The Shine from a Girl in the Lake Sample

The Shine from a Girl in the Lake by Richard Schwindt launches today. It is book number 6 in the Magnolia Bluff Crime Chronicles series. And it is a winner.

Schwindt is one of my favorite contemporary writers. And he may even be on my all time top 10 list. He is that good.

In my previous post, I talked a little bit about mysteries and his latest book. In this post, I thought I’d give you a sample of the goodness that is in store for you when you pick up your copy.

Because if you want fiction that gives you a sense of place, is filled with suspense, is poignant, and is seasoned with humor, then Schwindt’s fiction is for you.

And now, sit back and enjoy the sample.

Week 1 

Chapter 1
Sunday afternoon 

I knew what a Walker Coonhound could do, but my experience with Butch mostly involved watching him roll over, and invite me to rub his belly on the days I wandered next door to drink with Jack Rice.

This didn’t prepare me for the furious restraint of the animal now stalking beside me in the hot brush, ten miles outside of Magnolia Bluff. His hackles rose stiff as knives, and his mouth curled in a rictus of canine rage and anticipation.

I had thought the recurve bow with a seventy-pound draw would do the job, but now I was not so sure. Deciding to kill a rogue boar, was easy. Executing the plan much more of a challenge. Judging from Butch’s demeanor, we were close indeed.

A review of the topographic map suggested the existence of a hollow in the next hundred yards; adjacent to a gorge, probably ringed with the ubiquitous juniper scrub.

Melanie Fairchild had spent her twenty-fifth year alone in a house in town, self- imprisoned with agoraphobia. She met a charming man online, who lured her out, impregnated her in his trailer, married her, and then ran away for good.

She was left with mixed memories of love and loss, a nice little boy named Seth, and an incentive to get out into the world. She inherited a run-down ranch when her mother passed, and managed to make a quiet living producing soybeans and goat milk.

Melanie counted on me to help keep her anxiety at bay, and manage the stresses of single motherhood.

Now a goddam feral hog threatened to undo her gains.

Two weeks ago, it appeared on the edge of an escarpment situated by the south end of her property. One week later, it had killed her Cocker Spaniel, Lady, while she and Seth watched in horror from the doorway.

Terrified, Melanie had booked three sessions last week. She had one girlfriend driving her to my office at the college, and another, armed, watching Seth, who was no longer allowed to play outside. This hog was smart. She kept a loaded lever action 30-30 by the door, but he didn’t show his ugly face again. She knew he was around, likely in the hollow where the feral hogs clustered.

Psychotherapists are supposed to do therapy; not solve people’s problems for them. Melanie was now 32, pretty, and probably harboring erotic transference for me.

I knew this was a bad idea, but another part of me wanted the thrill of the chase, and to do Jack Rice a favor.

Jack, 72, had been in the wrong part of the Mekong delta in 1968, when his buddy, just ahead, stepped on a Bouncing Betty mine. The other guy was shredded, but Jack lost his left leg, and sent home with a Purple Heart.

It was a bad start to adulthood. Jack stayed single, but forged a good life for himself running a garage, and hunting the hill country with his dog, and prosthesis. Two years ago, diabetes took the other leg. No more hunting, and time to retire.

He took the loss with surprising equanimity, telling me he considered every day since the Tet Offensive a bonus.

He still drank a bit, made his way to the coffee shop to bullshit with the boys, and walked Butch from the seat of his VA issue electric wheelchair. He even drove an old beater truck with hand controls.

I found Jack garrulous and opinionated, but a decent drinking buddy, and a great source of intelligence on local hunting.

“Take Butch with you tomorrow,” he said Saturday night, over a glass of whisky. “You may not find the hog without him, and, hell, it might find you first. Let Butch even the odds. Nothing meaner than a cornered boar.” He wasn’t finished. “And if I thought you’d listen, I’d tell you to take a rifle instead of the recurve. You’ll need to be awful close to hit it square.”

I laughed. “I’ll be fine, Jack. No need to fuss. If I get it, I’ll gut him and bring it back for you to butcher. All I’ll want is a roast and a couple of chops.”

He grinned and raised his glass.

I was a little drunk and cocky, sparing a glance to the friendly dog in the corner. Butch wagged his tail. “What’s he going to do? He’s too nice to hunt.”

