self-publishing | CW Hawes

The Underground Authors

“Many hands make light the work.”
—Unknown

We all know that it is easier for a group tackle a project than it is for us to tackle it by ourselves. With rare exceptions, of course.

The Publishing Business

That’s why publishers have an army of people putting out a book: purchase editors, copy editors, proofreaders, book designers, cover artists, marketing committees, formatters, printers, distributors, sales people, and, of course, the company executives.

Is it any wonder the big corporate publishers charge $10 or $15, or even more, for an ebook that probably cost them less than $5 to actually produce?

Independent Author-Publishers have learned, over the years, it’s best not to try and do everything. Mostly because if they did, they wouldn’t have much time left to write.

One reason Brandon Sanderson and James Patterson are so prolific is because they have an army of people doing all of the non-writing stuff. Which leaves them all the time in the world to write. (Yes, I know, they do participate in marketing efforts.)

The Underground Authors

One afternoon back in June of 2020 I got an email from Caleb Pirtle III inviting me to join an author co-op he was organizing. The purpose of the group would be to promote each other’s books. And thus The Underground Authors were born.

In those early days, we supported each other by buying and reviewing books; and talking each other up on social media, our blogs, and to our mailing lists.

Beyond the Sea

Last year, we decided to put out a short story anthology to highlight our work in one place. And thus Beyond the Sea was born.

Twelve stories by twelve writers, all inspired by the picture that became the book’s cover.

It’s a phenomenal collection, if I do say so myself. Twelve imaginative, touching, thoughtful, and exciting stories — all created from looking at one picture.

Author and reviewer Lisette Brodey wrote:

I chose this book because I’m someone who always looks for stories in photographs and paintings. So, seeing this anthology, where each author was inspired by the same photograph, immediately grabbed my attention.

All of the stories, greatly ranging in genres, were well written. Of course, I have some favorites, but to mention them here, for me, would be to discount the other stories, which I don’t want to do.

What really stood out for me was the collective talent, the beauty of the imagination, and the endless possibilities of an abandoned / lone boat. And who knows, while you’re reading, you may end up writing your own story.

Pick up a copy on Amazon. And see for yourself. All profit goes to charity. Good stories for you and cash for Team Rubicon.

Who Are The Underground Authors?

There are 12 authors at present in the group. Below are the names, which you can click or tap, and go to their Amazon US pages.

CJ Peterson left the group last year to focus her efforts on her own publishing company. We miss her enthusiasm and contributions, but wish her much success.

Working together. Sharing thoughts and advice. Getting help when needed. Just having someone to talk to. Writing doesn’t have to be a solitary venture.

The Underground Authors. I’m glad I’m a part.

Next week, I am going to talk about the newest project to come from the pens of The Underground Authors: The Magnolia Bluff Crime Chronicles. Stay tuned!

Comments are always welcome. And until next time, happy reading!

CW Hawes is a playwright, award-winning poet, and a fictioneer; as well as an armchair philosopher, political theorist, and social commentator. He loves a good cup of tea and agrees that everything’s better with pizza.

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Beyond the Sea — Part 3

Last week, I took a look at 4 stories in Beyond the Sea: Stories from the Underground. Today, I’m taking a look at the final 4 tales that make up this marvelous collection of short fiction. So let’s begin!

The Perfect Future — Cindy Davis

Every story has a back story. Every person has a back story. Cindy Davis tells us of an episode in the lives of two brothers. The episode is an important contribution to her Zipacna series, a metaphysical journey of adventure and discovery.

“The Perfect Future” reminds me of the saying by the Stoic philosopher and Roman Emperor Marcus Aurelius: Life is what you make it.

Moonlight Swim — Kelly Marshall

Have you ever felt insulted to the point where you wished someone dead? I suppose we’ve all been there at some point in our lives.

But what if you could get your wish? Would you actually make it? Do some people deserve to die?

An interesting question that. And Ms. Marshall provides us with an equally interesting answer.

The Girl in the Turquoise Bikini — Linda Pirtle

Writer’s block. One thing all writers fear. For most of us it’s temporary, if it shows up at all. For a few of us it’s permanent.

Each writer has his or her own way of dealing with writer’s block. I write through it. Usually by working on a different story than the one on which I’m blocked.

For Jeb McGrierson, it took a girl showing up on his private beach wearing a turquoise bikini, along with a missing boat.

