On the Shortness of Life

A little over a week ago, I learned of the death of a fellow indie author. I did not know Laila Doncaster, except in passing. We exchanged a few words now and then on Twitter, occasionally retweeted each other’s tweets, and that was that.

Her first book of a projected series was published on May 1st. Her bio on Amazon speaks of looking forward to an early retirement. And now she’s dead.

I am saddened. Very much so. A person looking forward to the future, an exciting future, and now there is no future. She’s gone.

Every now and again someone will chasten me for my attitude towards my writing. The sense of intense urgency I have to put pen to paper.

I am driven to produce as much as I can, as fast as I can, and get as many copies of my books into as many hands as I can.

I’m told I shouldn’t feel so driven. I’m told I shouldn’t be looking over my shoulder for the Grim Reaper, while my pen is scratching out page after page of words.

All I can say in response to these well-meaning folk is to quote Seneca: “The whole future lies in uncertainty: live immediately.”

Or to paraphrase: I might die tonight — I need to write today. After all, only I can write my books; and I have many score begging to be written down.

Seneca’s essay, On the Shortness of Life, needs to be required reading. It is the antidote to the carelessness with which most of us approach life and live life — which is the most non-renewable of resources.

I’m 67 years old, and I’m somewhat ashamed to admit I’ve wasted most of the time given to me in this thing we call life.

Ever since I can remember, I’ve wanted to be a writer. However, it wasn’t until I was 37 that I actually, in all seriousness, began to act on my desire instead of just dabble. And it was another 11 years before I began to see the fruit of that action.

According to the actuarial tables, I have another 10 years to live. That’s not a lot of time. And anything can happen between now and then to shorten those 10 years.

Seneca wrote:

It is not that we have a short time to live, but that we waste a lot of it. Life is long enough, and a sufficiently generous amount has been given to us for the highest achievements if it were all well invested. But when it is wasted in heedless luxury and spent on no good activity, we are forced at last by death’s final constraint to realize that it has passed away before we knew it was passing. So it is: we are not given a short life but we make it short, and we are not ill-supplied but wasteful of it… Life is long if you know how to use it.

There’s some comfort in that advice, yet how many of us know how to use our time and not waste it? I confess I’m still struggling with that one. But here, too, Seneca has some advice for us:

No activity can be successfully pursued by an individual who is preoccupied … since the mind when distracted absorbs nothing deeply, but rejects everything which is, so to speak, crammed into it. Living is the least important activity of the preoccupied man; yet there is nothing which is harder to learn… Learning how to live takes a whole life, and, which may surprise you more, it takes a whole life to learn how to die.

In other words, it is unproductive busyness, unproductive worry and anxiety, unproductive lack of focus, unproductive preoccupation with things that don’t matter that rob us of the one thing that does matter — irreplaceable time.

It is the life lived deliberately that is the fruitful life. It is the focused life that is the productive life. As Rainer Maria Rilke advised the young poet: once you’ve decided you must write, then you must structure your life so that nothing gets in the way of writing. Harlan Ellison put it more cryptically: “Writers write.”

I might beat the actuarial odds. My mom was 80 when she died. My dad is 87. His mother died in her 90s, although the last few years she was debilitated by a stroke, and his father died a month shy of his 103 birthday. But I can’t bank on it. Which means I have to write today.

As Seneca noted:

…the man who … organizes every day as though it were his last, neither longs for nor fears the next day… Nothing can be taken from this life, and you can only add to it as if giving to a man, who is already full and satisfied, food which he does not want but can hold.

Living deliberately is the key. And when we do, life — no matter how long or short — is time enough to accomplish great things.

Comments are always welcome! And until next time, happy and productive living!

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Writing Fast: To Go Where Few Of Today’s Writers Have Gone Before

If you are a writer, I’m going to save you at least a buck today. A buck might not be much, but save enough of them and you can retire.

The other day I ran across a podcast interviewing Rachel Aaron, “Miss 10K Words A Day”. After reading through the transcript of the interview I decided to check out her blog. I found the original post from 2011 in which she outlined her system for writing 10,000 words a day. After reading it, I came away singularly unimpressed. There was nothing new there. Which is so often the case with writing advice. As the writer of Ecclesiastes wrote, “There is nothing new under the sun”.

Now my intention is not to put down Ms Aaron. After all she’s radically increased her word count per day — and tossed onto the rubbish heap the myth that fast writing is bad writing. And I say, Good for her! But what’s apparent to me is that she’s young and has little knowledge of the fact high word counts for writers used to be very much the norm. They had to be. Those writers of the pulp era wrote for a living. Every word they wrote was money in their pocket. No words on the page, no money. It was that simple.

Ms Aaron also writes for a living and she too has discovered fast writing is one of the keys to making a livable wage from the writing of fiction. But fast writing is nothing new, although I get the impression she seems to think so.

Nevertheless, she’s come up with a system, a good system by the way, and is willing to sell it to you for 99¢. Which is very generous on her part. Some writing gurus charge a whole lot more for a whole lot less.

But everything she has to say can be gotten for FREE on the Internet. Starting with her own blog post in 2011.

Michael Moorcock

Michael Moorcock, that prodigious writer of science fiction and fantasy, used to write novels in three days. Karen Woodward outlines how he did it in a blog post from 2014. And you can find another article at wetasphalt.com.

The Guardian, in 2010, presented Moorcock’s “Ten Rules For Writers”. Wonderful advice from a master.

The articles above are all free, just click on the links, and if you follow the advice you will increase your daily word count substantially.

Lester Dent

But Moorcock didn’t come up with his method all by himself. He got it from Lester Dent, a pulp era writer with a fantastic output. Dent was the creator of Doc Savage. If you’ve never read Doc Savage, you are missing out on a classic.

