Justice Sampler

Last post, I talked a bit about the newest addition to the Magnolia Bluff Crime Chronicles: Kelly Marshall’s Justice.

In this post, I thought you might like to take a read of a portion of chapter one. Something to wet your whistle. Something to get a feel for the excitement and tension Ms. Marshall packs into the first chapter.

So, without any further advertising, I give you Justice by Kelly Marshall. Book 8 in the Magnolia Bluff Crime Chronicles.

Chapter One

“Take it easy. Catch your breath.” I reached out and touched his shaking shoulder. What could possibly have frightened him so much?

He dropped his head down on his chest and sucked in several more breaths. When he looked up at me, tears had made a muddy path from his eyes to his chin. “La chica esta muerta.” The girl is dead.

I stood and reached out my hand to help him up. “Donde esta ella? Take me to her.” 

He staggered up and leaned against me for support. How quickly he morphed from a tough teen into a frightened youth. 

We threaded our way through red cedars and bald cypress trees. The teen pointed to a spot approximately twenty yards ahead. 

His voice quavered. “She’s over there.” 

Blow flies buzzed and circled a slender, pubescent body. She lay facedown, her brown legs and arms outstretched. She wore one frayed tennis shoe and no clothing. Heavy bruising and welts dotted her legs and arms. I checked for a pulse, but it was clear the child was dead. 

I noticed a blue band secured around her wrist like those attached when someone enters the hospital. Odd. There was no identifying information on the band. 

The lack of putrefaction and rigor on the corpse told me this girl died very recently. I carefully stepped away from the body to preserve the scene. Her ripped clothes lay in a pile next to her corpse. Bloody cotton panties hung from a nearby tree.

Behind me, I heard the teen gag, and turned to find him bent over, hands on his knees, vomiting.

I keyed my shoulder mic. “10-79. 10-79. Body of female juvenile found at Ink Lake. Request CSI stat at 3630 Park Rd 4 W, Burnet. Repeat. Request CSI at 3630 Park Rd 4. I’m a quarter mile in the tree line from dock. Notify Wylie Garrison to contact the Medical Examiner stat.”

My teenage companion barfed until all that was left were dry heaves. He insisted he wanted to leave. 

“What’s your name?”

“Julio Mendez.”

“Julio. You found the body and that makes you very important to this investigation. I’m gonna let you slide on not having a license. But make my job easier by sticking around. Otherwise, I’ll have to come find you and that wastes my time and may embarrass you in front of your friends. You’re a hero.”

He stood up taller. “Estas seguro?”

“Yes, I’m sure. You’re a key person. We need your help.”

He nodded toward the body. “I don’t want to see that. Those flies are eating her.”

I agreed with Julio. The incessant buzzing of the ravenous insects disturbed me as well. As bad as that was, at least the body had yet to omit the overwhelming odor of putrefaction.

“Let’s move back away and wait for my guys to arrive.”

While we lingered at the edge of the tree line, I took a statement from Julio and recorded it on my phone. He admitted running away from me, fearful because he had neither a driver’s license nor a fishing license.

“I can let you slide on the fishing license but driving without a license is a more serious matter.”

“But you said, I’m a hero and you’d let me slide.”I lied and deflected.

“Let me talk to my boss and see what I can do.”

He seemed relieved and continued his statement that he stumbled on the girl running away from me and immediately turned and ran back to the dock to report finding the body.

The team hustled to the lake within a half- hour. I waved them over. 

The Burnet County white forensic van screeched to a stop in front of us. Doors flew open, and four agents spilled out toting canvas bags filled with the necessary tools of their trade. One of them lugged a body bag and a lightweight metal board to carry the corpse away from the crime scene.

Sheriff Blanton’s black Charger announced his arrival with a piercing siren, lights pulsing, and a thick dust storm trailing behind him. He braked behind the forensic van. Buck Blanton grunted as he emerged from his cruiser. 

The massive man stood to his full six- foot-two height and put on his gray Stetson. The hat, his Ray-bans, and black quill Justin boots were the man’s signature. You never saw Buck without them. They were as much a part of his uniform as the khaki-colored shirt and pants he wore. 

