My Favorite Pencils

I love pencils. Pencils with soft, creamy leads. The kind that flow across the paper as though they were ink: 3B to 6B work best for me.

It’s a bit difficult to find such in the sea of No. 2 (HB) pencils.

Why did the HB pencil become the standard? I have no idea. It’s a hard lead and leaves a faint, light line; unless you press the heck out of it. And who wants to do that? Tendonitis and carpel tunnel, you know.

So if one doesn’t use the old No. 2, what does one use? Good question, that. And I have a few answers.

Woodcased Pencils

The woodcased pencil dates back to the middle of the 1500s. But the pencil as we know it today was simultaneously invented in the 1790s by Joseph Hardtmuth in Austria and Nicolas-Jacques Conté in France.

There are dozens of pencil brands available, but only two are made in the USA. The companies are General Pencil Company and Musgrave Pencil Company.

Both companies make excellent pencils that are very easy on the wallet and whose quality matches or surpasses most of the foreign competition. They are the pencils I use almost exclusively.

Of the two companies, I prefer the pencils from Musgrave because I find their lead has a softer and creamier feel to it. It flows onto the paper like ink.

The 600 News and the Test Scoring 100 are my favorite Musgrave pencils. The lead in those two is soft and dark. Easy on the hands. No writer’s cramp. And I find them to be superior to the newly reintroduced and highly talked about Blackwing pencils, which are Japanese made. And run $2.50 per pencil compared to the 600 News at $1.17 and the Test Scoring at 85¢.

You can buy Musgrave pencils direct from the company: https://musgravepencil.com

Mechanical Pencils

I’m a big fan of mechanical pencils. They are very economical. Much more so than woodcased pencils. And their length never changes, so the feel is consistent in the hand. Plus, the pencil will last several lifetimes when given reasonable care. And the lead sticks are dirt cheap.

My go to pencils are a vintage Sheaffer and a vintage Mabie Todd “Fyne Poynt”.

They use .046 inch/1.1mm leads. The same size found in woodcased pencils.

Both pencils twist to push the lead forward. To load the pencil, simply retract the pusher a bit, insert the stick of lead, then retract all the way. 

The Sheaffer and Mabie Todd are my favorites out of the small collection I have. The Sheaffer has a beige-yellow base with red, gray, and black swirls; a black end cap; and silver-colored clip and front cone. The Mabie Todd is black, with gold-colored clip, mid-ring, and front cone. Both are very stunning pencils.

Occasionally I’ll use a lead holder. My interest in them goes back to high school drafting class.

To load a lead holder, you press a button at the back of the pencil body which extends the “claw” from the front. You then insert the lead and let go of the button. The “claw” holds the lead in place.

What’s especially nice about lead holders is that they are about the same length as a new woodcased pencil — and they never get shorter!

The Joy of Pencils

Pencils are a cheap alternative to pens. They produce a fairly consistent line, won’t skip or blob on the paper, won’t dry up, will write at any angle, will always start (I hate when a pen won’t write), and they don’t leak (making them great to use on airplanes, and safe to put in your shirt pocket).

I love pencils and find that I reach for them more often than a pen these days.

Find yourself a good vintage mechanical pencil on eBay and you’ll have a companion for life.

Or visit the Musgrave website and pick up the best woodcase pencils available today.

Comments are always welcome! And until next time, happy reading!

 

 

 

CW Hawes is a playwright; award-winning poet; and a fictioneer, with two bestselling novels. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes 

 

Justinia Wright Private Investigator Mysteries on Amazon!

Magnolia Bluff Crime Chronicles on Amazon!

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A Magnolia Bluff Deep Dive with CW Hawes and Richard Schwindt

Recently I sat down with my fellow Underground Author, Richard Schwindt, and talked about the Magnolia Bluff Crime Chronicles series: its past and its future. We also talked about my writing.

I had a lot of fun in this interview. Richard asked some thought-provoking and probing questions. A few not easily answered.

Give the video a watch. You’ll learn about the creation of Magnolia Bluff and where it might be headed. You’ll also get to know me a bit better.

 

The Underground Authors’s short story anthology, Beyond the Sea, is on Amazon. Proceeds go to charity.

