Weird Fiction and the Occult Detective

The occult detective can be found in all the various categories of horror. Although, I think he is most prominent in ghost stories, creature features, and weird fiction.

We know what ghost stories are, and creature features are pretty much self-explanatory. The story features a monster that must be disposed of.

But what exactly is weird fiction? Recently, I received a story bundle email in which Robert Jeschonek provided an excellent description of weird fiction. He wrote:

Something doesn’t feel quite right. The world around you seems a little…off. Things turn strange and fluid, as if you’re trapped inside a dream…but you aren’t. Something about you might have changed in a fundamental way that you sense but can’t understand.

This is what weird fiction at its best feels like. It’s more about unsettling dread than outright terror. It’s more about the mysterious influence than the in-your-face threat. It’s more about questioning the nature of reality than wondering what’s about to jump out of the shadows at you.

Two occult detectives come to mind who primarily investigate the weird: Flaxman Low and Aylmer Vance.

Flaxman Low was the pseudonym for one of the leading psychologists of the Victorian era, so the story goes, and became the chief occult psychologist of his day. Writing as H. Heron and E. Heron, Hesketh Hesketh-Prichard and his mother, Kate O’Brien Ryall Prichard, chronicled a dozen of Flaxman Low’s occult investigations.

The stories are filled with unsettling dread. Things are a little off. Nothing is as it should be. There’s no out and out terror. There’s no gruesome gore splattering your face. You just feel uncomfortable as you follow Low. And when he uncovers the cause of our discomfort, we feel immense relief.

I very much enjoy the Flaxman Low stories. And even though they date from 1898 and 1899, they read well and will definitely make you feel uncomfortable.

The first 6 stories you can get for free from Project Gutenberg Australia. If you want all 12, you can pick them up from Amazon for $1.39, as of this writing. IMO, they are definitely worth reading. And the price is right.

Aylmer Vance was the creation of Alice and Claude Askew. He appeared in 8 spooky occult investigations back in 1914. The tales ooze that feeling of uneasiness, and subtle dread that give a story the spooky creepiness we readers of weird fiction so desire.

I very much like the Aylmer Vance stories, and regret that the Askews only wrote 8 of them. They ended up dying in the war to end all wars, as did so many writers.

The stories are not thrillers. No monsters jump out at you. Their pacing is gentle: the epitome of slowburn storytelling. They are, however, told so well you may find yourself binge reading them.

You can get all the stories in the Black Heath edition on Amazon for only 99¢. Truly a deal.

Weird fiction and the occult detective. A very spooky and unsettling combination indeed.

Comments are always welcome. And until next time, happy reading!

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The Horror Meisters

Take a look at the books
The free books
The Horror Meisters have for you

The Horror Meisters, which used to known as Meet the Munsters, Ink!, are celebrating their return with a fabulous promotional giveaway.

Nineteen (19) authors are giving away free books and excerpts for your reading pleasure, and hopefully to entice you to support them.

Yes, please, I’d like some free reads!

Writing can be a lonely business. But it doesn’t have to be. Authors banding together for mutual support, by means of the amazing internet, has been a boon for our mental health, productivity, and building a reader base.

When authors and readers network, everyone benefits. Authors gain new followers and readers, and readers learn of new authors and exciting new books. A win-win for everybody.

I have benefited immensely from my involvement with The WolfPack Authors and The Underground Authors. And I expect more good things to happen with The Horror Meisters. So stay tuned.

In the meantime, visit

The Horror Meisters Giveaway

You won’t be sorry.

Comments are always welcome. And until next time, happy scary reading!

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For the Weekend 9

This weekend is Halloween and I thought it appropriate to recommend something horribly spooky for your entertainment.

Crispian Thurlborn

Crispian is one of my favorite authors. If he writes it, I’ll read it. For this weekend, I recommend:

Exit. This is a slow burn chiller. Something like the twilight zone. Mysterious, with a shocking revelation at the end. Get the book at Amazon!

01134. We’ve never been so connected, yet we’ve never been so alone. We crave companionship and when we get it we’re on top of the world. When we lose it… A superb tale of psychological horror. On Amazon!

Cinder. Jill is a college student, and like all college students she needs money. Which means she takes the occasional babysitting job. And the job of watching the Comptons’s kid seems to be like any other. That is until those things desiring to ward of the chill of the coming winter make themselves known. Get it on Amazon!