Blanton power walked toward me. “You found the body, Miss Jackson.”

“Yes, sir.”

“Fill me in.”

I nodded toward Julio. “We’d had some words, and he decided to leave.” As he was running from the area, he stumbled on the body.”

Blanton put his big hand on Julio’s shoulder. “You need to show Officer Jackson more respect than that. Don’t you know that, boy?”

Julio shrank beneath the man’s grasp and didn’t answer.

“Answer me, son, or I’ll lock you in my car.”

Julio’s surly attitude surfaced. “I found the body and reported it. You need me.”

Buck’s smile spread from ear to ear. “Is that right? You need to think about your answer, boy.” 

Blanton grabbed the teen under the arm, marched him to his Charger, pushed his head down and shoved him in the rear of the police car. A twerp, then a click from the sheriff’s fob locked the boy in the caged backseat of the car.

Blanton marched towards me. His smile spread-eagled across his face. He pontificated, “Now that, Officer Jackson, is how to handle a smart-ass gangsta wannabe. He needs to spend some time thinking about his shitty attitude. Now let’s go see the crime scene.”

“He’s mine, Sheriff. You can park him in your ride until we’re out of here. But he’s leaving with me.”

Blanton’s teeth flashed white. “I like the hell out of you, Madison. You got your Daddy’s gonads.”

“My daddy wants grandchildren someday, so I’m not sure he’d be happy with your description.”

“Just sayin’ he raised you right. Don’t get your panties in a wad.”

“Who says I wear them?”

Buck threw back his head and roared his approval of my quip. He charged into the trees leaving size-twelve shoe imprint as he crashed through the underbrush beside me.

What was once an eerily quiet death scene bustled like a beehive with the white-robed forensic team combing the grounds for clues and placing yellow evidence markers on the ground.

They had already bagged the victim’s hands. The girl was laying on her stomach, long black hair draping down her back. I noticed bruises and scrapes along her arms and broken fingernails, indicating she aggressively fought her attacker. 

The victim’s slim brown legs were spread apart suggesting a sexual assault and murder. What a desperate, sad way for a young life to end—her last moments on earth filled with frantic fear and pain and knowing she was marked for death.

Justice of the Peace Wiley Garrison trudged in behind us. The JP was a weenie of a man—slight build with wire-rimmed framed glasses that seemed to be set cock-eyed on his face. I thought he must have been teased mercilessly in grade school and later as the town one-hundred-pound weakling. 

He nodded at me and moved closer to the body then announced he’d attend the autopsy in Austin when the medical examiner scheduled it.

Wiley spoke to Dan Caruthers, the forensic team leader. “Can we turn her over?” A nod from the supervisor gave permission for the investigators to reposition the body.

“Shit.” I covered my mouth.

Blanton agreed. “We’re looking for an animal.”

Dried blood covered her face and pubic area. Deep cuts marred her cheeks, and her lips were sliced and dangling from the corner of her mouth. 

Bruises around her neck indicated strangulation. Both lower legs had been snapped and the tibia on her right leg protruded through her skin.

I turned away from the grisly scene momentarily to gather my resolve and swallow my gorge.

Buck spat on the ground and nodded towards the girl’s panties on the tree. “That’s the signature of the pervert coyotes. The killer’s started a rape tree. I’m bettin’ that’s hymen blood and this kid was trafficked out of Tenacingo, Mexico.”

“How can you be sure?”

He shrugged his beefy shoulders. “Tenacingo is the biggest source of sex slaves in the US. I’m a bettin’ man that this is the Jalisco New Generation Cartel or CJNG as they call themselves. See that band on her arm? The cartels tag these girls so everyone knows which gang owns them. These bastards work with families and buy their daughters for twenty to twenty-five thousand dollars.” He nodded at the child on the ground. “A virgin like this can fetch even more. Then they traffic them north and make prostitutes of them. The girls are forced to have sex with ten to fifteen clients a day, and they work them six days a week. The cartel rakes in millions.”

