Riffing on The X-Files

 

Since his debut in Nightmare In Agate Bay (January 2018), Pierce Mostyn and his paranormal investigations has been my bestselling series.

The genesis for the series was The X-Files. And while the overarching story arc of the TV series was about space aliens (a storyline very similar to the earlier TV series The Invaders), it was the “monster of the week” episodes that I found most interesting. I liked the concept of a government agent investigating those things that go bump in the night.

The biggest things that go bump in the night, IMO, are Cthulhu and his ilk. So it was only natural for me to mash up The X-Files concept with The Cthulhu Mythos, with the “monster of the week” idea finding its way into the sub-series with diabolical mastermind Valdis Damien van Dyne.

Van Dyne lets me play with the whole cryptid menagerie, much as the producers and writers did with The X-Files. Let’s face it — we like monsters. We like weird, paranormal critters and beings. And while the cosmic horror of Cthulhu and his fellow Old Ones is terrifying, there is nothing immediately scarier than a good old-fashioned monster. Hence, the perennial popularity of the “creature feature”.

On Monday, the 20th of July, you will be treated to a rare and unusual cryptid: the zuvembie. The creation of Robert E Howard, drawn from the spooky stories his grandmother told him. 

The zuvembie is a top-drawer creation, yet to my knowledge it only appeared once in the Howard oeuvre in the story “Pigeons from Hell”. I’m pleased that arch-villain Valdis Damien van Dyne learned the secret of the Black Brew and planned his zuvembie apocalypse. It will make COVID look like the common cold.

Make sure your hearing protection works, because you’re going to need it in two weeks.

Comments are always welcome! And until next time, happy monster hunting!

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A Snippet

I’m gearing up for the launch of the 7th Pierce Mostyn Paranormal Investigation: Van Dyne’s Zuvembies.

The release date is July 20th.

The final read through, actually the computer is reading the text to me, is going along nicely, and I’m still catching extra words, an extra space between words, and the like. I want the text as clean as I can make it. No one likes a text with errors. Yet they happen. Even to the big corporate guys. If I get a book for free or under $3, I’m pretty forgiving. If I’m paying big bucks, much less so.

To wet your whistle for the new Pierce Mostyn, I’m giving you a snippet. Enjoy the Prologue to Van Dyne’s Zuvembies!

She looked at the address, back at the slip of paper, and then back at the number over the door.

This is the place, she thought, and walked down the short walk to the door. A man, coming out, held the door for her.

“Thank you,” she said, and entered the building. A ordinary, nondescript three-story on Northern Boulevard in Queens.

The directory in the lobby told her she wanted the third floor. At the elevator, she pressed the up button and waited. There was a bit of a musty odor to the old and dingy carpet, and the young woman wrinkled her nose at the smell. When the elevator doors opened, she got in, and pressed three. In a moment the doors opened once more, she got out, and turned into the corridor. 

Suite 304 was to her left. She walked a dozen steps and stopped in front of a plain door with frosted glass window and the name Asher and Associates painted on the glass in black letters.

She looked once more at the slip of paper, took a deep breath, and  exhaled. Her hand pushed down on the door handle, and giving it a push,  the door opened, and the young woman walked in.

There was a small waiting room with a half-dozen beige plastic chairs lined up along one wall. A pretty little redhead, with the most beautiful smile, sat behind a desk opposite the plastic chairs. A counter fronted the desk, and a sign announced that the desk was home to the receptionist.

The redhead, smile still in place, said, “How may I help you?”

“I’m Sofia Rivera. I have an appointment for three.”

The receptionist looked at her computer screen, tapped a few keys, and studied the screen for a moment.

Sofia was jealous. How could anyone be so happy as to smile like that?

The redhead looked at her. “Please have a seat. The therapist will be with you in a minute.”

Sofia sat and put her hand in her pocket for her phone. It wasn’t there, and the anger bubbled up. Why did they have to take her phone away? It was so unfair. And if her sister hadn’t blabbed…

God, I hate Maria, she thought. Why can’t Dad take my side? And that woman he married. She really, really has it in for me. I hate them. I hate them all.

A door next to the receptionist opened, and a dark-skinned Indian woman called her name.

Sofia got up and walked over to her.

The woman smiled and said, “I’m Kashvi Pushpagiri, your therapist. Follow me.”

She led Sofia to a room that was on the spacious side, indicated a chair for her to sit in, and took a seat in the chair across from her. A round coffee table sat between the two chairs.

