#IndieApril

Today’s the last day of April. A third of the year is over. Wasn’t yesterday New Year’s? At least while time’s flying, I’m having fun! Hope you are too!

If you’re a regular reader of this blog, you know I’m a reader. I prefer reading to TV, movies, video games, boardgames, you name it. Reading takes you to a million different worlds without leaving the comfort of your own home. Reading’s my favorite way to travel. Reading also stimulates the imagination like nothing else. And that’s a good thing.

Earlier this month, on Twitter, someone started the hashtag #IndieApril. The goal was to get people to buy, read, and review books written by independent author/publishers.

Being an independent author/publisher and reader, I was excited to jump on the bandwagon. After all, reading is a good wagon to jump on.

I ended up buying 7 books. Here they are:

The Tainted Dollar by Chris Derrick

Hotel Obscure by Lisette Brodey

Voyager by Carl Rackman

The Monkey Idol by KD McNiven

A Brother’s Secret by Andy Graham

Connor’s Gambit by Z Gottlieb

Into Armageddon by Jeff DeMarco

As beauty is in the eye of the beholder, so is a good book in the eye of the reader. And just as there is a lot of beauty out there, there are a heck of a lot of good books that just don’t get the press.

The editors who work for publishers are mere mortals. They put their shoes on the same way you and I do. They are biased and opinionated individuals whose job is to make money for the publisher, the businessman, they work for.

The stories are legion of editors who passed on the eventual bestseller. The stories are legion of editors who thought book X was the next Gone With the Wind — and it didn’t even sell 10 copies.

Why is this? It’s because publishers aren’t interested in art. They’re interested in money. How many bucks will they make on Book X versus Book Y? This makes sense if we understand that publishing is a business. The publishing house’s sole purpose is to make money for the owners. 

Businesses exist to make money. It’s why Jeff Bezos started Amazon — to make money. To get rich if possible. It’s why Random House exists — to make money for their German and British owners. Publishers only see books as dollar signs.

For the last 50 plus years I’ve read in writing magazines and now on the internet, that bestsellers keep publishers afloat. On virtually all of their other books they lose money. The likes of Patterson and Rowling and King, enable publishers to publish the likes of you and me — if we can get past the gatekeepers (editors). And there were other bestsellers who allowed the publishers to gamble on Patterson, Rowling, and King.

As much as I don’t like the monopolistic mindset of Amazon, I’m forced to say that it was the Kindle that changed publishing forever.

Suddenly, overnight, not a single writer needed an agent or a publisher. Writers were free at last. There were no more gatekeepers to prevent our voices from being heard.

Publishing had suddenly become a true democracy. Publishing became as easy as buttering a slice of toast.

Of course, people have this proclivity to make easy things difficult. And so now we see indies themselves setting up all manner of roadblocks to prevent the newbies from entering the ranks of the august.

I hear constantly that one has to have an editor, maybe several! I was told by one nobody author that if I didn’t have money to hire an editor, I should hold a garage sale to raise the money to hire one. What idiocy! As if I have enough stuff I don’t want to make even $10. 

Here are more must haves. One has to have a professionally made book cover. That one has to pay a formatter for a professionally formatted book. And one has to pay for lots of marketing.

What’s going on is simple. In the first place, all those editors that publishers have let go in the last 30 years are seeking to feed off of the indie revolution. Quite honestly, indies don’t need professional editors. We are our own publishing house of our own books. We don’t need someone who doesn’t know us to tell us what our books should or shouldn’t be.

In the second place, indies themselves — to eliminate competition — set up barriers to new writers. Of course there are no barriers to publishing today, so these people play the traditional publishing mind game and make gullible newbies think they need all the above mentioned crap.

The indie publishing waters are filled with sharks and piranha — let the newbie beware. I say ignore those naysayers and shysters. Just write and publish your book. Then learn how to market it.

Every day I’m amazed at the good indie writers I discover. Writers who’s books languish at the 500,000 or one million rank in the paid Kindle Store. Writers who are usually better than the indie bestsellers — most of whom are of no better quality than the traditionally published crowd.

On this last day of #IndieApril, I encourage you to pick up a book or two written by an independent author/publisher. Here are 10 suggestions:

Crispian Thurlborn

Steve Bargdill

Richard Schwindt

Ben Willoughby

Brian Fatah Steele

Joe Congel

Matthew Cormack

Ray Zacek

RH Hale

Zara Altair

Comments are always welcome! And until next time, happy reading!

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Being a Reader

There has never been a better time to be a reader. More novels and short stories are available today than ever before. Many are classics and can be gotten for free. For many others, the copyright has expired and they can be gotten for free, as well.

What were once rare gems, can also be had for free or perhaps a buck. And all with one press of the download button. The Internet, the Kindle, and the iPad make it that easy.