The lengths some writers will go to to start writing again!

Making Waves — CJ Peterson

Sometimes a family has something of value, usually more sentimental than monetary, that gets passed down through the generations.

Darren and his dad build a boat. Little did either one realize the role that boat would play in their family’s subsequent history. In fact, if it weren’t for the boat perhaps there wouldn’t have been a family history at all.

A touching saga of love, facilitated by a boat.

I’m proud to be a part of the Underground Authors. We value high quality fiction. Because we like reading. It is the best form of entertainment.

Pick up a copy of Beyond the Sea today and give yourself the gift of superb entertainment, and help Team Rubicon help others when disaster hits.

Comments are always welcome. And until next time, happy reading!

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Six Years

The Cover for Justinia Wright #8

Six years ago this month, November 2014, I self-published 4 books: The Morning Star, Festival of Death, The Moscow Affair, and Do One Thing for Me.

I set sail on the sea of the independent author-publisher, and I have not looked back.

Being an indie is tough — because I, the author, am also the publisher and have to do all the business and marketing end of things, as well as write the stories.

Nevertheless, I would rather sell my soul than become a slave to a publishing house — large or small. I love the freedom of being my own man. And IMO, freedom is what it’s all about.

During these past six years, I’ve seen indie authors come and go. I’ve seen indie authors start with nothing and become bestsellers. And those folks give me hope: if they can do it, so can I.

Over the past 6 years, I’ve published 3 series totaling 22 books; and 7 miscellaneous novels, novellas, and short stories. I’ve had 2 short stories and an article appear in anthologies, and a short story published in an zine.

In addition to the above, I publish a weekly blog and occasionally write exclusive stories for my mailing lists.

For me, writing and publishing is a full-time job, and it’s the best job I’ve had in my nearly 7 decades on this planet. I can’t imagine doing anything else with my life from this point forward.

And if all goes well, I’ll get to celebrate year 6 with the publication of To Right a Wrong; the eighth book in the Justinia Wright Private Investigator series.

And I can’t think of a better way to celebrate, because Tina and Harry are my favorite children. I love writing the wise-cracking humor, the sibling rivalry, the thrilling chase scenes and shootouts, the commentary on life in the Minneapple, and the hunger-producing meal descriptions.

So raise a glass of your favorite libation with me in celebration of living life your way and living your dream.

Comments are always welcome! And until next time, happy reading!

(And you can find all of my books on Amazon!)

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The Business of Being Indie — Part 3

Some Things I’ve Learned

I published my first 4 books in November 2014 and followed up with 2 more in December 2014.

Quite honestly, I had no idea what I was doing. And I shamefacedly admit that I believed in the magic wand. That just by putting my books up on Amazon I would make piles of money, and in a couple years could buy my Rolls-Royce.

Then reality hit a couple, three months later when the sales fell off to nothing.

The School Of Hard Knocks taught me once again there isn’t a magic wand. TANSTAAFL. There Ain’t No Such Thing As A Free Lunch. For a moment there, I forgot and believed in free lunches.

But not anymore. Reality is a Harsh Mistress, to paraphrase Heinlein.

Today I’m sharing with you some things I’ve learned over the years. I’m naturally skeptical. But I, too, have been suckered by those promising me that their snake oil works where all the others have failed.

So here is a list, in no particular order, of things I’ve learned.

1. The Self-Publishing world of today is very much like the pulp fiction magazine world of yesteryear. Study the writers and publishers from back then, apply what you learn, and the study will pay dividends. There is nothing new under the sun.

2. Fiction readers, for the most part, want entertainment. Scare them. Make them cry. Make them feel good. Give them an exciting adventure. If you can do that, you’ll have an audience.

3. Your story doesn’t have to be perfect. It just has to be good enough. The vast majority of readers aren’t looking for The Great American Novel, they merely want to be entertained. They just want to have fun.

4. If you want fast money from your pen or keyboard, write non-fiction. Something in the self-help area. Non-fiction is the second largest book market after romance.

5. If you want fast money writing fiction, write only in the most popular genres. Right now these are romance, thrillers, and urban fantasy.

6. Start your mailing list before you publish your first book.

7. Pick one or two social media platforms and build a following before you publish your first book. And that goes for setting up your website, too.

8. Your book cover is advertising copy. (And foolish me thought it was about the book!) It must tell the potential reader what genre your book is in. So don’t be original. Be a copycat.