“Just take him, stalk the hog, and let him do his thing. I trained him before I lost the leg; he knows hogs better than you.”

I waved away a fly with the corner of my bow as we tramped down a pathway. With the insidious arrival of late afternoon, shadows from the October sun lengthened around me.

As Butch stiffened, I unconsciously drew a broad head arrow from my hip quiver. My sympathetic nervous system activated, I felt the increase in muscle tension, respiration and heart rate.

Without notice, Butch bolted down the path, ears glued to his head. About 15 yards along he turned sharply to the right. That had to be the hollow. I started to jog after him, but he had begun to bay. Finding him would not be a problem.

Now I was running, and turned the corner almost as fast as he had. I pulled up sharply.

Maybe another 15 yards away, Butch was nose to nose with the boar.

No one told me it would be that big; it must have topped 200 pounds, dwarfing the enraged hound. Covered in stiff bristles, it rocked on its feet, obviously ready to fight back, but temporarily intimidated.

Butch never let up the baying, even when the boar noticed my appearance on the fringe of the hollow. That had to be the right hog; he was smart and mean. And he made the smart decision. To charge.

Charge me.

I had the arrow nocked, but he was halfway to me by the time I began my draw. The dog never lost a beat; pivoting, lunging and sinking his teeth into the boars’ ear.

This provided the opportunity to pivot myself, and line up for a clean shot. I drew. Damn dog was in the way. Christ, try telling Jack I shot his dog. Butch wasn’t letting go, probably saving both of us.

I shuffled to one side just as the boar turned to the other. With one fluid motion, I drew and fired.

It screamed like a human being, one long, pained wail, culminating with spindly legs collapsing from under it. Bullseye.

Butch and I felt that crazy elation that follows a kill. He circled the dead boar, panting. And me; I felt like I wanted to show up at Melanie’s house with the carcass, and then fuck her.

I returned to earth quickly. The carcass was promised to Jack, Melanie was vegan, you don’t sleep with clients, and I had a large pig to gut and drag back to my truck. I sighed and removed my pack. Time to dig out the knife. Dark would soon find us.

Butch still panted, while bleeding from one ear and a puncture wound on his thigh. He wagged his tail. The dog was happy.

***

Hope you enjoyed the sample. The Shine from a Girl in the Lake is live today. Get your copy on Amazon!

Comments are always welcome! And until next time, happy reading!

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

 

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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The Shine from a Girl in the Lake

In The Simple Art of Murder, Raymond Chandler excoriates the classic detective story as unrealistic. And he is undoubtedly correct.

All one has to do is look at Edgar Allan Poe’s seminal detective, C. Auguste Dupin, to realize that the classic detective story was never intended to portray reality. The stories may possess elements of reality, but they are not reality the school of Realism would like. Fiction, after all, is fiction. It’s make believe.

But neither is the hardboiled world of Hammett or Chandler realistic. It’s simply much more gritty, depressing, and pessimistic. But that doesn’t make it real.

The world of Spade and Marlowe is just as unrealistic as is the world of Wolfe and Poirot. They are simply different unrealities.

Chandler’s defense of the hardboiled world was undoubtedly a case of self-justification.

Poe was an accomplished storyteller. His settings weren’t always real, but the atmosphere he evoked was something we can still touch and feel and smell and taste today. He leads us into believing his world is real — and that is what actually matters.

The classic detective story in the hands of a good writer does the same: it convinces us to accept what takes place as real, even though we know it’s not.

But more than that, what Poe actually gave us was a literary game. A LitRPG, as it were. The game of Clue, before it was invented.

The classic detective story is a cerebral exercise. It is a cognitive analysis of data to determine what is relevant and what is not in order to determine who did it. Who murdered Mr. Body and why. It’s also a whole lot of fun. It is a game after all.

The Magnolia Bluff Crime Chronicles is a series of exciting whodunits. Each book is crafted by a different author, and each is set in the charming Texas Hill Country town of Magnolia Bluff.

Five books have been published to date. They are:

Death Wears a Crimson Hat by CW Hawes

Eulogy in Black and White by Caleb Pirtle III

The Great Peanut Butter Conspiracy by Cindy Davis

You Won’t Know How… Or When by James R. Callan

The Flower Enigma by Breakfield & Burkey

And you can find them all on Amazon!

On September 20th, The Shine from a Girl in the Lake by Richard Schwindt will join the series. The book is currently on pre-order, so pick up your copy today.