You can find my latest contribution to the series, Ten Million Ways to Die, on Amazon.

 

And the entire series is on Amazon.

 

Richard Schwindt’s books are also on Amazon.

Comments are always welcome! And until next time, happy reading!

 

 

CW Hawes is a playwright; award-winning poet; and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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One Bullet At A Time

Writing one bullet at a time.
—Caleb Pirtle III

In this age of hyper-narcissism, Caleb Pirtle was that most rare of human beings: a selfless man.

His passing has left a huge hole in the writing community. Yet, he continues to speak to us. He does so through his books.

And what you find in his books is a man with an incredibly deep well.

He knew life. He knew people. He knew the nastiness and he knew the sublime. His years of talking to people and observing them comes through when he tells his stories. They are always about people and what they do and don’t do. The lies they tell and don’t tell.

Caleb’s writing was always centered around the human factor. Fiction, or non-fiction. Didn’t matter. People were at the center.

He used to say he was writing one bullet at a time. That bullet could be literal or metaphorical. And its impact depended on where it hit. And how hard. Literally or metaphorically.

He was an incredibly optimistic man. If you talked with him, as the song goes, never was heard a discouraging word, and the skies were not cloudy all day.

Yet, Caleb was no Pollyanna. There is a darkness to his Magnolia Bluff books that is not present in any of the other books I’ve read. And that might be due to the Magnolia Bluff stories being told in the first person. They are told by a person who has seen a lot of life. And a lot of it wasn’t good. Or especially nice.

I have found that third person puts distance between writer and reader. First person erases that distance. The first person story is intensely intimate.

And it is that intimacy that gives his Magnolia Bluff books such incredibly deep insights into human nature.

I find the last five lines of Death in the Absence of Rain enigmatic. I’m not sure what they mean, and I didn’t get a chance to ask Caleb. 

Graham Huston, the narrator of the story, says:

We as a people are what we bury inside of us.
I believe it with all my heart.
Don’t know about you.
But, frankly, I’ve buried about all I can bury.
I’m running out of room.

There’s an observation about people in general. Then there is the application by Graham to himself.

That is one doggone penetrating bullet.

We are what we bury inside of us.

Death in the Absence of Rain is a book about lies. Lies we tell others and lies we tell ourselves.

It’s a theme Caleb explored in Last Deadly Lie.

There is a darkness that surrounds us. All of us. Even so, Caleb chose to see what was good and positive — even if he had to rummage around in that darkness for a while to find it.

Caleb was a pantser. Pull up a blank Word doc — and start typing. The story will flow from the subconscience, through the fingers, and onto the page.

The downside to being a pantser is that there are usually no notes or outlines lying around. Which means we will never know if Graham found a way to make more room, or somehow stopped burying.

We are what we bury inside of us. 

Graham was burying a lot of crap. Most of us are.

I don’t think Caleb was.

Just a day or two before he went into the hospital, I spoke with him on the phone. He was optimistic as ever, even though he was in great pain. He was looking forward to conquering whatever the heck was the problem and getting back into the saddle.

We are what we bury inside of us.

Unlike Graham Huston, but very much like Caleb Pirtle, I hope I’m burying good stuff.

I want to end my days looking to get back into the saddle.

If you missed the Underground Authors tribute to Caleb, take a watch here: https://www.youtube.com/watch?v=trjgrs0Qkwk

May we all take a life lesson from Caleb Pirtle. Write one bullet at a time. And do our darnedest to get back into the saddle.

Comments are always welcome! And until next time, happy reading!

 

CW Hawes is a playwright; award-winning poet; and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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Whither Music and Media?

Several years ago, I participated in Brian Fatah Steele’s 7Q interview. You can read the entire interview on his website.

Question #4 was “How does music and media factor into your writing? Do you feel it plays as much an inspirational role as literature?”

Time has moved on a fair bit since I answered the question for Brian. So, I thought I’d revisit and see if anything has changed.

Music

There’s no doubt about it. I love music. One of my major disappointments is that my parents did not encourage my interest in music. Nothing I can do about that now. That’s 60+ years in the past.

I’m too old to become a good amateur instrumentalist. My hands are against me. I can still learn composition, however, and I might pursue that. I certainly enjoyed dabbling in composition 40+ years ago.

