Where Has All the Money Gone?

One advantage of being older is that we oldsters have a perspective not available to youngsters. Now I’m not ancient. I’m “only” 63. However, my interest in writing and being a published author goes back as long as I can remember. It’s an interest and a desire that’s always been with me. I’ve actively followed the publishing scene for fifty years or more. I’ve ingested so many how-to books and articles I will never hunger for several lifetimes.

And I’m here to say, for all the change in the publishing world, nothing much has changed.

My friends Sarah and Alice commented on my last post and I couldn’t help but feel a certain sense of loss as to how to proceed in what is perceived as a publishing maelstrom.

I want to repeat: nothing much has changed in 50 years.

Sure we have the internet. And I’m glad. But let’s take a little techno history ride. A ride that shows why I’m so enthusiastic about the present and the future. A ride that hopefully will give some perspective.

When I was in school during the ‘50s and ‘60s there were mimeograph machines. You typed a stencil, put it on the drum of the machine, filled the machine with fluid (always blue), and produced your printed document. Freshly printed paper was best because you got to smell the mimeo ink. Yes, we sniffed our test questions!

Then photocopiers appeared on the scene. Yippee! No stencils! No mimeo fluid! And you could even get color on some machines. Photocopiers were faster and cleaner and spawned a fanzine revolution. The editor only had to get the cover printed at the print shop. A new age was dawning!

I remember many fanzines from back in the last few decades of the 20th century and even slim books produced on the photocopier. It was certainly the best of times.

Then along came desktop publishing. Oh my! That took indie publishing to a whole new level. The things we could now do on a computer that had been impossible on a typewriter. Desktop publishing was almost as revolutionary as the printing press itself.

Then print on demand technology became practical in the first few years of the 21st century. Writers had now reached the gates of paradise. No longer did we only have the dreaded vanity presses. We could actually produce our own paperback books. We indie authors were able to go to a whole new level. But we hadn’t seen nothin’ yet.

On November 19, 2007, Amazon introduced the Kindle. It sold for $399 and the initial lot sold out in 5 1/2 hours. Restocks weren’t available for five months. Author/publishers had achieved Nirvana.

What the future has in store, who knows? But over the past 50 years, I’ve seen nothing but better opportunity upon better opportunity. I’ll take my stories on epub and mobi any day over those old, faded mimeograph pages.

From my perspective, as a writer/publisher, I’ll take the plethora of options available to me in 2016 over the dearth of options that were available in 1965. For in 1965, I could only run the gauntlet of traditional publishing if I wanted the chance to have an audience greater than a few hundred people – at best – self-publishing. And have a quality product. Of course, there was always the dreaded vanity press. Back then. Today the vanity press is passé.

Another thing to consider. Back then, because the fiction magazine market had virtually dried up to nothing, novels were the only way to go if one hoped to make money. Novels are still the fiction writers best chance at the big bucks. But, due to epublishing, novellas and short stories are making a big come back. And I, for one, am very pleased. I love the short story.

However, with ease, comes the tsunami of fortune seekers. The get rich quick mentality. Not unlike the California Gold Rush. The first ones in, got the easy stuff. Those after, only made the middleman rich.

Not unlike the Kindle revolution. Those in first got the easy money. By 2014, the easy money was gone. Now, like those old Smith Barney commercials from the ‘60s, if we want money — we have to earn it.

Today, in 2016, the middleman is alive and well just waiting to part the wannabe author from his or her money. And the desperate are easily parted from their cash.

But there is no need to be among the desperate. The Golden Age may have passed, but we are surely in the glorious Silver Age — and silver spends as well as gold.

What can we author/publishers do in 2016 to make a living from our writing? I’ve been asking myself that question for the past 20 months. I’ve read the blogs and books, I’ve observed what others are doing who have been in longer than I and who are making a living. I think there are lots of things we can do and the first is to have patience. The easy money maybe gone, but the money is still there if we’re willing to do a little spadework. Here are some further thoughts.