Karen Woodward has a fabulous series of blog posts on Lester Dent’s method of fast writing. The first one is “Lester Dent’s Short Story Master Formula”. The links to the other four articles are at the bottom of the initial post. And note, the formula works equally well for novels. A shorter version of Dent’s formula can be found at Dirty 30s! on paper-dragon.com. And once again, this information is all free!

Anthony Trollope

But fast writing didn’t originate during the pulp fiction era either. It began much earlier. Alexandre Dumas (1802 – 1870) made frequent use of assistants and collaborators to increase his production. Which is, of course, a time honored method of doing so. James Patterson does it today.

One of my favorite authors, Anthony Trollope (1815 – 1882), in a writing career that spanned 37 years, produced 35 standalone novels, two 6-novel series, 42 short stories, 2 plays, 18 works of non-fiction, and 3 articles, as well as keeping up a voluminous correspondence. Without the help of assistants or collaborators. How did he do it? Quite simple, really.

For most of his writing career, Trollope worked a full-time job at the post office. Which meant he had to make the most of his time. He’d get up 2 1/2 hours before he had to leave for his day job in order to have time to write. The first half-hour he reviewed what he wrote the previous day. For the next two hours, he wrote.

He wrote by the clock. Literally. There was a clock on his desk. He wrote, by hand, with a dip pen, 250 words every 15 minutes. Or 2000 words in those two hours. He did that every day.

If during the two hours he completed the novel he was working on, he took out a fresh sheet of paper and began the next one. What that tells me is he had the story idea already in his head or written down somewhere. The key is he didn’t have to think about it. It was already there.

Trollope also kept a journal in which he recorded his daily word count. The purpose was to catch himself if he started slacking off.

Let’s summarize Trollope’s method:

  1. Have the storyline in your head, at the very least. Jot a few notes, if you need to. Moorcock and Dent did the same thing by writing in fictional universes they’d already created in detail. They didn’t have to figure out stuff on the fly.
  2. Set aside a regular time and place to write EVERY DAY. This is one of the secrets Rachel Aaron discovered and used to increase her word count.
  3. Review the previous day’s work to prime the pump and get the juices flowing. This is akin to warming up exercises before a person goes jogging.
  4. Don’t dawdle. Write quickly and get the words down. If you need notes or an outline in order to do so, then take a few minutes to jot them down. Writers often get bogged down when they have to spend time thinking about what they are going to write instead of writing it. Another secret Ms Aaron discovered.
  5. Record your progress. That way, if you find you are falling behind, you can easily pinpoint why and correct the problem. This is another one of the secrets Ms Aaron discovered, which I am passing along to you.

There you have it, Anthony Trollope’s secret to speedy writing. The granddaddy of speedy writers. You also now know Michael Moorcock’s method, Lester Dent’s method, and Rachel Aaron’s method of speedy writing. And all for FREE! You’ve just saved yourself a buck.

The secret to fast writing is no secret. Writers have been writing quickly for many, many decades. As Dean Wesley Smith has pointed out, it is the traditional publishing world and academia that has made us think fast writing equals hack writing. I am very glad Rachel Aaron has discovered the secret to fast writing and is popularizing it. But it has never been a secret. It’s just been demonized by those who didn’t and don’t write for a living.

So get out your pencil, pen, or keyboard and start writing. You’ve nothing to lose but those doggone low word counts.

As always, comments are welcome. Until next time, happy reading! And happy fast writing!

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Being Prolific

Some writers are naturally prolific and others aren’t. It is not an issue of good or bad, it just is. One of my favorite authors, Kazuo Ishiguro, sometimes has years go by before a novel comes out. But are they ever good. Margaret Mitchell and Harper Lee certainly wasn’t/isn’t prolific. Yet Gone with the Wind and To Kill a Mockingbird are such tours de force why write a second? Could a second be anywhere near as good?

Beginning in 1847 with his first published work, Anthony Trollope, in a span of 35 years, produced 35 novels, 2 plays, 44 short stories, and 18 volumes of sketches and non-fiction. That is nearly 3 works a year.

From 1939 until his death in 1992, Isaac Asimov wrote or edited over 500 books. That is over 9 a year. Pretty incredible.

What’s their secret?

For Trollope, it was writing 10 pages a day (2500 words). A practice Stephen King also follows. Trollope also used standard plots so he could focus on his characters.

For Asimov, it was simply to write. Leave editing to the editors, he once wrote, that’s what they’re there for. Of course, in today’s world there is no slush pile and no editors to edit. Victims of bottom lines and shrinking profit margins. Agents, beta readers, and editors for hire have taken over what the Big Publishers discarded. Nevertheless, even though the publishing world is different today than in Asimov’s day, he had a point.

Writers write and editors edit. For today’s author, who wishes to be prolific, obtaining the services of a good editor could go a long way towards obtaining that goal of prolificity.

Also key to Asimov’s tremendous output was he wrote fast in a simple and straightforward style. He focused on the story, got it on paper, and let the editor edit so he could write the next story. His stories are also rather formulaic. Writing to formula helps to eliminate plot angst.

Think about this: a 1,000 words a day (that is 4 double-spaced typed pages) will, in 50 days, produce a 50,000 word novel. At that pace, you can turn out 6 novels a year. Want a fatter novel? 75,000 words? You can still turn out 4 or 5 novels a year writing only 1,000 words a day.

Being prolific is within your grasp.

    • Write every day
    • Write to a goal. At least 1,000 words a day.
    • Don’t be fancy. Write simply.
    • If you’re a plotter, use a formula genre plot. If you’re a pantser, keep those simple formula plots in mind to help corral your characters and keep some order.
    • And let the editor edit.

Let me know what you think. Do you have any special tricks up your sleeve? If so, please share!

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