Sign up for Crispian’s mailing list and get the terrifying short story “Wednesday’s Girl”.

Richard Schwindt

Richard is another author who writes outstanding fiction. If he writes it, I buy it. For this weekend, I want to draw your attention to:

Herkimer’s Nose. This was the first book I read by Richard and it’s still my favorite. A fabulous cast of characters, with lots of humor, terror, monsters, ghosts, and spies. A delightfully spooky tale, that’s at Amazon!

Tony Price: Confidential. Tony is a social worker and an amateur occult detective. If you like mysteries and monsters, this trilogy is for you. I loved it. Get it at Amazon!

Ottawa Confidential. This story is the Tony Price prequel. And very appropriate for Halloween. It’s about dogs. Well, not really. More like wolves. Well, not really that either. Just read it. You won’t regret it. At Amazon.

A Killing in Samana. Murder mystery meets occult detective. And we discover Richard’s other amateur sleuth, Chris Allard, knows Tony. Together, they solve an eerie murder case. Pick it up at Amazon.

R.H. Hale. Hale’s Church Mouse duo is an incredible work of fiction. The writing is literary, and some of the finest I’ve read. I don’t care for a lot of description, yet Hale’s descriptions mesmerize me. They set the mood and atmosphere, and establish the eerie Gothic quality that makes these books work so well.

Rona, the main character and narrator of the story, is exceedingly well-drawn. She is truly lifelike.

Sergei, the vampire and antagonist, is also very well-drawn. His character is richly complex. We hate him and we love him.

The Church Mouse duo easily makes my top ten list of recommended horror reads. They are novels you truly do want to read before you die.

Get Church Mouse: Memoir of a vampire’s servant at Amazon, along with Church Mouse – Book 2: The Change, also at Amazon.

 

Lastly, a bit of shameless self-promotion. Aside from my Pierce Mostyn Paranormal Investigations series, I’ve published the following stories:

Do One Thing For Me. George is old and going senile. Beth isn’t what she appears to be, but George isn’t sure she’s even real. And then she makes him an offer he can’t refuse. Or can he? Get it at the Zon.

Ancient History. Two brothers with a history, and not a good history at that. But they’re getting older and maybe it’s time to mend things. Put things right. But the ghosts think otherwise. And as one reviewer wrote: “…the ending was a shocking twist I never saw coming!” On Amazon.

Metamorphosis. I love vampire stories. And this is my contribution, to date. Devon is sick and having a mid-life crisis. His solution? Become a vampire and leave the problems behind. But his minister, who is a vampire, convinces him otherwise. Or does he? At Amazon!

What the Next Day Brings. A tale of the Cthulhu Mythos, set in 1920s Vienna. Everyone of us makes choices. Sometimes out of desperation. And starving to death, that’s what Franz does. However, as we all know, such choices often hand us more than we bargained for. Also at Amazon.

Plenty of good reading for your Halloween weekend. Enjoy!

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Flawed Heroes: Bah! Humbug!

Pierce Mostyn rides again in 7 days! I’m looking forward to the release of Book 7 in the Pierce Mostyn Paranormal Investigations series. There’s nothing better than fighting monsters and bad guys and coming out on top.

The series is a combination of Cthulhu Mythos, creature feature, and action/adventure. And I have great fun writing the books. The series has also been my top seller since its introduction in 2018.

Lee Child wrote that he created Jack Reacher to be the opposite of the angst ridden and troubled main characters of detective and thriller fiction. He was tired of flawed characters. So Reacher doesn’t have any flaws. And because he’s the guy who beats up the playground bullies, he’s something of a superhero as well.

Quite accidentally, Mostyn is cut from the same cloth. Probably because the characters I enjoy most aren’t overly flawed. They might be quirky, but they don’t have flaws. Characters such as Nero Wolfe and Archie Goodwin, Holmes and Watson, Solomon Kane, Jules de Grandin, Hercule Poirot, and Philip Marlowe.

Perhaps because I see my own flaws all too clearly, I want my fictional heroes to be flawless. Quirks are okay. Delightful in fact. But flaws? I can do without them. Give me a hero who is just a bit larger than life.

If you haven’t read Pierce Mostyn, give the series a try! The books are at Amazon, and free with Kindle Unlimited.