When I was a high school and college lad, I listened to music while I did my homework. I listened to a lot of music. Classical music. I love classical music. Something I have my grandmother to thank. My parents weren’t too happy with her for that.

Now, though, in my old age, I am finding that I much prefer silence to sound. It’s not that I dislike music. It’s just that I value silence more. Sound is becoming increasingly grating on my ears. Kind of like that old Simon & Garfunkel song: “Sounds of Silence”.

My last few years at work I often use earplugs because the office was just too noisy.

Today, I very rarely listen to music while writing. And without a doubt I can say music does not provide any inspiration for my stories.

I do, though, find that fiction has increased my enjoyment of music. I’m more and more listening to the structure of the music I listen to. Something I never did in my youth.

But music does feature in my fiction. It’s ubiquitous in fact. My characters like music. They listen to it. They perform it. They quote lyrics. Music is all over my fiction. It just doesn’t inspire any story ideas.

Visual Media

Visual media covers a multitude of platforms.

There is film, both large and small screen. There is digital content: YouTube, TikTok, and the like. There are video games. And let us not forget plain old static pictures.

Visual Media occupies a huge part of our lives. It is all around us. Every day and every waking hour of every day. The influence is undoubtedly profound.

While I am not into video, I do very much enjoy fine art. Paintings. Photographs. Pottery. Art glass. Architecture. 

Fine art floats my boat. Even things such as a well-designed tea pot, cup, or mug will catch my eye. Or the shape of a fine pen, or mechanical pencil. Or the color pattern.

Gazing on beauty lifts the spirits and the soul.

Art features fairly consistently in my fiction. I suppose, because like music, fine art is an expression of the human potential. A glimpse of what we can become.

My fiction, which is my art, is ultimately a voice crying in the wilderness that there is something better for us — both individually and collectively — than what we have now. And we should pursue that which is better. Never be satisfied with what we have. Because what we have is mostly not worth having. There is something better for us.

Inspiration

All in all, literature provides a large portion of my inspiration. About equal with observation of the world around me, and those gifts that come from the Muse.

Music doesn’t inspire any ideas. Nor does fine art. On rare occasions a storyline or scene from a movie or TV episode will trigger an idea.

As noted above, video is not my thing. I’d rather read a good book. Especially since political correctness and wokeness have taken over the big and small screens in such a blatant manner. Watching movies and TV just isn’t enjoyable anymore. I want to watch a good story — not propaganda.

A true artist can get his point across much more affectively with a stiletto then with a club.

The movie Little Big Man is a powerful statement regarding the collision of Native and Euro-American cultures, as well as an indictment of Euro-American culture. It is an effective use of the stiletto to get its point across.

The Graduate does the same thing with regards to societal and familial expectations, pressures, and hypocrisy. Once again, the stiletto is deadly — and for more effective than a club would’ve been.

The old DCI Tom Barnaby episodes of Midsomer Murders did the same. Tom is ordinary. Husband. Father. A good employee. Normal home life. He himself is normal. It’s the rich, the high society folk, who are sick and what’s wrong with the world. The series also took a stab at the notion of the idyllic country life versus the corrupt city. In Midsomer it’s reversed.

The stiletto is always more effective than the club. 

But today’s writers, especially those for the screen, use the club almost exclusively and are the worse for it.

I don’t know about you, but I respond better to the stiletto.

So until screenwriters and producers go back to good story writing instead of pushing propaganda, I’m reaching for a good book.

What about you? How would you answer Mr. Steele’s question? Drop your answer in the comments below.

Comments are always welcome! And until next time, happy reading!

CW Hawes is a playwright; award-winning poet; and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes 

 

Justinia Wright Private Investigator Mysteries on Amazon!

Magnolia Bluff Crime Chronicles on Amazon!

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Social Media Half-Life

When it comes to social media, Twitter is my go-to platform. It is simple and easy to use.

I do not like Facebook. I have encountered far more nasty people on Facebook, than I have on Twitter. So that is a huge turn off right there.

Secondarily, though, I just don’t care for the presentation of Facebook. It comes off as clunky and a bit antiquated to my mind. Not as bad as GoodReads, which is the absolute worst IMO, but clunky nonetheless.