9. Your book’s blurb is advertising copy. Don’t tell the potential reader what the book is about. Tell them how they’ll feel reading it.

10. The one indie rule for success that has not changed is write lots (and fast), and publish often.

11. Publish a novel, or at the very least a story or novella, at least every three months. More frequently is better.

12. Write in series. Standalones, with rare exception, don’t work well in self-publishing. There are lots of ways to structure a series. Here are four:

1. 1. The multi-volume novel. Think trilogy. Think Lord of the Rings. Think the Kurtherian Gambit. One main story arc stretched over 3 or more novels.
  2. The Series Character. Think Sherlock Holmes and Nero Wolfe. Or Lazarus Long and Jules de Grandin. Or Columbo and Star Trek on TV. Each episode is a standalone, but they all tie together.
  3. The Same World/Universe. Standalones work better if they are all set in a single world, and perhaps have recurring characters show up.Trollope’s Barchester series started this approach. Lindsay Buroker (writing as Ruby Lionsdrake) used it for her SF Romance novels. And there are others.
  4. The idea or object series. This was a favorite of H. Bedford-Jones. He’d write standalone stories and what tied them together was a theme or an object that appeared in each story. One series chronicled the fictional history of a famous emerald. Another the history of ships. And another famous heroes.

13. Don’t waste money on an editor. They are after all only human. I’ve seen too many professionally edited books rife with errors. Today’s AI can proofread and line edit with ruthless efficiency. I’ve become a convert after using ProWritingAid.

14. And if you are having trouble with the overall concept of your book, have a couple fans read it over and tell you what doesn’t work. After all, they buy your books. An editor probably doesn’t.

15. Beware the “expert”. Why? Because most aren’t. They follow the very old saying: read three books on any subject and you are an expert. Which means you might as well read those 3 books yourself. After all, the books are probably cheaper than the course the “expert” is selling.

Fifteen things I’ve learned. And I’m sure lots more learning is on the way.

Comments are always welcome! And until next time — happy reading and writing!

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To Write Is The Thing

This past weekend, I got a big shock, a sad shock: one of my favorite indie writers, Ben Willoughby, is hanging up his pen. He’s taking down his Twitter profile and pulling his books off of Amazon. I encourage you to get his books while you can — you won’t be sorry. He’s a doggone good writer.

Buy Ben’s Books!

For nearly 5 years, I’ve been an independent author/publisher. And I’ve had a blast. I’ve loved every day of the adventure.

However, along the way, I’ve seen writers drop out for sometimes unknown reasons. None of those writers were bestsellers, and perhaps the lack of financial reward convinced them that they had better things to do with their time. And that is a decision only they can make.

In the end, the writer himself or herself has to decide if telling stories is worth the effort or not.

In the case of Mr Willoughby, I’m very sad that there will be no more new books from him. But I have to respect his decision that his time can be spent better in other pursuits. After all it is his time and not mine.

But it is just a tad frustrating for me as a reader, when a good writer, such as Mr Willoughby, quits writing, leaving the field to writers who are much inferior. Writers who are often on the bestseller list. Which completely baffles me, by the way. How does a mediocre at best writer get people to buy his or her books by the truckload? In a world full of unfair things, that is perhaps one of the most unfair. Mr Willoughby should be on the bestseller list, and it is very sad that he is not.

For me, though, writing is the thing. I cannot imagine any other life. And at my age I have lived a life or two. I hope to heaven, I die with a pencil in my hand putting words on paper. And that after I crossover, I pick up that pencil and continue writing.

As I’ve noted before, I don’t make much money at this. Last month was the best month I’ve had in a year. I made 30 bucks and change. And there are better writers than I, who don’t even make that much. Which is a very sad commentary on those of us who are readers.

In some ways, I see myself like the old prospector in the movies panning for gold and hoping to strike it rich. If I don’t keep at it, I definitely won’t get rich.

On the other hand, is such a pittance worth all the effort? I can only answer for myself, and that answer is yes.

From 2001 to about 2013, I actively published my poetry. And I did it the traditional way, submitting to print and online magazines. I was fortunate enough to achieve a bit of renown, and to pick up an award or two, and even pick up a couple bucks.

The truth is there is no money in writing poetry. Yes, there is the exceedingly rare individual who for a short period of time is popular enough to make some money. But that popularity doesn’t last and the person fades away.

