A Dewey Decimal Dilemma Sample

In my last post, I talked about A Dewey Decimal Dilemma, which is the next book in the Magnolia Bluff Crime Chronicles series.

In this post, I’m going to give you a sample taken from the first chapter. Sit back and let your eyes feast on the beginning of an exciting new mystery!

Chapter 1

Thursday afternoon. Caroline McCluskey removed the scrunchie holding her shoulder-length blonde ponytail in place. 

Better make sure the conference room is ready. 

Caroline walked to the front of the library and entered the conference room on the right side of the entry. On the back wall of the room two sliding doors guarded a mini-kitchen. Caroline pushed them apart and set out bottles of water.

“Hey, girlfriend,” a familiar voice said. “Is the conference room ready for us?”

Caroline smiled at Daphne Leigh, the newest member of the Magnolia Bluff Writers Association (MBWA) critique group. “My, aren’t you early today,” she teased. “I love your enthusiasm, Daphne, and look forward to hearing your story.” 

Daphne Leigh ran a successful salon and knew more about the residents of Magnolia Bluff than any other member of the writers in the group. 

Daphne scrunched her eyebrows and said, “Don’t mind me. The Grand Dame of Magnolia was my last client. Thought she would never quit talking so I could leave the salon and avoid a last minute walk-in customer. I’m excited about my story.”

Caroline shook her head, hearing Daphne’s nickname for Magnolia Nadine, the current president of the Junior Service League and overall community busybody – correction, she thought – community organizer. 

“The room is open. Go on inside. I’m sure the other members will straggle in when they can.”

Caroline heard voices. “I’d better hurry up. Why don’t you go meet the other writers while I make my rounds?” She waved at Pauline Tidwell and LouEllen Mueller before going downstairs to the library’s basement which housed the periodicals, reference section, and genealogical records. Caroline took a deep breath. Ah, there’s nothing like the aroma of history stored in these racks. Satisfied that all was well, Caroline locked the inner door to the library and joined the MBWA group standing in the foyer. “You didn’t have to wait for me.”

“The door’s locked,” growled Graham Huston, the editor of the local newspaper.

“Shouldn’t be.” She shrugged and pulled the spiral key chain she kept tucked between her blouse and the waistband of her slacks. Unlocking the door, she stepped back and motioned for the others to enter. Already grumpy. I wonder what has him all stirred up. 

“It’s six-thirty,” Graham Huston said, checking his watch. “How long are we going to wait for Thurgood?” 

Reverend William Robert Baskin, called Billy Bob by his friends and family, took a sip from his Styrofoam cup and peered over his reading glasses at the editor. “Thurgood was quite busy when I stopped by the coffee shop ten minutes ago. He said he might be a few minutes late.” 

“Let’s be patient,” Caroline said. “I’m sure Thurgood will come as soon as his last customer leaves.” 

Less than two minutes later Thurgood came flying through the front door of the library. “Hey, guys, sorry I’m late.” 

“Hmph,” said Huston, dismissing him with a flick of his wrist. “Call this meeting to order, Ms. Caroline, so we can get started. I have an interview for a feature story in tomorrow’s edition to write when I get back to the office tonight.” 

“Ah, now would your interview be a vertical or horizontal one?” Thurgood taunted. 

For once, Huston had no snarky retort. He simply wiggled his eyebrows and grinned. 

Caroline tapped her gavel on the table. “Meeting called to order.” She looked around the table at her colleagues. “Folks, even though she’s no stranger and has given you haircuts and perms for years, I’d like to introduce our newest member to you: Daphne Leigh.” 

“Here, here,” Baskin said, giving Daphne a high-five. “Welcome aboard.” 

“Okay, as I recall from our last meeting, we decided that the person seated next to Graham would be our first victim,” Pauline Tidwell, the recording secretary said. “And, I’m sorry to say that would be you, Daphne.”

A few relieved chuckles from the others told Caroline that now – before giving Huston an opportunity to speak – would be a good time to review the purpose of the critique group.