Comments are always welcome! And until next time, happy reading!

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Riffing on The X-Files

 

Since his debut in Nightmare In Agate Bay (January 2018), Pierce Mostyn and his paranormal investigations has been my bestselling series.

The genesis for the series was The X-Files. And while the overarching story arc of the TV series was about space aliens (a storyline very similar to the earlier TV series The Invaders), it was the “monster of the week” episodes that I found most interesting. I liked the concept of a government agent investigating those things that go bump in the night.

The biggest things that go bump in the night, IMO, are Cthulhu and his ilk. So it was only natural for me to mash up The X-Files concept with The Cthulhu Mythos, with the “monster of the week” idea finding its way into the sub-series with diabolical mastermind Valdis Damien van Dyne.

Van Dyne lets me play with the whole cryptid menagerie, much as the producers and writers did with The X-Files. Let’s face it — we like monsters. We like weird, paranormal critters and beings. And while the cosmic horror of Cthulhu and his fellow Old Ones is terrifying, there is nothing immediately scarier than a good old-fashioned monster. Hence, the perennial popularity of the “creature feature”.

On Monday, the 20th of July, you will be treated to a rare and unusual cryptid: the zuvembie. The creation of Robert E Howard, drawn from the spooky stories his grandmother told him. 

The zuvembie is a top-drawer creation, yet to my knowledge it only appeared once in the Howard oeuvre in the story “Pigeons from Hell”. I’m pleased that arch-villain Valdis Damien van Dyne learned the secret of the Black Brew and planned his zuvembie apocalypse. It will make COVID look like the common cold.

Make sure your hearing protection works, because you’re going to need it in two weeks.

Comments are always welcome! And until next time, happy monster hunting!

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A Snippet

I’m gearing up for the launch of the 7th Pierce Mostyn Paranormal Investigation: Van Dyne’s Zuvembies.

The release date is July 20th.

The final read through, actually the computer is reading the text to me, is going along nicely, and I’m still catching extra words, an extra space between words, and the like. I want the text as clean as I can make it. No one likes a text with errors. Yet they happen. Even to the big corporate guys. If I get a book for free or under $3, I’m pretty forgiving. If I’m paying big bucks, much less so.

To wet your whistle for the new Pierce Mostyn, I’m giving you a snippet. Enjoy the Prologue to Van Dyne’s Zuvembies!

She looked at the address, back at the slip of paper, and then back at the number over the door.

This is the place, she thought, and walked down the short walk to the door. A man, coming out, held the door for her.

“Thank you,” she said, and entered the building. A ordinary, nondescript three-story on Northern Boulevard in Queens.

The directory in the lobby told her she wanted the third floor. At the elevator, she pressed the up button and waited. There was a bit of a musty odor to the old and dingy carpet, and the young woman wrinkled her nose at the smell. When the elevator doors opened, she got in, and pressed three. In a moment the doors opened once more, she got out, and turned into the corridor. 

Suite 304 was to her left. She walked a dozen steps and stopped in front of a plain door with frosted glass window and the name Asher and Associates painted on the glass in black letters.

She looked once more at the slip of paper, took a deep breath, and  exhaled. Her hand pushed down on the door handle, and giving it a push,  the door opened, and the young woman walked in.

There was a small waiting room with a half-dozen beige plastic chairs lined up along one wall. A pretty little redhead, with the most beautiful smile, sat behind a desk opposite the plastic chairs. A counter fronted the desk, and a sign announced that the desk was home to the receptionist.

The redhead, smile still in place, said, “How may I help you?”

“I’m Sofia Rivera. I have an appointment for three.”

The receptionist looked at her computer screen, tapped a few keys, and studied the screen for a moment.

Sofia was jealous. How could anyone be so happy as to smile like that?

The redhead looked at her. “Please have a seat. The therapist will be with you in a minute.”

Sofia sat and put her hand in her pocket for her phone. It wasn’t there, and the anger bubbled up. Why did they have to take her phone away? It was so unfair. And if her sister hadn’t blabbed…

God, I hate Maria, she thought. Why can’t Dad take my side? And that woman he married. She really, really has it in for me. I hate them. I hate them all.

A door next to the receptionist opened, and a dark-skinned Indian woman called her name.

Sofia got up and walked over to her.

The woman smiled and said, “I’m Kashvi Pushpagiri, your therapist. Follow me.”