Nevertheless, I do maintain a presence on Facebook. Mostly because it is a giant among social media platforms. The same reason why I have my books on Amazon, even though I don’t like the company.

The other day, I got thinking about the effectiveness of all the tweeting and FB posting that I do. Is it worth my time? Am I getting any bang for my buck? Buck, in this case, being time investment.

Tooling around the great World Wide Web, looking for an answer, I found the website of ScottGraffius.com — and made the discovery of social media half-life. Read the article: https://scottgraffius.com/blog/files/social-2023.html

In case you’re wondering what this half-life thing is, here’s a definition:

Half-life is the time it takes for a piece of content to receive half of the total number of engagements that it will ever receive.

For social media posts this is the time it takes for the post to receive half of the attention it is ever going to get.

Tweets get buried pretty quickly in the newsfeed. 

So it is not surprising to me that half of all potential readers will see my tweet within 24 minutes after I’ve posted it. And 50 minutes later — that tweet is gone from the newsfeed.

Which means, that my once a day appearance on Twitter is probably a waste of time. My tweets have all vanished by the time I leave the site for the day.

Of course, they are there should anyone look at my personal Twitter page. And people obviously do go there, because my pinned tweet is re-tweeted. Nevertheless, unless picked up by someone else, after 50 minutes that retweet is gone.

So if you do not have a large number of people retweeting your tweet throughout the day — it is gone within 50 minutes after you’ve posted it.

Facebook has a longer half-life: 1.75 hours for a post. However, there are some who think FB nukes your post from the newsfeed after 2 hours. Which means an FB post may only have a 2 hour lifespan, instead of 3.5.

Of course, the post will still be on your profile or page should anyone go there — but how many do? That, my friends, is a good question.

From the little that I’ve talked with folks about their FB habits, I’d say nearly everyone just looks at their newsfeed.

Also on FB is the “problem” that I get very few, if any, shares. A like is fine, but a share will extend the post’s lifespan. No shares and I’d say posting is next to worthless.

So what can we take away from this half-life info?

I haven’t come to any definite conclusions. However, initially, I think I have to agree with the gurus that using social media to sell books is pretty much a waste of time. The ROI is way too low.

It wasn’t always that way for me. Twitter did result in sales. But, alas, no more. Nothing but crickets for the past couple of years.

As an experiment, this past Sunday I tweeted every 24 minutes for half the day a book I had on sale for 99¢. And on FB, I posted every 1.75 hours for the same book for half the day.

The result? I sold one, that is 1, copy. All that time investment (4 or 5 hours), and I made 35¢. I’d say it wasn’t worth it.

I do have 2 auto-tweet platforms that I use. But they won’t tweet more than every hour. Which might work. I may give it a test run.

But is all of this time investment worth what will probably be a minuscule ROI? 

Once set up, the auto-tweeters will run on their own. But I do have to set them up and periodically change the books. And hopefully avoid Twitter shutting me down for spamming.

Yesterday, Monday, I conducted another half-day test on a full-price book. The result? Nothing. Nada. Zilch. No sales.

So I probably have my answer. Tweeting and FB posting don’t drive sales. Or any significant amount of sales.

Now something to think about is this: a YouTube post has a half-life of 8.8 days. And the average half-life of a blogpost is 2 years.

There are those who argue that blogging is dead. Perhaps it is. But if it is, there are millions of folks who haven’t gotten the news.

So what if I combined blogging with vlogging? That might end up being the best combo. It is something to think about.

And maybe the best of all possible worlds is building an active fan base on my mailing list. But that’s a thought for another post.

Want I do know is this: Twitter and Facebook take up at least a couple hours of my day — and I am only on each platform once a day! For all that activity what are my sales? Zilch. Nada. Zip. Zero.

The one advantage, and probably the best advantage, lies not in selling — but in all of the good people I’ve met. And it’s pretty difficult to put a price tag on them.

Comments are always welcome! And until next time, happy reading!

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

 

Justinia Wright Private Investigator Mysteries on Amazon!

Magnolia Bluff Crime Chronicles on Amazon!