Looking at the child on the ground, I was aghast and couldn’t imagine this pre-teen being raped repeatedly, day after day. I wondered if she had tried to run and that’s why her killer mutilated her so viciously.

Wiley stood up and addressed the forensic team, “When you’re done here, I’ll drive her to Austin.”

“I’d like to attend it, too.”

Wiley looked at me. “Suit yourself, but I’d call the medical examiner and let him know you’re comin’.”

“Will do.”

Blanton eyeballed me. “Why put yourself through an autopsy? Ain’t this bad enough? When he gets that saw out and lops off the top of her head, you’re gonna be pukin’ your guts, Miss Jackson.”

“It won’t be my first, Sheriff, or my last.”

***

I hope you enjoyed that sample of Justice by Kelly Marshall. You can, of course, find the book on Amazon.

Comments are always welcome! And until next time, happy reading!

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

 

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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Beyond the Sea — Part 2

Beyond the Sea: Stories from the Underground is a project of the Underground Authors. We are a group of writers who place a high value on quality fiction. We seek to write it and promote it.

Beyond the Sea was an exercise in creativity. Take one picture and see what stories a dozen writers could find in it. And we found a dozen gems.

Three weeks ago, I blogged about my own contribution, and the three stories that impressed me the most.

Today, and next week, I want to share with you the remaining stories — because all the stories are good.  And what’s more, maybe your favorite is one of these eight imaginative tales.

So let’s dive in!

The Diving Bits Breakfield & Burkey

Xiamara has spent her and Judith’s savings to buy a boat. Judith is furious. The money was for their tuition to learn computers.

However, Xiamara convinces her friend they can make the money back by taking tourists out snorkeling.

But when their best laid plans meet reality, the two women end up in a heap of trouble.

A fun backstory romp in Breakfield & Burkey’s Enigma Universe.

Stranded — NE Brown

This story starts out innocently enough, but gradually you become aware that something isn’t right. And the ending? You have to read it — no spoilers here.

This is a suspense shocker that will have you trusting no one. A story I very much liked.

I’d Rather Drown — James R Callan

What would you do if you suddenly found yourself a prisoner? That’s the situation Darcy finds herself in. Prisoner of a control freak and possible psychopath. All because she accepted a drink and agreed to a game of tennis.

But she has a life, and it isn’t with her jailer! How is she going to escape Donald’s clutches?

James Callan gives us a tense thriller, brilliantly executed. A tale of escape that will have you biting your nails. I know I did!

Regi Vitam — Michael Scott Clifton

Ever wonder if anything you do ever has a good impact on someone else?

Frankie Scott was old and in poor health. He’d found a lot of talent for the Major Leagues in his day, but now he was all washed up. Just existing until his heart, lungs, or liver gave out. Just existing, that is, until Devin Ramos’ baseball breaks his window.

A heartwarming story that brought tears to my eyes.

Beyond the Sea: Stories from the Underground is a labor of love. All profits go to Team Rubicon to help their efforts to provide humanitarian relief when disaster strikes.

So do yourself and a lot of others a favor and pick up a copy today. You can be a good Samaritan and have fun at the same time!

Buy Beyond the Sea at Amazon

Comments are always welcome. And until next time, happy reading!

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Mystery vs Suspense vs Thriller One Reader’s View

Crime can pay. Crime writing, that is. Then, again, real crime can pay too. But we’ll leave real crime for others to do. Today I want to talk about crime fiction; specifically about mysteries, suspense, and thrillers.

Thrillers

Thrillers are all the rage these days, but what exactly is a thriller?

A thriller is an action story. Usually fast-paced. The protagonist is in danger from the beginning. There is a bad guy and the protagonist must stop him (or her) from accomplishing his nefarious deed. We usually know the good and bad guys right from the beginning.

The scope of the thriller is often large. The bad guy isn’t playing for pennies. He’s going to blow up a city, poison a country, start a nuclear war. The thriller is about big action and big bad guys. The protagonist, to some degree, must also be larger than life.

The works of Tom Clancy and Clive Cussler are examples of good thrillers.