Writing poetry is truly a labor of love. You have to find satisfaction in something other than money. And for over 10 years I did. But then I felt I needed a bigger canvas on which to work, and as I was nearing retirement I wanted to live my dream of writing fiction full-time. And I am living my dream. I write full-time. I just don’t make a full-time income.

Once I realized that in order to make money at this writing gig I needed to have money, money for websites, money for bookcovers, money for various services, money for advertising, I realized that unless somebody took me under his or her wing and promoted the heck out of my work I was not ever going to get on the bestseller list. Because I just don’t have money to risk on the business end of self-publishing. I’m retired and on a fixed income.

Reality sucks, but realizing what reality is has helped me to adjust my attitude from fantasy to something more realistic.

And I am content, at least for now, at where I am at. I don’t have money to pour into advertising, I don’t have the money to get fancy-schmansy bookcovers like the bestselling guys have, I don’t have money to pay other people to do all the stuff that I don’t want to do just so I can spend all of my time writing. I am a one man band and I have to live with that reality.

And I am okay with it.

But if other writers do not want to put up with the crap and decide that they have other things they would rather do then spend hours producing work that virtually no one buys — I cannot blame them for leaving writing behind. After all who wants to do a thankless job forever, especially if you have other things on your bucket list that you want to do?

I am just sorry to see the good ones go, because that leaves me just a little bit poorer.

I wish Mr Willoughby well. I am thankful that I got to know him, that I have his books on my Kindle app, and that I can reread them at my leisure.

Now you can do him a favor by buying his books and giving him a nice goodbye present. You won’t be sorry. He’ll be gone and you will still have his wonderful books.

Buy Ben’s Books!

Comments are always welcome! And until next time, happy reading!

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I’m Editing

I’ve gotten Van Dyne’s Zuvembies back from the beta readers, and made corrections based on their suggestions. Now I am beginning the final editing process.

Rather than pay $450 or more for a professional (whatever that means) editor, I bought ProWritingAid for a lifetime fee of $300. I made the purchase to up my game, so to speak.

We writers fall into habits. And those habits are what often result in sloppy writing.

Using the best editing software I can buy, I get all of the services a professional editor can provide at a tiny fraction of the cost. Technology is a sound business investment, because any businessman will tell you that the single most expensive part of doing business is personnel.

That is why people are constantly being replaced by technology. That is why raising the minimum wage is a fallacy: those workers, who would benefit, will be replaced by machines — because in the long run machines are cheaper.

Today, even though I buy a First Class airline ticket, I no longer get First Class service and have to check-in my own luggage. Why? It’s because the airline can then employ less personnel.

So, rather than pay a human editor to edit each book I write, I paid a one time fee — and I get all the same advice and recommendations. And probably more, because the human eye is fallible. The machine is not.

I have a list of editors that I will never use because the books they supposedly edited are rife with errors. Humans are fallible.

I can read a text three or four times. Yet when I have the computer read it to me, I still find errors. The human brain will try to make sense of the sentence, and so I read things that aren’t there. On the other hand, the computer reads exactly what’s there. It misses nothing.

ProWritingAid is a very useful tool. Is it the best? I don’t know. Several authors I know like it and recommended it. I tried the software, saw the potential to improve my books, and bought it. And that’s a simple unsolicited observation.

Because May was a personally tumultuous month, I’m behind on my publishing schedule. But I’m catching up. Van Dyne’s Zuvembies will come out next month and after that I have a Justinia Wright novel and novelette to follow.

Now it is back to editing for me.

Comments are always welcome! And until next time, happy editing!

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#IndieApril

April on Twitter is #IndieApril month. All month long we celebrate independent authors/publishers — indies. It is a self-publishing extravaganza.

I regularly read self-published books. In fact, the majority of my reading is of self-published authors. In this day and age democracy reigns in the publishing world. The artificial gatekeepers of editors and agents and publishing house rules are dinosaurs on the evolutionary path to extinction.

Two thousand and many more years ago there were no agents, no editors, no publishers. If Sophocles wanted to write a play, he wrote one. The audience was the only arbiter. If Seneca, wanted to write a book on moral philosophy, he wrote one. Only the audience mattered.

When the printing press was invented, self-publishing — which was the only kind of publishing there was — could reach much larger audiences with the new printed books than it ever could with the old handwritten manuscripts of previous generations. A win for publishing democracy.