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Meet this Author

Tonight, Wednesday, 18 January, I’ll be the guest on the Meet the Author podcast; hosted by Rob and Joan Carter.

The time is 7 pm EST. You can watch on the following channels:

WATCH HERE:

FACEBOOK

https://www.facebook.com/MeetIndieAuthors

https://www.facebook.com/WLFEdbradio

https://www.facebook.com/varietyunlimited

LINKEDIN

https://www.linkedin.com/in/rc-and-jp-carter-16260590/

YOUTUBE

https://www.youtube.com/channel/UCEx5QG9vXdxpNjqfne3M59A

https://www.youtube.com/channel/UCjn4IXRvc7AhhDXTVeqp5DQ

Link to all previous episodes at: https://indiebooksource.com/podcast/

I’m very excited about this opportunity. Rob and Joan have a super podcast, and are huge supporters of the indie author community.

Their show gives readers a chance to meet new authors and gives authors a chance to meet new readers and visit with current fans.

I’ll be giving away some books on the show, doing a reading from a scene in one of my books, and you can ask questions.

So, if you have Wednesday evening free, and would like to meet this author — join me on the Meet the Author podcast show. See you there!

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Kickstarter for Fiction

We’ve all heard the numbers. Over 7 1/2 million books on Amazon. Over 3,500 new titles added every day.

The gurus tell us we can beat the odds and become a bestselling author. All you have to do is pay them hundreds or thousands of dollars. And they will make it happen.

Hundreds or thousands of dollars? For one book? But, hey, it’s only money and they guarantee that your book will hit some bestseller chart (usually obscure) on Amazon.

The questions I ask are:

      • A bestseller for how long?
      • Will I earn back my investment?
      • Can I duplicate the results on my own?

The odds are you won’t earn back your investment any time soon. Nor will you be able to duplicate the results on your own. Because if you did, the guru just lost a potential future customer and maybe created a rival. And that’s bad for business.

As for how long your book will be on the bestseller list — does it matter?

No, I don’t think it does. Because a bestselling book that ends up losing you money is simply a loss. No matter how many copies you sell.

Think about this: aside from Patterson, Rowling, or King, name me a bestselling author from 20 or 30 years ago. Fame is indeed fleeting.

And if you can name one, that’s only one writer among many, many tens of thousands. That’s something to think about.

Bestselling fantasy author Brandon Sanderson blew the lid off Kickstarter setting an all time record of over $41 million in pledges for his latest campaign. All I can say is that it got my attention. (If being a bestselling author was so great, why was he doing a Kickstarter?)

I took Dean Wesley Smith’s free Kickstarter workshop and took a long look at whether or not Kickstarter was a viable platform for me.

And that’s a valid question to ask about any platform. Is it valid for me?

Let’s face facts. Amazon is glutted. The odds of anyone finding your book are pretty doggone remote.

Most people don’t look beyond page 1 or 2 of the search results. If your book isn’t showing up there, for all intents and purposes — it doesn’t exist.

Couple the above with the fact that a search returns more sponsored ads and Amazon promos than search results — so there’s even less chance for someone finding your book on a search. Even if your keywords are perfect.

To put all of our auctorial eggs in the Amazon basket is, in my opinion, just plain stupid. I didn’t always think so. But years of minuscule sales have convinced me otherwise. There’s just too much competition, no matter what category you put your book in.

Practically speaking we independent authors are also independent publishing houses. Which means, whether we like it or not, we are businesses. Our job is to sell our books. Does it make sense to try to sell your wares in an overcrowded marketplace?

If you were selling apples, would it make sense for you to go to the same place where everyone else was selling apples?

Might you not get better results adopting a different sales plan?

Why do you think these gurus are teaching courses and selling their services? It’s easy money compared to selling books.

Remember: the people who got rich in the California Gold Rush weren’t the prospectors. It was the people selling stuff to the prospectors.

In my tooling around on the Kickstarter site, I was surprised at the number of authors who are in fact funding their projects. Sure there are a lot that don’t fund — but there are a lot that do.

I’ve supported a half-dozen projects and gotten loads of goodies in addition to the items I pledged for. Plus I found myself a couple new authors I want to follow. I’d say that was a win-win situation. Win for the author and a win for me, the reader.

