The Indie Movement

In December 2012 I bought my first book by an indie author. The book was The Emperor’s Edge by Lindsay Buroker. I was favorably impressed. So much so, I went on and bought the series.

From there, I discovered other indie authors who were very good writers. And somewhere in the reading of those authors, my choice of authors shifted from traditionally published to a majority being indie published.

The independent author/publisher movement confirmed all the stories I’d heard for decades — that the big corporate publishers rejected thousands of good manuscripts every year.

Why do they do that? Because big corporations are by nature conservative. Sure they had to take risks to get to be big. That’s when they’re innovative — when they’re small. But once a corporation is huge, they become much more concerned about the bottom line. And innovation takes a back seat to profits.

Random House/Penguin and their behemoth German owners, aren’t going to take the risks that small press publishers might (although even those can be quite conservative). There is always risk with business. More fail than succeed. So the successful eventually begin to conserve their gains. That’s just how it is.

The sole entrepreneur, however, has only himself to be concerned about. 

If I self-publish a book and it doesn’t make money, that only affects me. 

If Macmillan (now a German company) publishes a flop, they are out the advance to the author, the salaries of the acquisition editors, the copy editors, the advertising people, the office rent, the cover artist salaries, the warehouse space, etc, etc. And the shareholders don’t get their dividends — which puts the CEO’s job at risk. And that’s something that just isn’t tolerated.

If I publish a book that goes nowhere, I can leave it on Amazon, and Kobo, and Apple, and wherever else I choose, essentially forever. And let the royalties dribble in. Simon and Schuster (owned by ViacomCBS) can’t afford to do that.

Thus you see the big corporate boys declaring for many years now that vampires are dead. But on the indie scene, dozens upon dozens of those bloodsuckers can be found. And some are making their creators a lot of money.

The big boys don’t want to continue a fad because they don’t want to be left holding the bag when the fad fizzles out. Or can no longer make enough money to meet their bloated bottom lines when the fad tapers off.

What is significant is that James Patterson has now discovered money can be made at the indie price point and has convinced his publisher to take on his BookShots line. The blurb on Patterson’s website reads in part:

Life moves fast—books should too. Pulse-pounding reads under $5 and 150 pages or less. Impossible to put down.

This comes at a time when many indies are moving to longer books and higher prices — in an attempt to look like the big corporate publishers, and thereby make themselves look more legitimate. A bad move, in my opinion.

Patterson, though, realizes money can be made for him and his publisher at the indie price point. And with shorter books. This is truly a return to the ethos of the 1950s. And I think forecasts good things for indies who can, for the most part, turn out shorter works faster.

Back in the pulp magazine era, many of the magazines cost a dime. Today, depending on what standard you use, that dime would be equal to anywhere between $1.50 and $6. In the 1950s, paperback books could be bought for a quarter. Or $2.50 to $4 in today’s money. Essentially the price range of most indie books today.

I’ve said for quite awhile now, that the indie movement is essentially a return to the Pulp Fiction Era. To be successful, a writer has to turn out a good story in a popular genre that is exciting and generally fast-paced. The writer must also write lots and publish often. To be sure, as an indie, there are more factors involved than what faced the average pulp fictioneer, because today’s indie author is also a publisher. But the basic formula remains the same.

Today is a good day to be a writer. A self-published writer. An independent author/publisher. It’s also a good day to be a reader, because there are many excellent self-published books available to read.

Thars gold in them thar books! So get crackin’!

Comments are always welcome! And until next time, happy reading! (and writing!)

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Books: What Price Value?

Okay, folks, today I’m ranting. Just letting you know!

Recently, my 4800 word story, Ancient History: A Modern Ghost Story, received a 1 star review on Amazon. Here is the review in its entirety:

23 pages long

The story was going along great. Then it just stopped! I wish I had looked at the length of the story before I bought it. Even .99 is too much for a book that’s only 23 pages!

My immediate takeaway was:

      • He liked the story
      • He didn’t like that it was a short story
      • He thinks short stories should be given to people for free
      • He admitted that it was his own fault he didn’t look at the length before he bought

Yet, reviewer Thomas thinks it’s totally fair to punish me for his oversight and dislike of short stories! An interesting approach to life that. Blame others for your own mistakes.

Our reviewer thinks 99¢ is too much to pay for a short story — and he is certainly entitled to his opinion. However, by way of comparison, Lawrence Block charges $2.99 for his short stories.

Now granted, I’m not Lawrence Block and I certainly don’t pretend to be in his league. But then I don’t charge $2.99 for my short stories or five bucks for my novels either.

I do however put a price tag on my work that is, I think, fair given my writing ability and the entertainment value of the stories.

After all, reviewer Thomas, there ain’t no such thing as a free lunch — in spite of what you think. Everything has a cost. Everything.

For an indie author to put a book in your hands, Mr Thomas, that writer has to spend time writing the story. And who wants to work for free? I don’t and I doubt you do either.

Then there is the cost of getting a cover for the book. There is the cost of editing and proofreading the book. There is the cost of formatting the book. And there is the cost of marketing the finished product.

From that 99¢, I get a mere 35¢. Amazon gets the rest. 

Ancient History was published 1 July 2016. I have yet to even make back the cost of the cover — let alone all of the other costs associated with the book.

I’m not grousing about the 1 star. Win some, lose some. What I find insulting is Thomas’s attitude that I should give my stuff away for free. How about this, Mr Thomas, tomorrow you tell your boss you don’t want to get paid. You’ll put in your 8 hours for free. Bet you my pension you’ll never do that in a million years. Yet, you would deprive me of a lousy 35¢. Thanks, pal.

I don’t believe in free. I think the laborer is worthy of his hire. When authors want to give me a free book to review, I tell them it’s my policy to buy the book. If I like the book, I’ll review it and promote it. In spite of that, sometimes I get free books. But my policy still holds. Because if I like the freebie, I will buy a copy — so the author gets his money. The money he is due for entertaining me.

At the end of the day, I think we indie authors are our own worst enemy. We have trained readers, like Thomas, to expect something for nothing due to all the freebies we give out. And I admit, I used to be in that camp. But I ain’t no longer.

Hear ye, hear ye! I am not giving out free books or free anything except to those who sign up for my mailing list or are on my mailing list. Because a mailing list is like a club, and with club membership comes benefits.

You want free stuff, Thomas? Join my mailing list.

Okay. Rant over.

Comments are always welcome! And until next time, happy reading!

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