She led Sofia to a room that was on the spacious side, indicated a chair for her to sit in, and took a seat in the chair across from her. A round coffee table sat between the two chairs.

“So tell me why you’ve come to see me.”

“Everyone’s against me.”

The therapist arched an eyebrow. “Everyone?”

“My dad never takes my side. My sister’s a blabbermouth. My step-mom thinks I’m worthless and turns my dad against me. I just hate them.”

“You hate them? Actually hate them?”

There was a pause. “Well, maybe hate is a little strong.”

“Is it? Perhaps you do hate them. Didn’t they wrong you? Aren’t they against you?”

“Well, yeah, they are.”

“Have you considered that perhaps they hate you.”

“Really?”

Pushpagiri nodded.

“Wow. I never thought of that. I mean, like, I can see my step-mom, and maybe my sister, but my dad?”

“Did you want him to marry your step-mom?”

“Hell, no!” Realizing what she’d said, Sofia, somewhat embarrassed, apologized. “Sorry.”

“That’s quite alright. You are in emotional pain. Those who should love you, don’t. You are all alone. But I’m here to help.” Kashvi favored Sofia with a smile.

“You really think they’re against me?”

“Why are you defending them?”

“I’m not!”

“Sounds like it to me. Do you want to be walked on your entire life?”

“No. No, I don’t want that.”

“Your sister blabbed something which you trusted her to keep a secret.”

Sofia nodded.

“What was it?”

“I had my boyfriend over when Dad and Lu, that’s my step-mom, Lucinda, when they were out.”

“And that’s a problem?”

“Well, uh, we were, uh, in my room and…”

“You were having sex.”

“No, not sex. But we were, well, you know.”

“Making out.”

“Yeah.”

“And your sister told your dad and step-mom and you got in trouble.”

“She even called me a slut! Lu did. She should talk.”

“Sofia, it’s very important, if you want to become a strong woman, it’s very important for you to face and express your rage. You must voice your hate. We at Asher and Associates practice what we call primal rage therapy.”

“I just want what’s fair.”

“We all do.”

“So what’s this primal rage thing?”

“Women have been held down for a long time. Essentially ever since humans began. Prehistoric women, because they were weaker than men, were abused by them. Skeletons of those prehistoric women show what are commonly called abuse fractures. And let’s face it: nothing’s changed. We are still being abused. Biologically we carry the rage, the hate, of our abuse in our DNA. That’s why it is very important for us to let it out. To stop repressing it. We must go back to our primal state and rage against our oppressors.”

“How do I do that?”

“By using the oppressors and abusers we face today to take us back to our primal selves. Each day, you must do a five-minute hate. Put the picture of one of your oppressors before you and scream out your hate. Change the picture each day. Did you bring a picture with you?”

Sofia nodded. “I brought a picture of my sister.”

“Good. Let’s practice the five-minute hate right now. Put the picture on the coffee table. Let’s hate her together.”

For five minutes Kashvi Pushpagiri and Sofia Rivera hurled abuse and hateful words at the picture. They screamed at it and hit it. When the five minutes were over, Sofia felt exhausted, yet invigorated.

“I’m going to give you our special primal hate drink.” Kashvi walked over to a shelf, retrieved a bottle, and gave it to Sofia. “Drink this tonight and while doing so fill your mind with hateful thoughts. Remember how freeing the five-minute hate felt?”

Sofia nodded.

“Think those thoughts again while drinking the bottle.”

“That’s it? Just drink this?”

“Yes and don’t forget the hateful thoughts while drinking. It doesn’t taste very good, so drink it quickly. You have to drink all of it. Thinking the hateful thoughts helps the medicine go down.” Kashvi smiled.

Sofia looked at the bottle, and then at her therapist. “Okay.”

“That’s it. See you next week. Brittany will set you up with an appointment.”

Kashvi stood and walked Sofia out to the lobby.

At the door they said goodbye. Kashvi went back to her office and Sofia walked over to the reception desk. 

The redhead gave her an appointment card with a date and time on it. “Does that work for you?”

Sofia looked at the card and nodded. “Does this stuff really work?”

The redhead smiled. “Yes, it does. You will be a whole new person.”

Sofia smiled and left the office. On the elevator going down, she realized how free she’d felt after that hating. She actually felt good and empowered. And she liked feeling good.

