and that’s certainly okay. Everyone needs to read at the pace which is comfortable for them. Just as long as people read. Lots of people.

I think my love of reading played in to my desire to be a writer. Why not create the books I so loved to read? Pretty much ever since I can remember, I’ve wanted to be a writer. And now I am!

Being a multi-genre reader pretty much dictated I’d be a multi-genre writer. I write what I like to read. I read private detective novels and I write them. I read post-apocalyptic cozy catastrophes and I write them. I enjoy dieselpunk and I write it. I like a good psychological or supernatural horror story, and I write those too.

But that’s not all that I like. So sometime down the road, if I live long enough, I intend to add space opera, historical novels, fantasy, poetry collections, and philosophy to the mix.

Isaac Asimov wrote over 500 books on all but one of the major Dewey Decimal System divisions. I’ve always thought that to be a wonderful accomplishment. Something I’d like to do myself. After all, variety is the spice of life!

The reading life and the writing life are the best of lives, in my opinion. Only the imagination is the limit and the imagination is limitless.

Comments are always welcome and, until next time, happy reading!

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Zeppelin Mania: My Library

The LZ-114 completed after WW I, turned over to the French, and renamed Dixmude.

Many of you are aware of my love affair with the airship and the rigid airship in particular.

Some of you have made comments on the seeming dearth of information on the airship. Well, Virginia, I’m here to tell you that isn’t necessarily so. There’s quite a bit of material out there. One just needs to know where to look.

To that end, I thought I’d share with you today the portion of my library dedicated to books about airships. Because inquiring minds want to know! The list below is divided into non-fiction and fiction.

If you have any additions, please let me know. Questions and comments are always welcome. Until next time, happy reading!

My Airship Library

Non-Fiction

  1. Airship: The Story of R.34 – Patrick Abbott
  2. Airships: Designed for Greatness – Gregory Alegi, et.al.; concept and artwork by Max Pinucci
  3. USS Los Angeles: The Navy’s Venerable Airship and Aviation Technology – William F. Althoff
  4. Airship on a Shoestring – John Anderson
  5. Hindenburg: An Illustrated History – Rick Archbold (text) & Ken Marschall (illus.)
  6. Dr. Eckener’s Dream Machine: The Great Zeppelin and the Dawn of Air Travel – Douglas Botting
  7. The Giant Airships – Douglas Botting
  8. TransAtlantic Airships: An Illustrated History – John Christopher
  9. The Zeppelin Story – John Christopher
  10. Zeppelins of World War I – Wilbur Cross
  11. Zeppelin Hindenburg – Dan Grossman
  12. Airships in Peace and War – R. P. Hearne
  13. The Zeppelin Reader: Stories, Poems, and Songs from the Age of Airships – Robert Hedin
  14. The Log of H.M.A. R34 Journey to America and Back – E.M. Maitland
  15. Inside the Hindenburg – Mireille Major (text) & Ken Marschall (illus.)
  16. The Hindenburg – Michael M Mooney
  17. Giants in the Sky: A History of the Rigid Airship – Douglas H Robinson
  18. LZ129 Hindenburg – Douglas H. Robinson, with scale drawings by Richard Groh
  19. My Airships – Alberto Santos-Dumont
  20. Schütte-Lanz Airship Design – Prof. Johann Schütte
  21. Slide Rule – Nevil Shute
  22. The Great Dirigibles: Their Triumphs and Disasters – John Toland
  23. Airship Saga: The history of airships seen through the eyes of the men who designed, built, and flew them – Lord Ventry & Eugene M. Koleśnik
  24. Jane’s Pocket Book of Airship, ed. by Lord Ventry & Eugene Kolesnik
  25. Zeppelin: The Story of a Great Achievement – Henry Vissering
  26. Airship Aerodynamics Technical Manual – War Department
  27. “Zeppelin’s New Age of Air Travel” in Popular Mechanics, July 1994
  28. “Blimps: Billboards in the Sky” in Smithsonian, June 1998

Fiction

  1. Airship Nine – Thomas H. Block
  2. With Airship and Submarine – Harry Collingwood
  3. Seize the Wind – John Gordon Davis
  4. Lester Dent’s Zeppelin Tales – Lester Dent
  5. Death on the Empress – Stuart Harper
  6. Goliath – Richard Turner
  7. Beyond the Rails – Jack Tyler
  8. Wings of Fury – R.N. Vick

My Own Novels

  1. The Moscow Affair (From the Files of Lady Dru Drummond, Bk 1)
  2. The Golden Fleece Affair (From the Files of Lady Dru Drummond, Bk 2)
  3. Take to the Sky (The Rocheport Saga, Bk 7 – forthcoming)
  4. Rand Hart and the Pajama Putsch
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Book Review: Finder, The True Story of a Private Investigator

I love private detective novels. But the biographies and autobiographies of real private detectives I find equally fascinating. I have a small collection of these books.