“So tell me why you’ve come to see me.”

“Everyone’s against me.”

The therapist arched an eyebrow. “Everyone?”

“My dad never takes my side. My sister’s a blabbermouth. My step-mom thinks I’m worthless and turns my dad against me. I just hate them.”

“You hate them? Actually hate them?”

There was a pause. “Well, maybe hate is a little strong.”

“Is it? Perhaps you do hate them. Didn’t they wrong you? Aren’t they against you?”

“Well, yeah, they are.”

“Have you considered that perhaps they hate you.”

“Really?”

Pushpagiri nodded.

“Wow. I never thought of that. I mean, like, I can see my step-mom, and maybe my sister, but my dad?”

“Did you want him to marry your step-mom?”

“Hell, no!” Realizing what she’d said, Sofia, somewhat embarrassed, apologized. “Sorry.”

“That’s quite alright. You are in emotional pain. Those who should love you, don’t. You are all alone. But I’m here to help.” Kashvi favored Sofia with a smile.

“You really think they’re against me?”

“Why are you defending them?”

“I’m not!”

“Sounds like it to me. Do you want to be walked on your entire life?”

“No. No, I don’t want that.”

“Your sister blabbed something which you trusted her to keep a secret.”

Sofia nodded.

“What was it?”

“I had my boyfriend over when Dad and Lu, that’s my step-mom, Lucinda, when they were out.”

“And that’s a problem?”

“Well, uh, we were, uh, in my room and…”

“You were having sex.”

“No, not sex. But we were, well, you know.”

“Making out.”

“Yeah.”

“And your sister told your dad and step-mom and you got in trouble.”

“She even called me a slut! Lu did. She should talk.”

“Sofia, it’s very important, if you want to become a strong woman, it’s very important for you to face and express your rage. You must voice your hate. We at Asher and Associates practice what we call primal rage therapy.”

“I just want what’s fair.”

“We all do.”

“So what’s this primal rage thing?”

“Women have been held down for a long time. Essentially ever since humans began. Prehistoric women, because they were weaker than men, were abused by them. Skeletons of those prehistoric women show what are commonly called abuse fractures. And let’s face it: nothing’s changed. We are still being abused. Biologically we carry the rage, the hate, of our abuse in our DNA. That’s why it is very important for us to let it out. To stop repressing it. We must go back to our primal state and rage against our oppressors.”

“How do I do that?”

“By using the oppressors and abusers we face today to take us back to our primal selves. Each day, you must do a five-minute hate. Put the picture of one of your oppressors before you and scream out your hate. Change the picture each day. Did you bring a picture with you?”

Sofia nodded. “I brought a picture of my sister.”

“Good. Let’s practice the five-minute hate right now. Put the picture on the coffee table. Let’s hate her together.”

For five minutes Kashvi Pushpagiri and Sofia Rivera hurled abuse and hateful words at the picture. They screamed at it and hit it. When the five minutes were over, Sofia felt exhausted, yet invigorated.

“I’m going to give you our special primal hate drink.” Kashvi walked over to a shelf, retrieved a bottle, and gave it to Sofia. “Drink this tonight and while doing so fill your mind with hateful thoughts. Remember how freeing the five-minute hate felt?”

Sofia nodded.

“Think those thoughts again while drinking the bottle.”

“That’s it? Just drink this?”

“Yes and don’t forget the hateful thoughts while drinking. It doesn’t taste very good, so drink it quickly. You have to drink all of it. Thinking the hateful thoughts helps the medicine go down.” Kashvi smiled.

Sofia looked at the bottle, and then at her therapist. “Okay.”

“That’s it. See you next week. Brittany will set you up with an appointment.”

Kashvi stood and walked Sofia out to the lobby.

At the door they said goodbye. Kashvi went back to her office and Sofia walked over to the reception desk. 

The redhead gave her an appointment card with a date and time on it. “Does that work for you?”

Sofia looked at the card and nodded. “Does this stuff really work?”

The redhead smiled. “Yes, it does. You will be a whole new person.”

Sofia smiled and left the office. On the elevator going down, she realized how free she’d felt after that hating. She actually felt good and empowered. And she liked feeling good.

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Van Dyne’s Zuvembies

“When hate makes life worth living…”

Cryptozoology is the study of cryptids: those creatures of myth, folklore, legend, and imagination that science sniffs at, and yet may in fact exist. Much like the coelacanth, thought extinct for 65 million years, only to be found alive and well in 1938. Seems science doesn’t know everything.