I just finished writing the 9th Pierce Mostyn Paranormal Investigation. I’m going to use it to test the Kickstarter waters.

If I’m successful, I plan on doing more Kickstarters and will hopefully build an audience there, plus earn some cash along the way to fund my business. Others are doing so. Why can’t I?

And remember: Dean Wesley Smith has a FREE workshop to help you get started on developing a successful Kickstarter campaign. He’s run many successful campaigns. 

Get the workshop here: https://wmg-publishing-workshops-and-lectures.teachable.com/p/kickstarter

If you are a fiction writer and haven’t gotten any traction on Amazon, perhaps Kickstarter is a place you need to consider as an option.

My thought is this: if there are too many cooks in the kitchen — find another kitchen.

Comments are always welcome. And until next time, keep thinking outside the Amazon box.

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

 

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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Not Alone

This past Friday morning, I was checking Author Central for new reviews and was surprised to see the most complementary review by Mark Scott Piper:

Great Characters, a Complex Plot, and Plenty of Surprises

But Jesus Never Wept is the third book in CW Hawes’s Justinia Wright Private Investigator Mysteries series. You don’t need to have read the first two to understand the characters and their steady and unsteady relationships. This one is a good read all on its own.

The title implies the focus of the novel may be about exploring the basic tenants of Christianity, but it’s not. Yes, there is an ongoing dialogue between the characters about whether Jesus ever existed in physical form, but this issue doesn’t carry the novel. In fact, the question of faith works more as a metaphor for examining and trying to understand what’s real and what’s not with the gory crimes and relentless criminals the characters must face. Like life, there are always questions here. And not all of them are answered by the end of the book.

The plot is at once intriguing and complex, and Hawes seamlessly mixes the basic murder investigation with an unexpected profusion of other themes and references including, the basics of the Christian religion, family dynamics, love relationships, high-end online prostitution, and the wrath and violence of the Yakuza crime syndicate. Not an easy task, but Hawes pulls it off with aplomb. And by telling the tale from Harry Wright’s point of view, Hawes provides some humor, even occasional sarcasm to the narrative. A nice touch, especially given the gruesome murders and constant threats from powerful enemies.

Hawes’s characters are memorable but never “average.” Justinia, Harry, Bea, and Cal all have their quirks and unique abilities. The relationships between all four have been established before in the series, and we can assume they develop further in this one. Even the minor characters and victims prove to be much more complex than they seem. I would be remiss if I didn’t mention the bone-chilling weather in Minnesota. Dealing with the ice, snow, and painfully low temperatures colors the action and the attitude of the characters in the book.

The descriptions of the weather also help pull the reader into the novel, even those of us who’ve never been to Minnesota. That’s also true of the detailed descriptions of the many meals Justinia, Harry, and Bea share. Harry is a gourmet cook, and you’ll often feel the compelling desire to sit down with them and get a taste or two of his latest culinary delight.

Jesus Never Wept is a good read, and the skill and insights of Hawes turn the standard murder mystery plot into something more—and something better. Highly recommended.

Mr. Piper is a fellow author. I don’t know him, even though we do follow each other on Twitter.

I will say this: I was completely blown away by his review.

But Jesus Never Wept is one of my favorites in the Justinia Wright series. So to discover someone who appreciates the metaphors I put in the book was a delight. I’m not sure that my feet touched the floor all day.

Over the course of the 8 years I’ve been an independent author-publisher, I’ve seen a significant number of writers come and go.

I suspect most leave writing because they don’t strike it rich or get many, if any, accolades. A significant number of writers complain about the lack of support from family and friends in particular.

All I can say is — I hear you.

The arts are tough rows to hoe. As the song says, “One is the loneliest number”. 

Being any type of artist is usually a lonely affair.

If the only reason you, my fellow writers, are writing is to get money or accolades, then you are probably going to meet with disappointment.

The median income for all published authors, according to a 2018 survey by Authors Guild, was $6,080.

The median income for all published authors based solely on book-related activities was $3100.

I’ll tell you right now, I’d give my eye teeth to earn $3100 in royalties for one year. Nevertheless, to put that into perspective, that is 2 months rent and change.