  1. Write well. This always has and always will be number one. The ebook revolution hasn’t changed the fact that while sloppy books will get published, the well-written ones will have a better chance at survival. Learn grammar. Learn how to spell (spell checker is fallible). Learn how to tell a story. Good grammar, good spelling, good storytelling are always in demand.
  2. Write every day. Treat your writing as though it were a job. If you aren’t writing every day, you aren’t serious about your writing. It’s just a hobby. Hobbies are okay, but not if you want to make a living.
  3. The indie formula is still alive and well. Namely, write lots, publish frequently, publish series, and write in a genre. Unfortunately, literary fiction, the stand alone novel, and fuzzy genre books don’t do that well in the indie market. If that is what you want to write, go ahead. Just realize you are setting yourself a higher hurdle to jump.
  4. Learn marketing. Whether you go indie or traditional, knowing how to sell your books is what will make you money in the end. Unless your name is Patterson, Michener, Dan Brown, Sandra Brown, or Sue Grafton, the publishing house isn’t going to spend advertising dollars on you. You are unknown. The money is spent where the publisher knows they’ll get many dollars in return for each ad buck spent. What’s more publishers never did spend advertising on new authors. For some reason there is a myth that is very popular about the supportive publishing house. They are in it for the money. If the writer can’t make them money, he or she will be kicked to the curb — because there is always the next one in line to take their place. So learn marketing.
  5. Be willing to spend some money to make some money. You don’t have to spend a lot, but you will probably have to spend some. Advertising isn’t free for the most part, although some is.
  6. Build your mailing list. This is the one thing I’ve learned recently that makes me wish I’d started two or three years ago laying the foundation for my writing career. Better late, though, than never. A mailing list is indispensable for indies. And also traditionally published folk. Don’t be dependent on anyone but you. Not Random House, MacMillan, Amazon, FaceBook, Barnes & Noble, Smashwords — not anyone. When you have your own mailing list of fans, then you can direct market to them, mobilize them, get them to work for you. It takes time and money, but no one seems to regret building a strong mailing list.
  7. Social media doesn’t sell books. Not directly anyway. Tweeting “Buy My Book” 20 times a day is going to get you ignored or muted. I’ve never bought a book from one of those tweets or from one of those companies that will do it for you. However, I have purchased books from people I’ve gotten to know on Twitter.
  8. Spending time on social media is largely a waste of time. It’s time you could be using to write your book or your next book. I’m not saying one shouldn’t be social or connect with people. One should. But spending hours tweeting drivel or playing games or what all, is time stolen from writing your book. Books will make you money. Twitter games won’t. Mainly because people buy books. They don’t buy Twitter game tweets.
  9. For indies, don’t bother about advertising your book until you have at least 4 of them. Indie readers like series, tend to be high volume genre readers, and don’t want to wait for the next book.
  10. For traditionally published folk, it’s the reverse. Advertise that book as if it will save your soul, because if you don’t earn back your advance — the publisher will kick you to the curb and take the next writer in line.
  11. Publish widely. And use Amazon. Yeah, I hate Amazon too. A giant monopolistic behemoth. But before you get on your high horse, remember 80% of ebooks are sold through Amazon. If you aren’t on Amazon, 80 buyers out of a 100 won’t see you. Can you really afford to give up that large of an audience? In addition, Amazon controls 2/3 of the print market. If you aren’t on Amazon, you basically don’t exist. And, yeah, I hate Amazon. They are like any other big company — they exist to make money. Period. But reality is reality. Publish widely and play with the 800 pound gorilla on the block.
  12. Draw up a business plan. Plan your work and work your plan. You are an author/publisher. You are your own publisher. If you don’t want the hassle of publishing, then try to run the traditional gauntlet. You’ll only get 10% and still have to do all the work as if you were an indie. This is reality. Magic doesn’t work in the real world. You need to plan for success.
  13. Don’t give up and don’t despair. Be thankful you don’t have to choose between Random House, the vanity press, or the mimeograph machine. There are over 4 million books on Amazon’s Kindle store. And yours are unique. Your readers are out there and want to be found. Learn marketing so you can find them. Be proactive. Don’t rely on magic. It doesn’t work.

This is the best of times and this is the best of times. Life is always easier for the other guy. You and me? We have to work. So let’s roll up our sleeves and get to work. No silver spoon was in my mouth when I was born and none appeared when I started self-publishing. And the real kick in the butt? Oprah had retired.