Writers of the paranormal love cryptids. They are their stock in trade, their bread and butter. Yet, of the hundreds of cryptids available, relatively few find their way into the tales of the paranormal writers.

Way back in 1934, Robert E Howard wrote a story titled, “Pigeons from Hell”, which was published in the May 1938 issue of Weird Tales, two years after Howard’s death.

The story is a superb example of Southern Gothic horror, and features a creature of Howard’s invention, although drawn from Voodoo myth — the zuvembie.

Given the current zombie craze, I would’ve thought someone would’ve made use of the zuvembie before now. To my knowledge, no one has.

So you may be asking, “What the heck is a zuvembie?” That’s a good question, and I’m glad you asked. Let me satisfy your curiosity with a scene from Van Dyne’s Zuvembies:

“Can someone please tell me what the hell a zuvembie is?” NicAskill asked.

Dr Heber cleared his throat. “A zuvembie is a creature that is often classed as one of the undead.”

“You mean like zombies and vampires?” NicAskill asked.

“Yes. Although technically speaking, a zuvembie is not dead. Simply changed.” Heber paused a moment to clean his glasses. He put them back on and continued.

“In traditional voodoo, a bokor, that is, a magician, creates a zombie from someone who is already dead. A zombie is a re-animated corpse that does the bidding of the bokor. A zombie is essentially a slave.”

“So there’s no zombie virus?” Jones asked.

“No. That is the stuff of cheap pulp fiction and B-rated movies.”

“So no zombie apocalypse,” Jones said.

Heber shook his head. “I’m afraid not.”

“So if a zombie is a slave, what’s a zuvembie?” NicAskill asked.

“As I said,” Heber explained, “a zombie is a slave of the bokor, created by powerful spells that are cast by the bokor. A zuvembie, on the other hand, has never died. The creator of a zuvembie may or may not be a bokor. However, the creator of the zuvembie has gone through the necessary rituals and been taught the secret of making the Black Brew, which, when drunk, will turn a woman into a zuvembie.”

“Only women can become zuvembies?” Jones asked.

“That is correct,” Heber replied. “Only women.”

“Why?” The question came from NicAskill.

“Because hate and revenge are the motivators and the required emotions to become a zuvembie.” Heber shrugged. “It seems women, as a sex, have so often been viewed as inferior that they and they alone possess the necessary hatred and desire for revenge to become a zuvembie.”

NicAskill sat back in her seat. “Wow.”

Heber, a smile on his face, continued. “For every action there is an equal and opposite reaction. The zuvembie is the personification of female hate and revenge.”

“So what’s this thing like?” Jones asked.

Heber explained, “According to the lore, ancient lore that predates voodoo and goes back to West African snake religions, once a woman drinks the Black Brew she ceases to be a human. She becomes one with the denizens of the Black World. Friends and family cease to exist. A zuvembie has command over some aspects of nature. It can control owls, snakes, bats, and werewolves to do its bidding. The creature can summon darkness in order to blot out a small amount of light.

“Unless killed by lead or steel, it lives forever. Time means nothing to the zuvembie; it exists, as it were, outside of time. It no longer eats human food, and dwells in a house or a cave much as a bat does.

“The zuvembie cannot speak, at least not as humans do, and it does not think as humans think. However, by the sound of its voice it can hypnotize the living and summon a person to his or her death. And once the thing has killed a person, it can control the lifeless corpse until the corpse grows cold and the blood ceases to flow. The corpse becomes the slave, as it were, of the zuvembie and will do whatever the zuvembie commands it to do.”

“Good night,” Jones said. “It’s a good thing women don’t know about this zuvembie thing.”

“Shut up, Jones,” NicAskill said.

“One more thing,” Dr Heber said. “The zuvembie has but one pleasure in life.”

“What’s that?” Mostyn asked.

“To kill human beings.”

So now you know what a zuvembie is. Pretty scary stuff, coming as it did from the stories REH’s grandmother told him. Nothing like folklore to scare the bejeezus out of you.

Van Dyne’s Zuvembies is at the beta readers, and I’m looking to publish it late June or early July.

In the meantime check out the other Pierce Mostyn adventures. They’re filled with monsters, daring-do, and will convince you to keep the lights on at night.

Comments are always welcome! And until next time, happy reading!

Original illustration from Weird Tales for Pigeons from Hell
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