Finder: The True Story Of A Private Investigator is the autobiography of Marilyn Greene, co-authored with Gary Provost. In the book, Marilyn Greene relates her early interest in law enforcement and her disappointment at being turned down by the New York state police.

Sometime later she developed an interest in search and rescue and tells us how she became one of the best finders of missing persons using her air-scent trained dog. Because of limitations imposed on her work as a finder, due to her being a volunteer, she moved into licensed private investigator work.

We also get a glimpse into the personal cost of her pursuing her passion. The break up of her marriage and problems with one of her sons.

Marilyn Greene’s story generates anger at the bias and prejudice she faced being a woman in a field dominated by men, as well as heartache at what she had to go through to pursue her dream.

In one instance, she was asked by the State Police to look for a missing person. She found the body in a short period of time only to find out that the police only asked her to get the parents off their backs. She wasn’t supposed to find someone they couldn’t.

Another time she faced police hostility because her dog found the missing person, when the police dogs couldn’t.

Once, she was hired by the mother of a missing person. She discovered that the son’s best friend had killed the man because he was bullying him. It was a heartbreaking story of the victim suffering once again. This time in the legal system. Ms Greene’s point was that many real life stories do not have happy endings.

The book itself does not read like a thriller. In fact, it’s somewhat dry. Yet it’s packed with information telling us how a real private detective worked back before everyone had laptops and smart phones.

I recommend giving Finder a read. I read the book some 25 years ago researching what real PIs were like in preparation for writing my first mystery. For me, the book was fascinating and stayed with me all these years. Recently, I bought a copy and re-read it. It’s a satisfying, real life tale. Give it a read!

Comments are always welcome! And until next time, happy reading!

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How I Choose What To Read

The other day I finished reading a novel (An Unsubstantiated Chamber by William J Jackson — do yourself a favor and get a copy) and was looking over my library to see what I wanted to read next.

With a couple thousand titles to choose from I was having a bit of a dilemma. Fiction or nonfiction? Sci-fi or mystery? Fantasy or horror? Or maybe a classic? I couldn’t make up my mind.

Then I got to thinking about Kate Summer’s article, which I’d talked about previously. I re-read the article and discovered, after I thought about it, in the matter of choosing books I was no different than most men.

I’m not a bookclub member. I don’t look to Twitter, Facebook, or G+ for recommendations. I can’t stand the clunky and cluttered layout of Goodreads and no longer go there.

Instead, I get recommendations from friends, online book reviews, or online recommendations from blogposts, podcasts, or the like. I also search Google or Amazon for books related to my interests, both fiction and nonfiction. For example, I like airships and regularly look for fiction and nonfiction books related to airships.

Of the methods listed above, getting recommendations from friends is probably the method I use the least.

Women, on the other hand, tend to be very social and tell others what they’re reading, or want to read, or freely ask who’s reading what. That is something most men simply do not do.

When I look at my own habits regarding reading, I do not usually talk about what I’m reading. On occasion I will tweet #amreading. But that has more to do with helping spread the word about other authors’s work, than it is me wanting to share with the world what I’m reading. The same with the writing of reviews.

So I find that I’m pretty much like most men when it comes to choosing a book to read and talking about what I’m reading, or more accurately not talking about what I’m reading.

Getting back to that book that I wanted to read, I ended up choosing Terry Newman’s Detective Strongoak and the Case of the Dead Elf. Now you may ask why did I choose that particular book and the answer is pretty simple.

Sometime ago Mr. Newman followed me on Twitter and we got to talking about our books and interests. I went over to Amazon and took a look at his book, read the reviews, took a look inside, and liked what I saw. In addition, Harper Collins only wanted $2.99 for the Kindle edition. $2.99 from a Big 5 Publisher is a rarity and I decided to buy. Even though I have a no new Big 5 book purchase policy.

My discussion with the author got me looking, but it was the writing and the reviews that got me buying. Pretty much a solitary decision-making process.

And if you’re looking for a book to read, take a look at Mr Newman’s fantasy mystery, it’s very good. And it’s still only $2.99!

By the way, if you have any recommendations for those you-just-gotta-read-this-book books, please tell me about them in the comments.

Until next time, happy reading!

PS — The 8-Fold Path has moved to Thursdays. See you then!

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