“Okay, let’s remember to offer constructive comments in a positive way. No need to insult anyone.” Caroline said, looking directly at Graham Huston. “And since our illustrious newspaper editor has an interview after our meeting, we’ll postpone our usual social hour until the end of meeting. Let’s give an applause to LouEllen who so graciously provided snacks.”

Huston grinned. “Thank you, Madame President.” He turned to Daphne, “Are you ready to read the first fifteen hundred words of your story?”

“Yes, sir.” She passed around copies of her pages so that everyone could silently read along with her.

Thurgood smiled. “Why, Daphne, I’m surprised.”

“Why do you say that?” asked Baskin.

“Three evenings a week, Daphne comes by the coffee shop on her way home. She always sits at the corner table and writes poetry.”

Baskin’s dark chocolate eyes lit up. “I see.” Turning to Daphne, he said, “Good for you. I’m sure all of us will enjoy your story.”

“Okay, you two guys, quit jawing and let Daphne begin,” instructed Huston.

“Here, here,” said LouEllen. She pushed an unruly lock of her long, blonde hair over her ear and leaned forward, propping both elbows on the table and revealing an ample cleavage in the process.

Caroline choked back a giggle when the good reverend quickly turned his gaze back to the newbie short story author poised to read. She noticed that Thurgood’s attention lingered until LouEllen winked at him. I wonder about those two.

“The title of my first short story is…”

And that’s as far as Daphne read.

Graham Huston interrupted. “‘The Stranger in My Chair.’ 

What kind of title is that? Tell me you haven’t re-written the three bears and goldie-what’s-her-name?”

“Now, Graham, don’t be rude. Let the woman read her story,” LouEllen chided.

Mouth agape, Daphne sat frozen, not knowing what to do until Caroline said softly. “Yes, dear, go ahead. We’re all anxious to hear it.” She nodded and smiled encouragingly.

Billy Bob used a blue ballpoint pen with First Presbyterian Church engraved on its side. He made checkmarks at the end of several lines. Evidently, Caroline thought, he would make comments about those phrases when it came his turn to talk. Such a kind man. At every meeting, he goes out of his way to tolerate Graham’s insolence. He has the patience of Job.

The retired high school math teacher, Pauline, gazed out the large oval lead-glass window that faced the parking lot. It was evident she wasn’t listening to Daphne. She’s in another world. Looks worried. I bet it’s that nogood husband of hers. I wish Pauline would divorce him. As if Pauline heard Caroline’s thoughts, she jerked alert and began marking punctuation errors and writing notes in the margins.

LouEllen, a Dolly Parton look alike with big Texas hair, used a yellow highlighter on a couple of lines, smiling as she did so. Like me, she’s a widow. Unlike me, she’s in the market. Like me, she admires muscular physiques. And with that last thought, Caroline felt Thurgood’s scrutiny. His bright blue eyes held their proverbial twinkle. He grinned and motioned his head toward Huston who glared at Daphne.

“The end,” Daphne announced, shoulders squared, smiling as if she were waiting for a round of applause from the critique group.

Silence.

Everyone waited.

Graham Huston was supposed to speak first. And he did. “I’ve never in my life heard anything quite so…so…” Graham was obviously out of character trying to search for the right word, a positive one.

Caroline had never seen the man so speechless. Uh oh. Be prepared, Daphne.

Silence.

Daphne smiled at Huston, expecting to hear some praise.

“What the hell was that all about?” He roared like a stuck pig. 

Red faced, Daphne asked, “Didn’t you understand the plot?” 

“Hell, woman, there was no plot, no characterization, no conflict, nothing,” he said.

“I’ve read that all good novelists let dialogue carry the story, and that’s what I tried to do,” explained Daphne.

“You’re correct. Dialogue is important, but not when the characters are just talking heads,” Huston growled. “My advice to you, Ms. Daphne, is to stick with writing prissy poetry down at Thurgood’s Really Good Wood-Fired Coffee Shop and cutting hair at the Head Case.” As he spoke, he gestured quotation marks around the name of the coffee shop. “No one has to understand that drivel.”