In the hands of a good writer, the thriller can be a thrilling read. Often, though, the writing is sub-par and the story not plausible, unless I, the reader, exercise a mega-dose of the suspension of disbelief. This is how the Jack Reacher stories strike me.

Many books are labeled as thrillers, which technically aren’t. Why? Money. As one wit noted, the difference between a mystery and a thriller is about a hundred thousand dollars.

Suspense

The suspense novel is often a slow burn story. The focus isn’t on action, although there may be quite a bit of action. The focus is on creating a feeling of suspense in the reader.

In the suspense story, the reader is omniscient. We see everything. We see the bad guy planning whatever it is he is going to do. We see the protagonist completely unaware, at least at the beginning, of the bad guy and his actions. We, the reader, see much more of the danger than the protagonist does and therein lies the creation of suspense.

The scope of the suspense story is generally limited and focused on the main character. Things are happening, usually to the main character, and he doesn’t know why. We, the reader, usually do, however, which adds to the suspense.

Cornell Woolrich was the suspense writer par excellence. Lester Dent also wrote some fine suspense novels.

The Mystery

The mystery is about solving crime, usually a murder. The crime usually happens at the beginning of the story and the sleuth’s job is to solve it. The protagonist (the sleuth) can be a professional or an amateur. And we usually do not learn who the bad guy is until the end of the story.

There are many mystery sub-categories. Right now, the most popular is what I call the chick lit cozy. It is the cozy mystery with the addition of elements from chick lit: a young (or youngish) woman, who is the main character/sleuth; she is divorced or a widow; has moved to a new location, and embarked on a new career; and there’s romance. Along with the regular cozy mystery, these are very clean and non-violent reads.

An indie example is Agatha Frost’s Peridale Cafe Murder Mystery series.

In a mystery, the reader only knows what he or she is told. We see what the sleuth sees. The story is as much a puzzle for the reader as it is for the protagonist.

The mystery can be filled with suspense and it can be thrilling. The danger to the protagonist builds, along with the story. The more the sleuth learns about the criminal, the greater the danger he or she is in.

Personal Assessment

For me, I find the mystery to be the most satisfying reading experience. It combines the puzzle with suspense and thrilling action.

While the mystery is technically a plot-driven story, rather than character-driven, I find that the most interesting mysteries are those which have interesting characters.

Mystery plots are basically all the same. There is a murderer who has killed someone and is trying to cover up the crime while the sleuth is trying to uncover it.

What makes the mystery story interesting is the cast of characters and the twists and turns of the storyline. And quite often the cast of characters can save a mediocre storyline.

After all, we remember Nero Wolfe, Sam Spade, Hercule Poirot, Mr and Mrs North, and Sherlock Holmes. But how many of the actual mystery stories featuring these characters do we remember? I bet not many.

In my opinion, interesting characters make mysteries more interesting reads than thrillers or suspense novels. Which usually have fairly stock characters.

Pacing is another reason I prefer the mystery as a reader. The pacing accelerates with the action in the story. As the clues (and sometimes the bodies) pile up and the more the sleuth knows, the more desperate the killer becomes. And the sleuth finds himself in ever increasing danger.

The action ratchets up in a natural progression. Unlike the thriller where were out of breath by page 2 or 3. The mystery, to my mind, is much more realistic and natural.

Finally, as a reader, I don’t necessarily want to know everything. For me the suspense of knowing there is a killer out there is sufficient. As I learn information with the sleuth, I form a bond with him. We are in this together, as it were. The very nature of the mystery, helps draw me into the world of the sleuth and his dilemma.

There are some fine mysteries being written today by indie authors. Two I especially like are:

Richard Schwindt’s Death in Sioux Lookout trilogy

Joe Congel’s Tony Razzolito P.I. series

Both are very good and very much worth a read.

Comments are always welcome! And until next time, happy reading!

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Jack Reacher, Lydia Chin, and U-Boats

Today I thought I’d share with you some of the books I’ve been reading. Specifically a couple of traditionally published authors whose books I’ve been exploring, as well as a return to an old interest.