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Where Ideas Come From

The world is an amazing place. It is filled with unlimited stimuli for our senses and our minds.

Something so simple as the wind moving the pine tree in an impromptu dance can bring forth images from other times, other places. Or that pine in the wind can be a soothing balm for our eyes and mind.

To my way of thinking, the thing that separates a writer from a non-writer is the ability to take the thoughts, patterns, and images we experience around us and see a story in them. The non-writer simply experiences the world. The writer not only experiences, but sees the stories that are there.

For 30 years I worked in county government and hated it. Yet, that job provided me with the seed idea for my first mystery, Festival of Death, gave me experiences and information and insights that I’ve used in many poems, short stories, and novels.

One morning a sentence popped into my head: Today I killed a man and a woman. A provocative sentence that! Must’ve had a bad day at work! That sentence, though, grew into my post-apocalyptic cozy catastrophe The Rocheport Saga.

The job isn’t the only source of ideas, however. Story ideas are everywhere.

The Pierce Mostyn series has a genesis that goes back decades. In the early 70s I became a member of a Minneapolis-based horror and pulp fiction fan group. I met Donald Wandrei, Carl Jacobi, Weird Tales artist Jon Arfstrom, and Jack Koblas, who went on to became a noted regional historian and biographer.

That fan group also introduced me to The X-Files, although many years passed before I actually watched the show.

Then sometime in 2017, after watching a few episodes of The X-Files, I got the idea for a mash-up between The X-Files and the Cthulhu Mythos. I liked the idea of an FBI agent hunting monsters and aliens. And what’s not to like about Cthulhu and his ilk?

After that idea took hold, it was a simple matter of a few broad brushstrokes to create the Mostyn world, and I was in business. But what stories would I tell about Pierce Mostyn and the Office of Unidentified Phenomena?

The first three Mostyn tales were heavily inspired by HP Lovecraft’s stories “The Shadow over Innsmouth”, “The Mound”, and “The Lurking Fear”.

The next Mostyn stories, however, drew inspiration from a variety of sources: Van Dyne’s Vampires from cryptozoology (the chupacabra and the Jersey Devil in particular); the seed idea for The Medusa Ritual came from the Heald/Lovecraft story “The Man of Stone” and the Medusa myth; Lovecraft’s “The Nameless City” and the movie The Mummy gave me the launch pad for Demons in the Dunes; and the forth coming Van Dyne’s Zuvembies makes use of Robert E Howard’s creation which appeared in his story “Pigeons from Hell”.

There is nothing new under the sun, the writer of Ecclesiastes declared. And he’s right. Everything plays off of everything else. Someone may come up with a unique and memorable way to express the thought, but most likely the thought itself is not unique. Someone said or wrote something like it before.

All one has to have are the eyes to see the stories, the many stories, that are all around us. If you have those eyes, you’re a writer. If you don’t, perhaps you can learn.

Comments are always welcome! And until next time, happy creating!

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Valdis Damien van Dyne

Pierce Mostyn not only has Cthulhu to think about, he also has Valdis Damien van Dyne.

Sherlock Holmes had his Moriarty. Nero Wolfe had his Zeck. Nayland Smith had his Dr Fu Manchu. Hence, I think it only natural for Mostyn to have his van Dyne.

The Diabolical Mastermind trope has been around for a long time, and has served readers, moviegoers, and TV watchers quite well. The Diabolical Mastermind is the ultimate test for the hero.

A few readers have asked, “Why van Dyne, when you already have the ultimate evil in Cthulhu?” And that is a good question.

In part, I created van Dyne for a very human face to put on the evil in our world. I relish good cosmic horror. It is the ultimate expression of the objective meaninglessness of humanity. As such, cosmic horror shows us that our meaning and purpose is all inside. Who we are cannot be found out there. It can only be found within. We must discover who we are through introspection.

Nietzsche advises us to look to art for discovering who we are. What he meant was, just as the gods are all creators so are we humans creators. It is through the act of creating that we find ourselves and express who and what we are as individuals.

While cosmic horror pictures all of this for us, for many of us it is all too abstract. What does all that have to do with the day today evil I encounter?

The Diabolical Mastermind, in a way, puts a human face to the ultimate evil that causes the ultimate horror. It’s rather difficult to come to grips with Cthulhu or Azathoth. It’s much easier for us to understand a Moriarty, or a Fu Manchu, or a Valdis Damien van Dyne.