As for support and accolades, I’d probably die from a heart attack if one of my family members or one of my friends told me they’d read a book of mine and liked it. They’d be much more likely to tell me what was wrong with it.

Yes, one is the loneliest number.

But we aren’t truly alone. Every one of us who puts pen to paper and then sends those books and stories out into the world — has an audience.

Our audience may be small.

It may be large.

Doesn’t matter.

What matters is that we do have an audience.

Sometimes we simply need to be patient and diligent so we can find each other.

I don’t know Mr. Piper. But I do hope to get to know him in the coming days, months, and years.

One may be the loneliest number. But the loneliness ends with two.

Comments are always welcome. And until next time, happy reading!

 

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

 

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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Odds & Ends

Today’s post is a bit of a salmagundi. A collection of diverse snippets. A smorgasbord of thoughts. Enjoy!

Eulogy in Black and White

If you haven’t already pre-ordered your copy, do so. Eulogy in Black and White by Caleb Pirtle III is a terrific read. Perhaps the best I’ve read so far this year. Get it on Amazon.

Podcast Appearance

Tomorrow, Wednesday, May 18th, at 1pm CT, I’ll be on the BookWorld podcast with authors CJ Peterson and Michael Scott Clifton. We’ll be talking about mysteries. Here’s the link to the Facebook page: https://www.facebook.com/groups/bookworldtge/

 And here’s the link to CJ’s YouTube channel: https://www.youtube.com/channel/UCoZXLhhlqpThV7dV7uNSlXw/featured

Going Wide

In preparation to my eventual leaving of the Amazon ecosystem, all of my books will be out of Kindle Unlimited by the end of June. Most of them already are.

I’ll be uploading the books to Draft2Digital for distribution to a host of vendors and eventually to the Smashwords store.

The first book I’ve uploaded to D2D is Festival of Death. I’ve done a minor text cleanup, and reformatted the book using Atticus. Here’s the new Books2Read link: https://books2read.com/u/mYaJPm

The Justinia Wright Private Investigator Omnibus is also live at a variety of sites. Here’s the Books2Read link: https://books2read.com/u/mdN55w

The Mind Game

Have you ever visited Great Sand Dunes National Park? If not, you really need to go. It is so very neat.

Here’s a pic from the park’s website:

Back in the 1960s when I was in Junior High, my parents, brother, and I visited the park on our way to Wyoming.

The day was hot, and my parents weren’t feeling well. However, my brother and I were going to climb the highest dune and promptly set off.

Unfortunately, halfway to the top, my parents called us back. They were afraid they wouldn’t be able to rescue us should something happen. Never mind, there were probably at least a hundred other people in our area climbing the dunes. Plenty of people to conduct a rescue, should one be needed.

A few years ago, my brother went back and climbed that highest dune. Good for him.

I probably never will make it back. But I don’t really need to. Because I see myself standing on top of that dune, waving to everyone below. And it feels really good.

Comments are always welcome. And until next time, happy reading!

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

 

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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Not For The Money

 

How much does an indie author make? That is a good question. And one that probably has a skewed answer.

A 2015 survey conducted by The Guardian stated that the average self-published author makes less than $1000 per year. And a third of the authors surveyed made less than $500 per year.

Even though the survey is over six years old, I’d hazard a guess the numbers are still fairly accurate because the number of authors and books in the marketplace is much greater now than it was then. So it’s possible that the figures are even worse today than six years ago.

Now there are indie authors who make big money. When I started in 2014, there were romance authors who made upwards of a couple million a year. Mark Dawson and Michael Anderle take in around a half-million a year from their books, according to the last figures I read.

But I would wager most self-published authors today make very little, if any, money. None of the ones I know are rich.

Last year I had my second best year, earnings wise, of my 7 year self-publishing adventure. I earned royalties of $274. I sold 160 books and had 15,900 Kindle Unlimited page reads.

Which I think is pretty good, considering I didn’t spend a dime on paid advertising. My production costs were also minimal. So most of that money was pure profit.

Sometime ago I received an email from an author who was crowing about his first six-figure month. He’d made $100,000. Then in a fit of honesty, said he’d spent $80,000 in advertising to get that $100K. 

In other words, he wasn’t a six-figure author. He was a low five-figure author. Beware of the numbers when the writing gurus speaketh.