Today, with ebooks, there are no limits. Not selling enough on Amazon? BookFunnel can create a code for your ebook that allows you to give it away or sell it. The reader then redeems the code on the BookFunnel site and gets the book.

You can literally stand on a street corner and give away or sell your ebook to any number of takers. All you do is give them a card with your book code on it.

You’re on the bus or an airplane. The person next to you is interested in your book — you can make a sale right then and there.

I haven’t used BookFunnel’s new program yet (it’s not offered on my current plan), but I’ve been thinking of ways I could use it. Because it sure beats the heck out of hauling around cartons of paperbacks.

Democracy has returned to writers and readers in a way, Aeschylus, Plato, Seneca, Plotinus, and other ancients never dreamed of. And I, for one, love it.

Each #IndieApril I try to read several brand new authors. So far this month I’ve read two new to me authors: Caleb Pirtle III and Lex Allen.

Lonely Night To Die by Caleb Pirtle III is a collection of three noir thrillers. I prefer to see them as three episodes in the life of the Quiet Assassin, Roland Sand. Lonely Night To Die is a thrilling, suspenseful read by international bestselling and award winning author Caleb Pirtle III. Do add it to your reading list.

Lovably Dead is a collection of tales of terror by Lex Allen. Awesomely scary reads by a superb writer. If you love being scared to death, get Lovably Dead. Just make sure your life insurance is paid up.

I also like to revisit favorite authors during #IndieApril. So far I’ve revisited Ray Zacek and Andy Graham.

Cosecha by Ray Zacek is a novella of terror you won’t soon forget. A monster is prowling the US-Mexico border. A monster that only catches — never releases. If Zacek writes it, you need to buy it.

Andy Graham is a writer who is quite literary in his style. However, that doesn’t mean he won’t scare the bejesus out of you. Because he will. I’m currently reading A Crow’s Game. And, yes, all the lights are on. And I do mean all.

Indie writers are turning out fabulous books and stories. There are so many talented people out there that the gatekeepers would have denied an audience. And that ain’t right.

April isn’t over. I urge you to buy, read, and review a self-published book. Let me know in the comments if you need suggestions.

Comments are always welcome! And until next time, happy reading!

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The Indie Movement

In December 2012 I bought my first book by an indie author. The book was The Emperor’s Edge by Lindsay Buroker. I was favorably impressed. So much so, I went on and bought the series.

From there, I discovered other indie authors who were very good writers. And somewhere in the reading of those authors, my choice of authors shifted from traditionally published to a majority being indie published.

The independent author/publisher movement confirmed all the stories I’d heard for decades — that the big corporate publishers rejected thousands of good manuscripts every year.

Why do they do that? Because big corporations are by nature conservative. Sure they had to take risks to get to be big. That’s when they’re innovative — when they’re small. But once a corporation is huge, they become much more concerned about the bottom line. And innovation takes a back seat to profits.

Random House/Penguin and their behemoth German owners, aren’t going to take the risks that small press publishers might (although even those can be quite conservative). There is always risk with business. More fail than succeed. So the successful eventually begin to conserve their gains. That’s just how it is.

The sole entrepreneur, however, has only himself to be concerned about.

If I self-publish a book and it doesn’t make money, that only affects me.

If Macmillan (now a German company) publishes a flop, they are out the advance to the author, the salaries of the acquisition editors, the copy editors, the advertising people, the office rent, the cover artist salaries, the warehouse space, etc, etc. And the shareholders don’t get their dividends — which puts the CEO’s job at risk. And that’s something that just isn’t tolerated.

If I publish a book that goes nowhere, I can leave it on Amazon, and Kobo, and Apple, and wherever else I choose, essentially forever. And let the royalties dribble in. Simon and Schuster (owned by ViacomCBS) can’t afford to do that.

Thus you see the big corporate boys declaring for many years now that vampires are dead. But on the indie scene, dozens upon dozens of those bloodsuckers can be found. And some are making their creators a lot of money.

The big boys don’t want to continue a fad because they don’t want to be left holding the bag when the fad fizzles out. Or can no longer make enough money to meet their bloated bottom lines when the fad tapers off.

What is significant is that James Patterson has now discovered money can be made at the indie price point and has convinced his publisher to take on his BookShots line. The blurb on Patterson’s website reads in part:

Life moves fast—books should too. Pulse-pounding reads under $5 and 150 pages or less. Impossible to put down.