In Pierce Mostyn’s world, van Dyne is the human counterpart to Cthulhu. Both are evil. Both exert incredible and extensive influence in the affairs of the world. And both want to take over the world, caring little about the fate of the human inhabitants in the process.

If all goes well, Van Dyne’s Zuvembies will be published at the end of this month; when we will see another titanic struggle between the forces of good (Mostyn, Bardon, and the rest of the OUP gang), and the forces of evil — personified in Valdis Damien van Dyne. The fate of the world hangs in the balance!

Comments are always welcome! And until next time, happy reading!

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Van Dyne’s Zuvembies

“When hate makes life worth living…”

Cryptozoology is the study of cryptids: those creatures of myth, folklore, legend, and imagination that science sniffs at, and yet may in fact exist. Much like the coelacanth, thought extinct for 65 million years, only to be found alive and well in 1938. Seems science doesn’t know everything.

Writers of the paranormal love cryptids. They are their stock in trade, their bread and butter. Yet, of the hundreds of cryptids available, relatively few find their way into the tales of the paranormal writers.

Way back in 1934, Robert E Howard wrote a story titled, “Pigeons from Hell”, which was published in the May 1938 issue of Weird Tales, two years after Howard’s death.

The story is a superb example of Southern Gothic horror, and features a creature of Howard’s invention, although drawn from Voodoo myth — the zuvembie.

Given the current zombie craze, I would’ve thought someone would’ve made use of the zuvembie before now. To my knowledge, no one has.

So you may be asking, “What the heck is a zuvembie?” That’s a good question, and I’m glad you asked. Let me satisfy your curiosity with a scene from Van Dyne’s Zuvembies:

“Can someone please tell me what the hell a zuvembie is?” NicAskill asked.

Dr Heber cleared his throat. “A zuvembie is a creature that is often classed as one of the undead.”

“You mean like zombies and vampires?” NicAskill asked.

“Yes. Although technically speaking, a zuvembie is not dead. Simply changed.” Heber paused a moment to clean his glasses. He put them back on and continued.

“In traditional voodoo, a bokor, that is, a magician, creates a zombie from someone who is already dead. A zombie is a re-animated corpse that does the bidding of the bokor. A zombie is essentially a slave.”

“So there’s no zombie virus?” Jones asked.

“No. That is the stuff of cheap pulp fiction and B-rated movies.”

“So no zombie apocalypse,” Jones said.

Heber shook his head. “I’m afraid not.”

“So if a zombie is a slave, what’s a zuvembie?” NicAskill asked.

“As I said,” Heber explained, “a zombie is a slave of the bokor, created by powerful spells that are cast by the bokor. A zuvembie, on the other hand, has never died. The creator of a zuvembie may or may not be a bokor. However, the creator of the zuvembie has gone through the necessary rituals and been taught the secret of making the Black Brew, which, when drunk, will turn a woman into a zuvembie.”

“Only women can become zuvembies?” Jones asked.

“That is correct,” Heber replied. “Only women.”

“Why?” The question came from NicAskill.

“Because hate and revenge are the motivators and the required emotions to become a zuvembie.” Heber shrugged. “It seems women, as a sex, have so often been viewed as inferior that they and they alone possess the necessary hatred and desire for revenge to become a zuvembie.”

NicAskill sat back in her seat. “Wow.”

Heber, a smile on his face, continued. “For every action there is an equal and opposite reaction. The zuvembie is the personification of female hate and revenge.”

“So what’s this thing like?” Jones asked.

Heber explained, “According to the lore, ancient lore that predates voodoo and goes back to West African snake religions, once a woman drinks the Black Brew she ceases to be a human. She becomes one with the denizens of the Black World. Friends and family cease to exist. A zuvembie has command over some aspects of nature. It can control owls, snakes, bats, and werewolves to do its bidding. The creature can summon darkness in order to blot out a small amount of light.

“Unless killed by lead or steel, it lives forever. Time means nothing to the zuvembie; it exists, as it were, outside of time. It no longer eats human food, and dwells in a house or a cave much as a bat does.

“The zuvembie cannot speak, at least not as humans do, and it does not think as humans think. However, by the sound of its voice it can hypnotize the living and summon a person to his or her death. And once the thing has killed a person, it can control the lifeless corpse until the corpse grows cold and the blood ceases to flow. The corpse becomes the slave, as it were, of the zuvembie and will do whatever the zuvembie commands it to do.”