“How can you be so cruel, Graham?” Daphne glared, trying to control tears that threatened her resolve to be brave. She pulled the headband holding her thick hair in place and slung it down as if it were a gauntlet. Her unruly red curls, freed at last, fell forward but failed to obscure the tears that trickled down her cheeks.

“Now, now,” said Baskin. “There’s no need to make her cry.” He reached across the table and handed Daphne a handkerchief. “Here. Dry your eyes. None of us are perfect writers. We’re all here to learn.” He leaned back in his chair. “I’m sure Graham didn’t intend to sound so harsh.”

“Well, my good reverend, there’s where you’re wrong. I meant every word I said.” He pointed his finger at her. “My suggestion, young lady, is that you enroll in a writing course out at the college right here in town.”

“Let’s be nice,” said Caroline. “Graham, I think you need to explain ‘talking heads’.” She looked at Daphne and said, “A lot of novice authors make that same mistake.”

“Oh, give me a break,” Graham grumbled.

“No, you give her a break,” interjected LouEllen. “I’ve sat here week after week listening to your almighty highness cutting down all of our work. But no more. I’m tired of your arrogance, Graham Huston.”

“Arrogance?” he sneered. “Seems to me that a woman who owns the bar her husband – a dead husband with a suspicious death – ought not to lecture a professional newspaper editor. After all, what can you contribute to literature other than stories from the gutter?”

“Graham, listen to me,” Caroline said. When she knew she had his attention, she said, “That’s going too far. Remember our purpose. We critique the written word, not the person.”

LouEllen stood and silently walked toward Graham.

Caroline had witnessed the owner of Lou Ellen’s Lounge laughingly deal with a patron who had imbibed too many martinis. She was always so amiable while kicking the person out that he or she didn’t put up any fight. But the woman, dressed in animal print leggings stalking toward Graham Huston wasn’t smiling. Her eyes glowed with red, hot anger.

Graham had no idea he had suddenly become the prey of a mama tigress intent on protecting her friend.

Caroline held her breath. The word murder popped into her brain.

LouEllen stopped. She grabbed the chair and swirled it around so that Graham faced her.

Glad friends of the library bought chairs that rolled last year. Otherwise, I’d have a hard time tomorrow explaining broken chair legs and ripped carpet.

If she had not feared for his life, Caroline would have enjoyed his shocked expression. She glanced around the room. The other writers were just as surprised as Graham. No one had ever seen LouEllen that angry.

“Now you listen to me, Graham Huston. I will not sit idly by while you demoralize Daphne. I sure hope you aren’t that rude the next time she cuts your hair. It’s hard enough to listen to someone critique what you’ve put your heart and soul into, but you’ve gone beyond being helpful. The rest of us have been writing long enough that your snarky criticisms don’t mean a damn thing.”

Graham met LouEllen’s challenge though his voice had lost its edge. “Well, believe it or not, I was only trying to point out the fact that she’s a poet – good or bad, I don’t know because I hate the stuff and don’t read it – but she needs to learn more about the craft of narrative creative writing than we can teach her in a critique group.”

“Oh, you’re saying we don’t know what we’re doing? That some hoity-toity professor with absolutely no real-world teaching experience can do better? That she has to pay for a course at the college?”

“Yes, that’s exactly what I said minus the hoity-toity,” Graham growled. “And it wouldn’t hurt you to take the same class.” He sneered.

“Now, Graham…” Baskin made an attempt to speak but was not fast enough.

The tigress bent down, ready for the kill. “If I weren’t a lady, I’d slap you crossed-eyed right now,” LouEllen hissed and proceeded to resume her place at the conference table.

“Lady?” Graham asked.

LouEllen turned back, but Thurgood saved the day. In Caroline’s opinion, he was enjoying the show. He piped up with a rhetorical question. “Uh, Graham, who teaches that class?”

Graham’s demeanor changed. His face relaxed and his back straightened when he turned to Thurgood and said, “Well, as a matter of fact, I do.”

“Ah, ha,” LouEllen exclaimed from the far end of the table. “It wasn’t enough for you to take over the newspaper after Neal Holland’s untimely death. If the college isn’t alert, its president might die suddenly.” She laced her fingers together and used them as a prop for her chin, satisfied she had put the former press cleaner in his place.