Jack Reacher

In the thriller world, Lee Child’s creation, Jack Reacher, is all the rage. Sometime ago I picked up Number 15 in the series in a used bookstore. I’d never heard of Lee Child or Jack Reacher at that point and since the book was the fifteenth in the series and because I have a penchant to read series books in order, I set it aside until I could get the earlier books.

Then I learned of the Jack Reacher craze and bought the first two books just to see what all the fuss was about. I bought them used because I have a policy not to buy any new books published by the Big Five. Mostly because the Big Five charges way too much for books, especially e-books.

And without a doubt I’m glad to say I didn’t pay anymore then the two cents plus shipping that I paid for the books, because I’m not at all impressed with Jack Reacher.

What I actually found most helpful was Mr. Child’s introduction to the first book in the series in which he explained how he created Jack Reacher and a bit about his philosophy of writing. That was valuable information and should be read by all writers.

So what didn’t I like about Mr Child’s writing?

  • Mediocre writing. The books are over 500 pages long in the paperback versions and that’s about 200 pages too much. They are wordy and Mr Child continually defuses the suspense with lengthy descriptions and explanations. Which seems odd that one would want to kill suspense in a suspense novel.
  • Technical inaccuracy. The first two books are riddled with inaccurate terms and information regarding firearms. Mr Child clearly knows nothing about guns — and he apparently didn’t bother to do sufficient research.
  • An unbelievable main character. Jack Reacher clearly fulfills Mr Child’s intentions as to what he wanted to achieve in a main character. Child wanted someone who never loses. A wish fulfillment for everyone who’s suffered at the hands of a schoolyard bully. The problem is, Reacher is boring. He is never in any real trouble. He’s always in control and the few times he isn’t he always knows he’ll get the upper hand eventually. He has a few quirks which come off as more stupid than interesting. And Reacher’s personality is about as interesting as a cold fish.

Personally, I think the only reason Lee Child got a publishing contract is because he was a TV writer before he turned to fiction. It’s all about who you know.

Needless to say, I won’t be buying anymore Jack Reacher novels. I might read more if I were to get the books for free. But even then that would be iffy. Just too many better books out there.

Lydia Chin/Bill Smith

S J Rozan was an architect who decided to try her hand at novel writing. She’s garnered numerous awards and nominations for her mystery detective series featuring Lydia Chin and Bill Smith.

The series currently numbers 11 novels and since the last one was published in 2011 it may be at an end, as her two latest books our paranormal thrillers which she co-authored.

The series is somewhat unique in that the odd numbered novels are told from Lydia’s point of view and the even numbered ones from Bill’s.

I’ve read the first 3 and number 4 is in the queue.

Ms Rozan’s style is exquisite. Very polished. No extraneous anything. Lydia and Bill are well-drawn. They end up winning, but aren’t infallible. They come across as real people. By way of contrast, I’d say Jack Reacher is about as complex as a comic book character.

Lydia’s and Bill’s world is New York City. And Ms Rozan makes their world come alive for us. Her word painting is superb.

Of the two characters, I prefer Lydia Chin. She is more colorful and her Chinatown world is fascinating. Even Bill Smith is more interesting in the books where Lydia is the point of view character.

When Bill tells the story, everything is duller and somewhat darker. At least in the one Bill Smith point of view novel I read. We’ll see if that changes in the next one I read.

As of right now, I plan to get all of the Lydia Chin/Bill Smith mysteries. They are pretty much as good as it gets.

U-Boats

U-Boats? Why U-Boats, you might be thinking. I’ve studied history all my life. Majored in it for my B.A. and continued with courses in grad school. There are many aspects of history one can study and technological development is a very intriguing aspect.

Most know I’m crazy about airships. What most don’t know is that I’m also fascinated by submarines. The two are very much the opposites of each other. What it takes to fly a rigid airship is the same skills it takes to navigate a submarine. The one is in air, the other water.

I’m also fascinated by the losers in history. It isn’t always the good guys who win, unfortunately. They do, however, get to write the history books.