So I’m learning how to market what I write. There are a lot of resources out there. I found one I think makes sense and am going to give it a try.

Believe in yourself. Treat the days of no sales as a challenge to build your fan base — because they are out there looking for you. Don’t let them down.

Circling back around to the title of this post, where has all the money gone? Nowhere. It’s right there. Ready to be traded for quality entertainment.

Comments are always welcome. Until next time, happy reading!

Share This!
Facebooktwitterpinterest

Ruminations on the Uptown Art Fair

I had intended to post Part 2 of The Wonderful Machine Age today, but my weekend adventure at Minnesota’s second largest fair spawned some thoughts I decided to share with you. Next week The Wonderful Machine Age will return.

The focus for the summer months (at least here in the northern hemisphere) has been on writing Rand Hart and the third book in the Justinia Wright, PI series and editing/rewriting The Troubled City (The Rocheport Saga #4). As a result, book sales have fallen off the chart. Then again marketing is not my strong suit. I don’t really have a clue how to go about it. Encouragement, though, came to me from a Google+ post by JazzFeathers. She linked to an article: “None of my Marketing Seems to Work”. There are some good suggestions in the comments. Knowing that most authors struggle to get traction for their work is a consolation. I’m in a big boat and lots of us are pulling at the oars.

But I don’t think writers are the only ones struggling with how to sell what they produce. This past weekend my wife and I were at the Uptown Art Fair. It is the second largest fair in Minnesota, drawing 400,000 people over a long weekend. That’s more than live in the city of Minneapolis. Scores of artists paid big money to be there and artist after artist was trying to interest the throngs of people in his or her paintings, prints, drawings, woodwork, glass, metalwork, jewelry, fiber art, plants, and food.

I did succumb a wee bit to the cry of “Buy! Buy! Buy!”. Two tilandsias, a wooden box, a buffalo leather wallet, and a wooden serving spoon. Tilandsias are bromeliads and cousins to the orchid. They make great pets. They’re commonly called air plants.

After I got home and read the above referenced blog post, I asked myself why did I buy what I did? I like plants and the tilandsias weren’t expensive. The box appealed to my eye and contained buckeye wood. The buckeye is Ohio’s state tree and I was born in Ohio. A bit of sentimentality there. The spoon is made of cherrywood, feels good in the hand, and is pretty. I probably won’t use it as a spoon. Maybe a paperweight. The wallet, because mine was wearing out and I liked the looks of the buffalo one.

The lesson for us authors? Price is a factor. I confess, I don’t buy new books anymore from the Big 5 publishers. They are too expensive. I buy them used instead. I don’t even buy eBooks from the Big 5 because they too are way overpriced, IMO. There were many items at the fair I would have liked to buy. The price turned me off to almost all of them. Price is one reason why almost all of the new books I do buy are by indie authors.

Another lesson is eye and sense appeal. All of the items I bought at the fair looked good to me. “To me” being operative here. Not everything looks good to everyone. But our book covers have to look good to someone or no one will buy them. And ideally they should operate at an emotional level too. Also, the first few pages of our books should hook the reader by appealing to his or her emotions and senses. We have to make the reader care. I bought the box because of its emotional appeal, the spoon because it was smooth and pleasing to the touch, the plants because they looked cool, and the wallet because the leather was so soft and supple. These are basic appeals to our senses.

The only thing left to add is need. I bought what I did because at some level I wanted it but also needed it. Of course, in truth, I needed none of those things. Save for maybe the wallet. On the other hand, we all have aesthetic needs and needs for entertainment and pleasure.

Books fill the need for entertainment and pleasure. They also fill the need for knowledge and wisdom. Our books need to hook into those needs. Which means, of course, they need to be well-written and well-edited and in some way enrich the reader.

No food was purchased at the fair. Why? Because my wife and I walked over to The Tin Fish for fish and chips — knowing from past experience we were in for a treat. As it turned out we were disappointed this time around. The lesson here is that previous good experiences linger in the mind. And failure to deliver, produces disappointment. We writers need to be craftsmen and craftswomen. Delivering consistently good products to our readers so we don’t suffer the ire of their disappointment.