I’ve read an advanced review copy and I can tell you the book is fabulous. It possesses all the elements of the classic whodunit coupled with the tension of a serial killer thriller.

Richard Schwindt is one of my favorite authors. In fact, I think he is one of the finest storytellers spinning yarns today.

His books are highly imaginative. Poignant. Often hilariously funny. His prose is imbued with a sense of place. He makes you feel you are there.

And all those elements come together to make The Shine from a Girl in the Lake one heck of a mystery-thriller.

Dr. Michael Kurelek teaches psychology at Burnet College in Magnolia Bluff. He also has his own private practice. He’s a man with a past looking for a new start in the small Texas town. Then one of his patients is found dead. In Burnet Reservoir.

When another patient ends up in the lake, Kurelek is driven to find the real killer before the police decide they are convinced he did it. The game is afoot. And it is a suspense-filled game of hunter and hunted. The ending had me biting my nails. Seriously.

The Shine from a Girl in the Lake is the perfect blending of classic whodunit and serial killer thriller. A fabulous book from the pen of one of the most imaginative writers working today.

Don’t miss this one.

The Shine from a Girl in the Lake
on Amazon

Comments are always welcome! And until next time, happy reading!

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

 

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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The Hardboiled Detective

I just finished reading Raymond Chandler’s Farewell, My Lovely. I’ve previously read his The Big Sleep, and several of his novelettes.

Way in the past, I read Hammett’s The Maltese Falcon and a few of his Continental Op stories.

My opinion of hardboiled fiction is that I like it and want to read more. In fact, I like it so much I may decide to write some of my own.

There’s a lot of confusion between hardboiled and noir. Some people think the two are the same thing, but they are not. I actually see them as being something of opposites.

Noir is about victims and everyone loses in the end. It’s pretty nihilistic.

Hardboiled is about the detective hero, and in the end he wins. The victory may be small, but he still wins.

In a sense, Noir and Hardboiled are the two sides of existentialist philosophy. The one which says life has no meaning, no purpose, and it’s probably best if we just die. And the other, which says life is meaningless in and of itself, and we have to give it meaning. In other words, we find our own meaning and value in life and that’s what makes it meaningful to us.

Let’s look a little deeper at the characteristics of the hardboiled detective.

The hardboiled detective sub-genre was created by Carrol John Daly in the 1920s, and was refined by Dashiell Hammett. It was raised to the level of fine literature by Raymond Chandler, and given an unparalleled psychological depth by Ross Macdonald.

In the hardboiled world

      • the private investigator is the hero
      • he acts tough, talks tough, and often is tough
      • the PI is a loner
      • he has a code of honor and justice that is moral, if not strictly legal
      • no matter what, the PI won’t give up the case, or betray a client
      • individuals battle a corrupt political organization, or a criminal one — it’s the one agains the many
      • the PI prevails because he’s true to himself and his code
      • he’s a smart-aleck, and talks that way
      • he’s cynical about the world at large
      • even though the PI solved the case, the solution does little to alter the larger picture of political, societal, and human corruption
      • the PI wins a small victory, and that’s all he can hope for, but he was true to himself

I think the hardboiled worldview is very apropos for today. There is so much crap going on in the world that one can easily despair, or become insanely angry.

What the hardboiled detective teaches us is that the world ain’t gonna change — but we can rise a little bit above the dirt, the corruption, the wickedness by being true to ourselves, and by sticking to a standard of right and wrong no matter what.

The personal integrity of the individual honoring his word and sticking to his moral principles — no matter what’s going on around him — is, for me, a source of inspiration. Because, it means, no matter how hopeless things are or seem to be, in a small way I can make a difference.

What I do may not change the world, but it may help someone, it may bring peace of mind, or a bit of fairness to someone else’s life. And, realistically speaking, that is probably all we can ever hope for.

The hardboiled world is dark and grim, and slightly dystopian. It’s a world where the big forces crush the little people. And it’s a world where the PI keeps the hope of fairness, equity, and justice alive.

Every day we read of political corruption, corporate corruption, of society’s indifference, of people making money from destroying the environment, and from using other people.

The hardboiled PI shows us that we, as individuals, can keep the goodness that is in humanity alive.

And I like that.

Comments are always welcome. And until next time, happy reading!

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