Recently, I watched a World War II movie about an Allied force that captures a German U-Boat in a stealth operation. Complete fiction. And complete propaganda. All the typical war movie tropes: all the Germans get killed and only one American does; the Germans can’t fix their diesel engine but the Americans can; the Americans in the middle of a tense situation with only one person able to speak German, figure out all the German instructions on how to run the boat; the German sub trying to recapture the U-Boat has all its torpedoes miss, but the Americans with only one torpedo left are able to sink the pursuing German sub; and on it goes.

What the movie did do was spark a renewal of my interest in submarines. Currently I’m reading two books from the German’s perspective on the Battle of the Atlantic. One from World War I and the other from World War II.

To me, the most interesting thing is if you were to simply change the perspective the books could have been written by the victors. In other words, the motivation behind the Allied and Axis troops to fight was the same. A vague sense of patriotism mainly. Rarely a devotion to ideology

To achieve balance in one’s understanding of history, one needs to read both sides.

We, as individuals, are the sum total of not only our past, but the past of our people. The more we understand the past, the more we understand ourselves. Our past defines who we are at this very moment. It may or may not define the future. That usually depends on how well we understand past drivers.

To read the exploits of the U-Boat commanders and their crews is giving me an appreciation for those men who have been so brutally demonized by Allied propaganda, but who in reality were no different than those men they were fighting.

A study of history quickly shows the historian people are people, no matter where they are found.

 

That’s some of what I’ve been reading of late. I’ve, of course, been reading other books and reviews of some of those will be forthcoming.

As always, comments are welcome! And until next time, happy reading!

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Crime Fiction

My wife and I have been watching the ABC TV show Quantico on Netflix. I would have stopped watching after about the eighth episode, but my wife wanted to continue and so we did. IMO, the show continued its downward spiral into angst, bad acting, and impossibly stupid storylines right through to the season finale. How ABC could renew such a travesty on the concept of entertainment and cancel Agent Carter is beyond me. Well, actually it isn’t. A hot babe, a hunky guy, and sex (lots of sex) — and you get commercial sponsors. No wonder ABC’s line up sucks.

At the same time, I’ve been watching the Canadian TV series Murdoch Mysteries and CBS’s Elementary. Those are superb productions with good acting, well-drawn characters, and engaging storylines. Of which, Quantico has none. The main character in Quantico is a narcissistic slut (not just my opinion, even the characters in the story think so), the supporting characters are pathetic, and the storyline… Well, when taken all together, if the FBI is really like this — then God help America.

In watching the three shows, I got thinking about crime fiction and drama in general and which types do I prefer. Broadly speaking, there are three categories of crime stories: mystery, suspense, and thriller. Let’s take a look at each and see what defines them.

MYSTERY

Crime fiction mysteries more or less got their start with Edgar Allan Poe’s C. Auguste Dupin and were perfected by Sir Arthur Conan Doyle in Sherlock Holmes. Every detective since Holmes’s debut owe’s something to the Great Detective. Doyle permanently shaped the mystery. There have been many variations on the theme, but there have been no new themes.

What are the characteristics of the mystery story? At base it’s a puzzle, a riddle, to be solved. The hero or heroine must find the solution and discover who committed the crime.

The mystery is something of a cerebral form. It appeals to our wish for order and our desire to find solutions to problems. Action is often minimal. There is the sleuth, professional or amateur, interacting with the other characters in order to gain pieces of information which will hopefully lead to the solution of the problem.

Generally speaking, the sleuth is in little physical danger. Although he or she may encounter some risk as he or she gets closer to the solution and the bad guy is about to be revealed.

Examples of this category abound. Perhaps my favorite mysteries are those which feature Rex Stout’s Nero Wolfe. On TV there are many great series. Favorites of mine are Inspector Morse, Inspector Lewis, Inspector George Gently, Grantchester, Elementary, Murdoch Mysteries, and Midsomer Murders.

My own Justinia Wright, PI fits neatly into this category.

SUSPENSE

The suspense novel or drama differs from the mystery in that the hero is in some kind of personal danger, often right from the beginning of the story — although he or she may not be aware of the danger, at least at the start of the story.

However, the reader (or viewer) is very much aware and that starts the suspense dynamic.

The focus in the suspense story is not on the crime, but rather on the danger the hero has inadvertently gotten himself into.