I’m not sure how to convert these ruminations into sales. Because ultimately even when the book is visible to the potential reader, readers don’t buy all the books before them. I set aside five other boxes to buy the one I did. I purchased only two tilandsias out of the hundred on the table. Ultimately it comes down to does my book look appealing to the reader. And ultimately that is a decision the reader makes.

Crispian Thurlborn posted a quote from Colin Firth on Google+. I re-quote it here: “I would rather five people knew my work and thought it was good work than five million knew me and were indifferent.”

We all want to make money from writing. The sad truth is the vast majority of writers throughout all time have not. And that includes us today. The vast majority of us won’t see very much money at all. So for now, I guess, while I focus on writing and producing good books, I’m going to be satisfied with those five people who know my work and like it. And if tomorrow I hit the best seller list that will be wonderful. If I don’t, I’m still having a blast writing and publishing what I write and pleasing those faithful five.

Share This!
Facebooktwitterpinterest

You Have To Work It – Part 2

Last week I wrote about Michael Tamblyn’s Tweets against Amazon’s attempt to secure a better bottom line for itself vis-a-vis the publisher Hachette.

This week I want to focus on what author’s can do to help themselves. My focus will be on Indie Authors, because I’m an Indie Author and I’m sharing things I’ve learned along the way.

My friend, author C. L. Schneider, told me about a fantastic Indie Author co-op, IndieBooksBeSeen, started by Mark Shaw.

There are other groups to help Indie Authors gain visibility, but a number charge money to join or access their services. IndieBooksBeSeen is a cooperative. Indie Authors coming together to support each other and to promote each other’s books. Supporters use the hashtag #indiebooksbeseen on Twitter to signal others to retweet the tweet to their followers.

To my mind, that is the beauty of IndieBooksBeSeen: support and do a good turn for others, who will do a good turn for you.

The indie organizations which charge membership fees to do the same thing are more like clubs or businesses. And for some authors, that may work fine for them. For me, I have limited money and I don’t want to pay for something I don’t have to. Someday, maybe I will. Not today.

Having been actively involved with co-operatives over the years, I find the co-op principle more to my liking. A co-op is a community. And that is what I like about IndieBooksBeSeen. It’s also what I like about co-ops in general. A community of people who help each other and in the process help themselves.

In today’s publishing world, the big publishers, to maximize profits, have dispensed with things such as proofreaders and the slush pile. Agents have taken on some of these roles and writers have to now pay for others. In addition, few agents will take on a new unpublished author unless he or she has a thriving platform from which to promote his or her books. Why? Because advertising dollars go to the established big money authors. Not newbies.

If I have to get my own editor and proofreader, and work out my own advertising campaigns, why do I want to settle for a 10% royalty, from which my agent will take 15% right off the top? Doesn’t make good business sense to me.

This is where networking through a co-op such as IndieBooksBeSeen becomes a boon to the new and even established writer. You get 60% or 70% royalty and the help of your friends to sell your books. The cost? You help them sell theirs. After all, it is what friends are for: companionship and help when needed.

Let me know what you think about networking.

Share This!
Facebooktwitterpinterest

Being Discovered

I just read a wonderful article on writers becoming “discovered” over on Hugh Howey’s blog. Hugh gives advice to budding authors on what they should be doing to get discovered.  It was a solid dish of meat and potatoes.

What I took away from my initial read (and I will be reading it again) is a writer needs to write and he or she needs to write books.  It’s the backlist, the quantity of titles that is paramount in getting “discovered”.  Because once you are discovered, the reader will want to read more than that one book that is out there.  I know it works for me that way.  When I discovered the Nero Wolfe mysteries, I was like a wild man — I had to read them all.  Then I had to buy them all.

The other thing I took away was to write in a popular genre, if you want to ease the way to being discovered.

So I am going to continue trying to figure out the social media game (I’m that guy at the party standing by the wall, near the punch bowl).  But the bulk of my time is going to be spent on writing all those great novels I’ve wanted to write for the past 50 years.

Check out Hugh’s post and let me know what you think.

Share This!
Facebooktwitterpinterest