Stepping Up To The Plate

It is a well-known old saw that the home run kings in baseball also tend to be the strike out kings.

Sometimes we writers are like the proverbial home run king. We step up to the plate and expect our latest piece of writing to be that blast out of the park that wins the game.

And when it isn’t, we get all depressed that we struck out.

It doesn’t matter what we’re writing: poems, short stories, blog posts, plays, or the grocery list. If we don’t hit it out of the park, we become depressed at our “failure.”

The difference between we writers and baseball’s home run kings, is that writers too often give up. The home run kings don’t.

However, let me propose a different approach. We writers would be better off to picture ourselves as the initial lineup.

The purpose of our first work, doesn’t matter what it is, is to get on base. To get some name recognition. The money, scoring a run, will come later.

The job of the second batter in the line up is to move the runner into scoring position. And that is the purpose of our second piece of writing. It furthers name recognition. And builds reader attention.

Our third work is the one that may score the run. If not, perhaps the fourth one will.

In any event, we keep trying that tried and true plan of getting on base, moving the runner over, then bringing him home.

Michael Anderle did much the same thing I’ve written above.

Using the minimum viable product approach, because he didn’t want to spend a lot of money or time on his books if they weren’t going to get on base, Anderle published 3 books in one month and then a fourth the following month.

As it turned out, they were a hit and he went on to build a giant publishing empire.

Now most of us won’t become millionaires from our writing. But we can gain name recognition and maybe a few bucks if we work it right.

The formula is simple: get on base, move the runner over, then bring him home.

If we try for a home run every time we publish something — we’re going to have a lot of strikeouts and probably lots of disappointment.

And who wants that?

Baseball and writing. Yeah. It works.

Comments are always welcome! And until next time, happy reading!

 

 

CW Hawes is a playwright; award-winning poet; and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes 

 

 

Justinia Wright Private Investigator Mysteries on Amazon!

Magnolia Bluff Crime Chronicles on Amazon!

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A Magnolia Bluff Deep Dive with CW Hawes and Richard Schwindt

Recently I sat down with my fellow Underground Author, Richard Schwindt, and talked about the Magnolia Bluff Crime Chronicles series: its past and its future. We also talked about my writing.

I had a lot of fun in this interview. Richard asked some thought-provoking and probing questions. A few not easily answered.

Give the video a watch. You’ll learn about the creation of Magnolia Bluff and where it might be headed. You’ll also get to know me a bit better.

 

The Underground Authors’s short story anthology, Beyond the Sea, is on Amazon. Proceeds go to charity.

You can find my latest contribution to the series, Ten Million Ways to Die, on Amazon.

 

And the entire series is on Amazon.

 

Richard Schwindt’s books are also on Amazon.

Comments are always welcome! And until next time, happy reading!

 

 

CW Hawes is a playwright; award-winning poet; and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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Writing’s Purpose

Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who read your work, and enriching your own life as well. It’s about getting up, getting well, and getting over. Getting happy, okay? Getting happy.

(Stephen King, in On Writing: A Memoir of the Craft)

One of my favorite inspirational books is Letters to a Young Poet by Rainer Maria Rilke.

However, as with anything written by the human hand, it is not perfect. Because people aren’t perfect.

In the first letter, Rilke tells the young poet

Perhaps you…are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking yourself what reward might come from outside.

Rilke is saying essentially the same thing as King in the quote with which I began this post.

In a discussion I had with the late Jane Reichhold (who was a premier American writer and translator of haiku), I mentioned that it seemed to me the flaw in Rilke’s advice to the young poet was that Rilke himself was published and famous — and that he was telling the young unpublished poet to not worry about getting published or famous.

Jane’s answer was simply, “And there you have it.”

In other words, it’s easy for the famous and those who are wealthy to tell the rest of us — Don’t worry or concern yourself about fame or wealth.

To my mind, that touches a bit on hypocrisy.

For the record, Jane Reichhold encouraged me to pursue publishing and fame, if I could get it. And there you have it.

Mind you, I don’t disagree with Rilke or King. But I don’t wholly agree with them either. After all, Rilke is one of the most famous Twentieth century poets and King is a multi-millionaire (and he made all his money writing).

Writing is very much about enriching the lives of others. Writing is very much about getting happy. It is also a calling, and if we’re called to it I believe we must follow that calling and not look back.

But for Mr King to write, “Writing isn’t about making money” — when, I repeat, he’s a multi-millionaire — is just a wee bit hypocritical. Keep in mind, he didn’t self-publish his books and give them away. He got a contract with a publisher and made a lot of money.

Nor do I think King is in the majority among those who currently practice, or have in the past practiced, the craft of writing fiction.

I doubt Shakespeare would have agreed with him. Bill wrote for money. I don’t think Nathaniel Hawthorne, or Louisa May Alcott would agree. They wrote for money, especially Alcott — and she made no apologies for doing so.

Anthony Trollope boldly declared his whole purpose in writing was to make money.

Edgar Wallace (he created King Kong) was in the same camp. So was Rex Stout, Edgar Rice Burroughs, Murray Leinster, Ray Bradbury, Robert Heinlein, and my late friend Jack Koblas.

Robert E Howard wanted to be a writer, he told HP Lovecraft, because it gave him freedom. What he didn’t tell Lovecraft was that a large part of that freedom was not having to work 9 to 5 to make money. Because Howard very clearly wrote for a paycheck.

Salinger didn’t like the publicity success brought, but he didn’t turn down the money. He ultimately became a recluse. Writing didn’t make him happy, apparently.

I think King is on the money about enriching lives. The books and stories I remember most are those that in some manner enriched me, usually by bringing me joy. As a reader, I want my books to bring me some manner of joy and happiness. To enrich my life.

As a writer, I want to enrich the lives of others, as well as my own. Very much so.

But I also want money, and I wouldn’t mind a little bit of fame to go along with that money. I want people to read my books and I want them to smile when they see or hear my name. Like I’m an old friend who always brings them a gift.

And I don’t think there’s anything wrong in wanting that either.

Would Shakespeare have written all those plays and enriched generations — if he hadn’t made money? We’ll never know. But he did make money and he kept on writing. That we do know.

Louisa May Alcott’s father, Bronson Alcott, was a thinker and totally inept at providing for his family. Louisa wrote because the family needed to eat and pay the rent. But millions have been enriched by Little Women.

I could go on naming author after author who has enriched our lives. And virtually all of them wrote for money. And I’m glad they did.

In the end, writing is about enriching lives. I’ve enriched a few lives with my poetry. It’s a good feeling. There’s no money in poetry. But there is fame. The poets who are the most successful enrichers, the ones who have the largest readership — are also the ones who are famous to one degree or another. If you can’t be rich, you can at least be famous.

Mr King’s statement is very noble sounding. But it’s as much a fiction as are his books.

As a reader, I want writers to make money. Making money means people are buying their books. Which most likely means they will keep on writing.

Ask yourself, you readers, how many books do you read by writers who don’t sell anything?

I asked myself that question. It started me on a crusade to champion the underdog. Those writers who aren’t getting the readers they deserve.

Today I pretty much eschew bestsellers. Those authors don’t need me. Or you, for that matter. But many excellent writers, whose books aren’t selling, do need you. They need your and my support so they will keep writing and can enrich many, many lives.

Every Monday on Facebook I post the Book of the Week. Singing the praise of an undiscovered gem. Take a look at my Facebook page and discover some very good and even excellent books and authors. Let’s help some writers make money.

Comments are always welcome. And until next time, happy reading!

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