The acknowledged master of the suspense story was Cornell Woolrich. Novels such as The Bride Wore Black, Night has a Thousand Eyes, and Fright are classics of the genre.

Alfred Hitchcock was the cinematic master of the suspense story, with such classics as Rear Window (based on a Woolrich short story), North by Northwest, and Vertigo.

A good suspense story often has many elements of the “whodunit”, although very often the reader or viewer knows who the villain is. The hero very often doesn’t however and that creates the suspense.

THRILLER

The thriller is the relative newcomer on the block. Although, one could argue the thriller concept got its start in such novels as the Fu Manchu series by Sax Rohmer, where the evil genius, Fu Manchu threatens the world with his evil schemes.

In a very real sense the thriller is a suspense story that is simply set on a very grand scale. The stakes are much higher, often on a huge scale. Something is going to affect hundreds, if not thousands or millions, of people — and the hero, of course, must stop the bad guy before the disaster happens. He may or may not know who the culprit is he must stop, but stop him he must. If the villain is unknown to both hero and reader/viewer, then we have elements of the mystery in our thriller.

And right from the start it’s very obvious the hero, along with those hundreds, thousands, or millions, is in danger. Mortal danger, which only gets worse as the story progresses.

The above mentioned blight on the thriller genre, Quantico, exemplifies all of the thriller tropes. The heroine, Alex Parrish, is in danger right from the start. The stakes are high, as well: buildings are blowing up and then we get the ultimate disaster threat. The villain is only revealed at the end, so we also have a healthy dash of mystery to our plot. The suspense story on steroids.

A much better example of the thriller is the movie Die Hard. Intense action. High stakes. One man against many, with scores of hostages at risk. A classic.

In the literary field, Tom Clancy was a master of the technical thriller and the stakes in his books are huge. There’s also Robin Cook’s medical thrillers.

POPULARITY

Crime fiction is the second largest genre after romance. According to Author Earnings’ May 2016 report, mysteries and thrillers/suspense account for around 230,000 sales per day on Amazon, with authors earning in the neighborhood of $375,000 per day. Apparently crime (writing) does pay!

Thrillers/suspense (and probably more the thriller) is the hot genre now. Straight mysteries less so. Lee Child and Clive Cussler are big names. Indies such as Mark Dawson and A G Riddle are pulling in big bucks selling thrillers. Apparently crime readers lean towards lots of action and big risks these days.

However, I have to say I prefer the mystery and secondarily the traditional suspense story. There’s nothing wrong with the thriller, it’s just that most thriller storylines seem a bit too fantastic for my tastes. I also tend to prefer the more sedate pace of the mystery. If I want action and adventure, I prefer the traditional action/adventure yarn. Such as those written by H. Rider Haggard or Robert E Howard.

It is, though, admittedly, a matter of personal taste. However, I find myself wondering if in another 130 years Jack Reacher will be around. I’m pretty certain Sherlock Holmes will be.

Feel free to comment on your crime fiction preferences. And until next time, happy reading!

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8 Sentence Sunday on Dieselpunks #10

The zeppelin Argo is on the last leg of its journey to the country of Georgia, known in ancient times as Colchis. The land of the Golden Fleece. Lady Dru and company will land in Georgia and attempt to find and retrieve the Golden Fleece for Mr Walter Ramsey Hall.

However, the fun is only just beginning. In today’s snippet, the Argo is flying over Turkey and is attacked by two Soviet built biplanes. Dru and her friend Dunyasha run to their cabin to retrieve their pistols. While getting them we hear their conversation. Here is today’s snippet:

We heard more machine guns firing.
“Is this gas bag armed?” Dunyasha asked. “Because that wasn’t only the planes shooting.”
“Knowing Mr Hall, as I do, I’d say Argo is armed.”
“I love that man,” Dunyasha said with a huge smile on her face. “And those bastards better not hurt my champagne.”
We ran back to the lounge, opened a window on the starboard and looked out. Argo’s engines were roaring and she was on a steep climb.

If you write or read Dieselpunk, join in the fun: 8 Sentence Sunday on Dieselpunks.

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