This comes at a time when many indies are moving to longer books and higher prices — in an attempt to look like the big corporate publishers, and thereby make themselves look more legitimate. A bad move, in my opinion.

Patterson, though, realizes money can be made for him and his publisher at the indie price point. And with shorter books. This is truly a return to the ethos of the 1950s. And I think forecasts good things for indies who can, for the most part, turn out shorter works faster.

Back in the pulp magazine era, many of the magazines cost a dime. Today, depending on what standard you use, that dime would be equal to anywhere between $1.50 and $6. In the 1950s, paperback books could be bought for a quarter. Or $2.50 to $4 in today’s money. Essentially the price range of most indie books today.

I’ve said for quite awhile now, that the indie movement is essentially a return to the Pulp Fiction Era. To be successful, a writer has to turn out a good story in a popular genre that is exciting and generally fast-paced. The writer must also write lots and publish often. To be sure, as an indie, there are more factors involved than what faced the average pulp fictioneer, because today’s indie author is also a publisher. But the basic formula remains the same.

Today is a good day to be a writer. A self-published writer. An independent author/publisher. It’s also a good day to be a reader, because there are many excellent self-published books available to read.

Thars gold in them thar books! So get crackin’!

Comments are always welcome! And until next time, happy reading! (and writing!)

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Five Years

November 2014. Five years ago. I published my first 4 books on Amazon. They were:

- - The Morning Star (The Rocheport Saga, Book1)
  - Festival of Death (Justinia Wright Private Investigator Mysteries, Book 1)
  - The Moscow Affair (From the Files of Lady Dru Drummond, Book 1)
  - Do One Thing For Me

The following month, December, I published 2 more books:

- - The Shining City (The Rocheport Saga, Book 2)
  - Trio in Death-Sharp Minor (Justinia Wright Private Investigator Mysteries, Book 2)

And I was on my way.

Going the independent author/publisher route is a tough road to travel, because I’m it. I’m a one-man shop. A one-man band. I’m both the writer and the publisher — and have the headaches of both.

However, were I to make the choice today, knowing what I know now, I’d make the same decision. I’d be an independent operator.

Why be independent when being indie means more work? Because it’s all about the freedom. I am the captain of my ship. As Captain Jack Sparrow said, his love for the Black Pearl wasn’t about the ship — it was about freedom.

As an indie, I get to write the stories I want to write. Whether they end up selling or not.

I can publish whenever I want. There’s no publisher telling me how often I can publish. I’m my own boss.

There’s no publisher telling me what to do — or they won’t publish my book. Or they’ll stop publishing my books.

And I keep all of my rights and options and most of the money.

The writing life’s for me, and because I’m retired I have no competition from family, or the day job — and no pressure to produce so I can ditch that crappy day job.

And what’s more, after 5 years I finally have a teeny-tiny, eensy-weensy band of fans. Imagine that! Me, a balding, overweight, old guy with fans! How cool is that!

It’s my dream to some day make enough money from writing so I can buy a Rolls Royce. Although I’ll “settle” for a Bentley or an Alfa Romeo. 🙂 That’s the dream.

The reality is that I drive a new Ford Fiesta and have a 1989 Ford Crown Victoria. I live in a small townhouse with my wife and cat, which is just the right size for us. My health is reasonably good, and I fly first class when I visit my sister. Life-Is-Good.

Oh, and I actually do make some money selling books! Life-Is-Very-Good.

It is my intention to write books until I die. And if I discovered I only had a month or two to live, with Isaac Asimov, I’d just have to write a little faster.

Marcus Aurelius wrote “Life is opinion.” Life is what you think it is. It’s all in your ‘tude. Don’t sweat the small stuff — because it’s all small stuff.

For many, many years I was not a happy camper. Then I took old Marc’s advice to heart. I swept out the crap, and got down to enjoying what I have. And being thankful for what I have.

I believe I’ve been gifted with the ability to write. That doesn’t mean I’m the best storyteller out there, because I’m not. There are plenty of my fellow indie writers who I admire, and, yes, envy. Because they are so good.

But as noted above, I do have fans. And that is such a good feeling. To know that someone out there is actually waiting for my next book to come out, well, that’s a doggone good feeling. And I’m going to give him or her the best I can give.