And if you factor in production costs (cover, editor, etc), that author probably made less than $20K. 

Which is why I made note at the beginning of this post that the numbers are probably skewed when authors talk about what they make from their writing. Especially the ones selling courses, because they need to impress you with their success in order to take your money and feed your dreams of success.

Not that you can’t be monetarily successful. You can. It just takes a lot of money and a lot of time. And a wee bit of luck. 

Of course you can hire someone else to do your marketing. Which will take even more of your money.

Given the constant barrage of success stories that we authors hear, and then looking at our own often “pitiful” results, the question begs to be asked — is it worth it? Is it worth all the time and effort expended to end up making a couple hundred bucks?

I can only speak for myself. And for me, the answer is yes. YES!

Very simply, I’m doing something that I love and I’ve gathered an audience over the past 7 years. Not a large audience to be sure, but an audience nevertheless. And that is a very good feeling. There are people out there who like what I write.

Back some 15 to 20 years ago when I was writing poetry and getting it published in ezines and magazines — I got paid exactly nothing. Nothing!

In fact, everybody got paid nothing. Money was a non-factor. The late Jane Reichhold once told me that even poets who were being published by the big poetry publishers made very little, if any, money. Certainly nothing they could live on. 

Her recommendation to me was to hang on to the day job and just write. Or get a degree and go into academia so I had a day job and university support to get more poetry published.

In the world of poetry, success has to be defined in a way that doesn’t include the dollar. Because there is no money in poetry. Poets don’t write for money. They write because of some other motivation.

I’ve carried that mindset over into my fiction writing. Success does NOT have to be measured in terms of dollar bills.

So why do we fiction writers think our worth or success has to be measured in currency? When most writers have not and cannot support themselves with their writing? I find the attitude somewhat puzzling.

Oh, I know we fictioneers look to all those who’ve made a living from their pen and we want to do the same. Funny thing, though, is that we never look at the many more who never could make a living from their pens. Those writers get lost in the myth of making money from books.

Throughout history, most writers did not make money from their pens. Throughout most of history writers tended to be men of leisure. That is, they had a means of support apart from their pens.

Only in the 1800s did it become possible for a person to make a living from writing, and especially writing fiction.

Even so, the number of people deluging publishers with their manuscripts was far greater than the number of writers the publishers published. And that has always been the case with traditional publishing. Many submit, but few are chosen.

Today, anybody can publish anything. Thanks to the indie revolution. And that kind of democracy, I think, is a good thing.

There are over 7 million books on Amazon and the number grows daily by over 3,000 new books. The chance of getting your book seen is next to zero. Even with paid advertising, Amazon won’t show your ad if no one buys your book.

Let’s face facts. The book market is glutted as it never was in the past. There are simply too many books and too few readers.

Having come to this realization, I am very pleased that I have my small fiction audience. In addition, my blog gets between 200 and 250 visitors each month. Not a lot, but it is more than nothing.

I will continue to build my mailing list as I look for my 1000 true fans.

I’m retired. I don’t need to make a living from my writing. I have an income. And I dare say, most people who want to be writers also have an income. They don’t need to be full-time writers to make a living. They can be part-time writers for the fun of it.

Very few of us are in the position of Louisa May Alcott who had to make a living from writing because her father was a dreamer and a wastrel and didn’t provide for his family. She turned to writing in order to put food on the table and pay the rent. She took over the breadwinning role using her pen, because it was one of the very few channels open to women by which the possibility existed to make significant money.

Most of us are like Edgar Rice Burroughs and Earl Stanley Gardner. We don’t like our jobs and want to do something else. And we think writing is an easy way to make money.

The fact of the matter is that writing is easy. However, writing well is not.

I write not for the money, but for the sheer love of writing. It’s the love that keeps me going. It’s the obligation to my audience, small though it is, to give them stories they want to read. To entertain them. To not disappoint them. In a sense, it’s not about me — it’s about them.

So all you writers out there, I urge you to write for the love of it. Write for those who want to read your stories, no matter how few they be. It’s not about the money. It’s about doing something that adds value to your life and the lives of your readers.

Comments are always welcome. And until next time, happy reading!

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