“Oh my goodness,” Graham drawled. “At least, Holland’s death wasn’t the result of a poor diet.”

“Has anyone ever told you that you are an…?” LouEllen began but stopped short. “Sorry, reverend.”

Baskin shook his head. “Oh, don’t mind me. In my profession, I’ve heard it all.”

Daphne stood. “I’m sorry I caused so much trouble.” She raced out of the building. Her sobs gradually faded as she rushed to her car in the parking lot.

“Now look what you two have done,” said Pauline. She crinkled up her nose as if to say the room and its current inhabitants had emitted a sour odor. “I can’t listen to any more of this.” She gathered her notebook and purse and followed Daphne outside.

“I guess this meeting is adjourned,” said Baskin standing. He, too, left the conference room.

Graham stalked out of the building.

The conference room was eerily quiet.

Caroline, Thurgood, and LouEllen remained seated. 

“That went well.” Thurgood chuckled.

“How about a drink?”

Thurgood saluted. “Miss LouEllen, I thought you’d never ask.”

 

Hope you enjoyed that sample of A Dewey Decimal Dilemma. The book is available from Amazon for only 99¢. But hurry, because that price won’t last for long.

Comments are always welcome! And until next time, happy reading!

CW Hawes is a playwright, award-winning poet, and a fictioneer, with a bestselling novel. He’s also an armchair philosopher, political theorist, social commentator, and traveler. He loves a good cup of tea and agrees that everything’s better with pizza.

 

If you enjoyed this post, please consider buying me a cup of tea. Thanks! PayPal.me/CWHawes

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The Hardboiled Detective

I just finished reading Raymond Chandler’s Farewell, My Lovely. I’ve previously read his The Big Sleep, and several of his novelettes.

Way in the past, I read Hammett’s The Maltese Falcon and a few of his Continental Op stories.

My opinion of hardboiled fiction is that I like it and want to read more. In fact, I like it so much I may decide to write some of my own.

There’s a lot of confusion between hardboiled and noir. Some people think the two are the same thing, but they are not. I actually see them as being something of opposites.

Noir is about victims and everyone loses in the end. It’s pretty nihilistic.

Hardboiled is about the detective hero, and in the end he wins. The victory may be small, but he still wins.

In a sense, Noir and Hardboiled are the two sides of existentialist philosophy. The one which says life has no meaning, no purpose, and it’s probably best if we just die. And the other, which says life is meaningless in and of itself, and we have to give it meaning. In other words, we find our own meaning and value in life and that’s what makes it meaningful to us.

Let’s look a little deeper at the characteristics of the hardboiled detective.

The hardboiled detective sub-genre was created by Carrol John Daly in the 1920s, and was refined by Dashiell Hammett. It was raised to the level of fine literature by Raymond Chandler, and given an unparalleled psychological depth by Ross Macdonald.

In the hardboiled world

      • the private investigator is the hero
      • he acts tough, talks tough, and often is tough
      • the PI is a loner
      • he has a code of honor and justice that is moral, if not strictly legal
      • no matter what, the PI won’t give up the case, or betray a client
      • individuals battle a corrupt political organization, or a criminal one — it’s the one agains the many
      • the PI prevails because he’s true to himself and his code
      • he’s a smart-aleck, and talks that way
      • he’s cynical about the world at large
      • even though the PI solved the case, the solution does little to alter the larger picture of political, societal, and human corruption
      • the PI wins a small victory, and that’s all he can hope for, but he was true to himself

I think the hardboiled worldview is very apropos for today. There is so much crap going on in the world that one can easily despair, or become insanely angry.

What the hardboiled detective teaches us is that the world ain’t gonna change — but we can rise a little bit above the dirt, the corruption, the wickedness by being true to ourselves, and by sticking to a standard of right and wrong no matter what.

The personal integrity of the individual honoring his word and sticking to his moral principles — no matter what’s going on around him — is, for me, a source of inspiration. Because, it means, no matter how hopeless things are or seem to be, in a small way I can make a difference.