Now it’s on to year six. I’m excited to see what the future will bring — and even if it’s just more of the same, I don’t care. Because, life is good.

Comments are always welcome! And until next time, happy reading!

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#IndieApril

Today’s the last day of April. A third of the year is over. Wasn’t yesterday New Year’s? At least while time’s flying, I’m having fun! Hope you are too!

If you’re a regular reader of this blog, you know I’m a reader. I prefer reading to TV, movies, video games, boardgames, you name it. Reading takes you to a million different worlds without leaving the comfort of your own home. Reading’s my favorite way to travel. Reading also stimulates the imagination like nothing else. And that’s a good thing.

Earlier this month, on Twitter, someone started the hashtag #IndieApril. The goal was to get people to buy, read, and review books written by independent author/publishers.

Being an independent author/publisher and reader, I was excited to jump on the bandwagon. After all, reading is a good wagon to jump on.

I ended up buying 7 books. Here they are:

The Tainted Dollar by Chris Derrick

Hotel Obscure by Lisette Brodey

Voyager by Carl Rackman

The Monkey Idol by KD McNiven

A Brother’s Secret by Andy Graham

Connor’s Gambit by Z Gottlieb

Into Armageddon by Jeff DeMarco

As beauty is in the eye of the beholder, so is a good book in the eye of the reader. And just as there is a lot of beauty out there, there are a heck of a lot of good books that just don’t get the press.

The editors who work for publishers are mere mortals. They put their shoes on the same way you and I do. They are biased and opinionated individuals whose job is to make money for the publisher, the businessman, they work for.

The stories are legion of editors who passed on the eventual bestseller. The stories are legion of editors who thought book X was the next Gone With the Wind — and it didn’t even sell 10 copies.

Why is this? It’s because publishers aren’t interested in art. They’re interested in money. How many bucks will they make on Book X versus Book Y? This makes sense if we understand that publishing is a business. The publishing house’s sole purpose is to make money for the owners.

Businesses exist to make money. It’s why Jeff Bezos started Amazon — to make money. To get rich if possible. It’s why Random House exists — to make money for their German and British owners. Publishers only see books as dollar signs.

For the last 50 plus years I’ve read in writing magazines and now on the internet, that bestsellers keep publishers afloat. On virtually all of their other books they lose money. The likes of Patterson and Rowling and King, enable publishers to publish the likes of you and me — if we can get past the gatekeepers (editors). And there were other bestsellers who allowed the publishers to gamble on Patterson, Rowling, and King.

As much as I don’t like the monopolistic mindset of Amazon, I’m forced to say that it was the Kindle that changed publishing forever.

Suddenly, overnight, not a single writer needed an agent or a publisher. Writers were free at last. There were no more gatekeepers to prevent our voices from being heard.

Publishing had suddenly become a true democracy. Publishing became as easy as buttering a slice of toast.

Of course, people have this proclivity to make easy things difficult. And so now we see indies themselves setting up all manner of roadblocks to prevent the newbies from entering the ranks of the august.

I hear constantly that one has to have an editor, maybe several! I was told by one nobody author that if I didn’t have money to hire an editor, I should hold a garage sale to raise the money to hire one. What idiocy! As if I have enough stuff I don’t want to make even $10.

Here are more must haves. One has to have a professionally made book cover. That one has to pay a formatter for a professionally formatted book. And one has to pay for lots of marketing.

What’s going on is simple. In the first place, all those editors that publishers have let go in the last 30 years are seeking to feed off of the indie revolution. Quite honestly, indies don’t need professional editors. We are our own publishing house of our own books. We don’t need someone who doesn’t know us to tell us what our books should or shouldn’t be.

In the second place, indies themselves — to eliminate competition — set up barriers to new writers. Of course there are no barriers to publishing today, so these people play the traditional publishing mind game and make gullible newbies think they need all the above mentioned crap.

The indie publishing waters are filled with sharks and piranha — let the newbie beware. I say ignore those naysayers and shysters. Just write and publish your book. Then learn how to market it.

Every day I’m amazed at the good indie writers I discover. Writers who’s books languish at the 500,000 or one million rank in the paid Kindle Store. Writers who are usually better than the indie bestsellers — most of whom are of no better quality than the traditionally published crowd.

On this last day of #IndieApril, I encourage you to pick up a book or two written by an independent author/publisher. Here are 10 suggestions:

Comments are always welcome! And until next time, happy reading!