“Good night,” Jones said. “It’s a good thing women don’t know about this zuvembie thing.”

“Shut up, Jones,” NicAskill said.

“One more thing,” Dr Heber said. “The zuvembie has but one pleasure in life.”

“What’s that?” Mostyn asked.

“To kill human beings.”

So now you know what a zuvembie is. Pretty scary stuff, coming as it did from the stories REH’s grandmother told him. Nothing like folklore to scare the bejeezus out of you.

Van Dyne’s Zuvembies is at the beta readers, and I’m looking to publish it late June or early July.

In the meantime check out the other Pierce Mostyn adventures. They’re filled with monsters, daring-do, and will convince you to keep the lights on at night.

Comments are always welcome! And until next time, happy reading!

Original illustration from Weird Tales for Pigeons from Hell
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Pierce Mostyn in The Medusa Ritual

Pierce Mostyn, that intrepid foe of the things that go bump in the night, last appeared in Van Dyne’s Vampires, published October of last year.

Next week he will appear in a new adventure, his fifth: The Medusa Ritual.

The germ of the idea for Mostyn’s latest adventure can be found in the Hazel Heald and Lovecraft collaboration “The Man of Stone”. Collaboration, though, is a generous term; for, according to ST Joshi, Heald seems to have contributed virtually no prose to the story — based on textual evidence.

Thus, Heald probably only provided a story idea for Lovecraft to run with. Which he did, and that story then provided me with the idea for The Medusa Ritual. So thank you Hazel for that original idea!

However, while “The Man of Stone” got the wheels turning for The Medusa Ritual, there is nothing of the earlier story in the later one other than people being turned to stone.

While Van Dyne’s Vampires focused on what is essentially a mad scientist and his monsters, in Mostyn’s new adventure we return to the world of cosmic horror. That world where the terror originates from the realization that in the big picture we are completely and totally insignificant. A realization that can easily drive us to despair, madness, or self-destruction.

Nietzsche’s answer to achieving this awareness and its accompanying despair, was for the person to become a creative individual. To become as a god, in other words, for gods create; and in creating, the individual can thereby bring meaning to his or her otherwise meaningless life.

Nietzsche’s answer was essentially an existential one. We are in command of our fate. Counter the meaninglessness of existence by creating your own meaning.

Lovecraft, on the other hand, retreated into antiquarianism, and racial and cultural identity. The old days are good. The old ways are known and comfortable. My own kind are known to me. The foreigner is unknown, a mystery, and therefore suspect.

In Lovecraft’s fiction we see his philosophy play out in his vision of our world having been invaded by alien monster beings who have no regard for us. In strange, swarthy, and dark foreigners who do the bidding of these monsters. And in the insignificance of us Westerners and our science in the face of these ancient beings and their magical rituals. HPL’s conclusion is that it’s best if we don’t know too much of what is really out there, or know any of it at all.

When I come away from reading Lovecraft, I have the feeling that ignorance is bliss. In being ignorant, I can live my life in the delusion that this is a world of meaning and purpose. That I have essential meaning and purpose.

In “The Shadow over Innsmouth”, the narrator comes face to face with the horror of the curtain being pulled aside to reveal what truly is. He has looked into the abyss. In the end, when he realizes that he too will eventually join those monstrous denizens of the deep, rather than end his life, he resigns himself to his fate. For Lovecraft, once we know the truth, we either surrender to it, or go mad, or destroy ourselves. There is no Nietzschian optimism in Lovecraft.

Pierce Mostyn, knowing the truth, doesn’t go mad or destroy himself, but he is weighed down by the understanding that in the end all of his actions are futile. He resorts to duty to keep on going. Much like the ancient Roman Stoics. Duty gives him purpose and meaning in what is an otherwise meaningless and chaotic universe.

Now all of the above is a heck of a lot of philosophy. But don’t worry. It’s all in the background. The Medusa Ritual is not a philosophical treatise. It’s a tale of cosmic horror with plenty of action, adventure, monsters, and daring do. Just what we want to read. Right?

And it will be available, Amazon willing, on July 29th for your reading pleasure.

Comments are always welcome; and, until next time, happy reading!

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