What I do may not change the world, but it may help someone, it may bring peace of mind, or a bit of fairness to someone else’s life. And, realistically speaking, that is probably all we can ever hope for.

The hardboiled world is dark and grim, and slightly dystopian. It’s a world where the big forces crush the little people. And it’s a world where the PI keeps the hope of fairness, equity, and justice alive.

Every day we read of political corruption, corporate corruption, of society’s indifference, of people making money from destroying the environment, and from using other people.

The hardboiled PI shows us that we, as individuals, can keep the goodness that is in humanity alive.

And I like that.

Comments are always welcome. And until next time, happy reading!

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Where Have All The Mysteries Gone?

The latest Justinia Wright Private Investigator Mystery, When Friends Must Die, is now available. There are a total of seven books in the series (if we count Book 0, which Amazon doesn’t).

To be honest, of all the characters I’ve created Justinia Wright is my favorite. She was my first child, so to speak, and I know her so well it’s as though she’s a real person.

But in this age of thrillers and books whose pages turn themselves, Tina and her brother, Harry, have been a hard sell.

Rex Stout’s Nero Wolfe books are the ideal detective reads, in my opinion. They have a bit of Sherlock Holmes and a touch of noir, a smidgeon of philosophy, and a lot of wisecracking banter. I will take Nero Wolfe any day over any other fictional detective out there — including the Great Detective himself.

However, the Nero Wolfe novels aren’t thrillers by today’s standards, and while excellent reads I do have to turn the pages myself. And therein lies the rub.

If the mystery writers of the Golden Age were plunked down into today’s publishing world as newbies, I doubt they’d make it. Why? Because at times their books are ponderously slow by today’s standards. The riveting action usually doesn’t appear until the last quarter to third of the book. The front part is all clue gathering and sub-plot and character development. This makes for a slower read, but one in which the plot is more nuanced and the characters are more richly drawn.

Just think, in today’s market the likes of Agatha Christie, Patricia Wentworth, Ngaio Marsh, and Rex Stout might never have seen a book contract from a publisher. And if they’d gone indie, they might have sold books, but I doubt their names would be household words.

In his day, the very prolific Edgar Wallace was selling mysteries like the proverbial hotcakes. Today, virtually none of his books are in print. He often has plenty of action, but his books are in no way, shape, or form thrillers.

Even Erle Stanley Gardner, creator of Perry Mason, is edging towards oblivion as the generation that grew up reading and watching Perry Mason dies off. Why? Because for all the action, they aren’t thrillers.

Which introduces an interesting dynamic in the mystery vs thriller debate. The mystery reader tends to be older. The thriller reader, younger.

Today’s reader, especially readers of indie books prefer action — just like the pulp magazine readers of yore.

But there are writers of mysteries, traditional mysteries, who are managing to sell books. PF Ford, JA Mensies, and Renee Pawlish to name three.

There are, however, more writers of good mysteries who deserve a much bigger audience. Richard Schwindt and his Death in Sioux Lookout trilogy. Joe Congel with his Tony Razzolito, PI series. JP Choquette and her Tayt Waters mysteries. Just to name a few.

But why read traditional-style mysteries instead of thrillers? Primarily because I think they are overall more entertaining and engaging reads. Mysteries tend to be multi-dimensional, whereas thrillers, at least the ones I’ve read, are pretty much one dimensional. Kind of like superhero comic books. There’s a lot of unrelenting action and that’s about it.

Of course superheroes are all the rage, so maybe that explains the appeal of thrillers.

A good mystery is plot-driven, has multi-faceted characters, an engaging storyline, and a certain literary finesse. A good mystery engages one on a more intellectual level. But a good mystery isn’t all in the mind, because there will be plenty of action scenes to get the heart pumping.

Which is my point: a good mystery is a wholistic read. It appeals to the reader on many different levels.

Give PF Ford, JA Menzies, and Renee Pawlish a try. Give Richard Schwindt, Joe Congel, JP Choquette, and even my own Justinia Wright a try. You just might discover a whole new world opening up before you.

Comments are always welcome! And until next time, happy reading!

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