Sure, I love the feel and smell of a physical book. Nothing beats the experience of holding a book in your hands. It is, as one wit put it, the original hand held device.

But I actually find I read more books on my iPad. And I think that comes down to convenience more than anything else. Although cost does factor into it, as well.

Even a casual reader of this blog knows I’m averse to paying big bucks for a book. Unless it is an actual collectors item. Long before the e-book revolution, I was a big fan of used books. The main reason being the outrageous price tag corporate publishers were putting on their new books.

Granted buying used sometimes means one must practice delayed gratification. And that’s alright. Not every itch must be scratched immediately. Good things come to those who wait.

And now I see a similar trend amongst indie authors. When I first started getting into reading indie authored books, the prices were low. A free or 99¢ initial book, and then the rest of the series was usually $2.99 per book.

Now, those free or 99¢ first books are rare. And the price tag has inched up to wear many indie authors want $4.99 or more for their books. I think this is due in part to the gold rush mentality amongst many indie authors. For others, they see a higher price (mimicking the big corporate guys) as a sign of legitimacy.

For myself, I’m just not going to pay those prices. And sad to say, I’ve already started cutting back. After all, I’m not rich. Heck, I’m not even flush with cash. My wallet forces me to be frugal. One of the drawbacks to being retired.

I still live by the motto: wear the old coat and buy the new book. It’s just that I’m feeling the retirement income pinch and the intervals are getting longer and longer between new book purchases.

However, I don’t want to harp on the cost of entertainment. Everyone must make his or her own decisions based on what’s in his or her wallet.

What I do want to emphasize is that in all human history there’s never been a better time to be a reader. We readers are drowning in choices. The number of books we have to choose from is practically obscene. I’ve discovered so many writers, both old and new, that I never knew existed. I’ve been on fabulous adventures to places that only exist in the mind. And some that are real, but not really. Fiction is fiction, after all.

Expand your mind. Pick up a book, whether physical or digital, and go on an adventure. And if reading isn’t quite your thing, try audiobooks. I have friends who read very little. But they love listening to audiobooks. They could be your cup of tea.

Recently, I read two super books. Mark Carnelley’s The Omega Chronicles, a post-apocalyptic tale that realistically explores survival and the meaning of life.

And RH Hale’s Church Mouse: Memoir of a vampire’s servant, a vampire novel that brings back all the romance and all the terror that properly belongs to the quintessential creature of the night.

Comments are always welcome. And until next time, happy reading!

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The High Cost of Books

 

I love to read. Reading provides a joy few things can match. If you follow this blog, you’re aware of that. However, books are expensive to buy. And when I tally up my outlay for the printed page, whether physical or digital, I go into a bit of sticker shock.

Perhaps that’s one reason subscription libraries such as Scribd and Kindle Unlimited are popular. For a monthly fee, you can read as much as you want. And if you are an avid reader, the service can easily pay for itself. Of course there are the public libraries, which your tax dollars pay for. The only problem I have with public libraries is that you have to return the books. And I suppose that goes for subscription libraries too.

Awhile back, Amazon gave me a 60-day free trial of Kindle Unlimited. However, once the trial was over, I dropped it. Even though I did end up reading at least $20 worth of books, that’s $10 for each month, I found that I had to sift through a lot of chaff to find the wheat.

For me, I find it a better use of my wallet and time to go the sample route. Download a sample. After all, they’re free. I can read it at my leisure, and if I like the sample, then I buy the book. I spent an awful lot of my reading time on KU partially reading books I didn’t like, all the while feeling the pressure to tally up $10 worth of reading for the month. I’m retired. I don’t want or need pressure.

Since I discovered subscription libraries (and public libraries) aren’t my cup of tea, what alternatives do I, and you, have?

Free Books

The world is awash in free books. Indie writers trying to secure a fan base have given away lots of books. They are everywhere. Some are very good, others not. Many are short stories, or novellas (which I happen to like, but many don’t), and some are just samples.

For the voracious reader, the free stuff can be good.

Another source of free books can be found at places like Faded Page, Project Gutenberg Australia, and Project Gutenberg. These places offer books that are out of copyright. Which means the books are older. And you can usually find many classics in their lists.

I recently downloaded Raymond Chandler’s novels from Faded Page. A great deal.

There are plenty of free books available. Which can keep us reading for a long time.

Used Books

I love used books. Great deals can be found in used bookstores, and especially garage sales, where the books are often close to being free.

Libraries often have sales of the books they discard. They are another source for good cheap reads.

For a long time now, I’ve only purchased used copies of traditionally published books due to their high cost when purchased new. Paperbacks selling for $15 and up. I simply can’t afford that. And let’s not even discuss hardbacks.

However, over the past couple years, I’ve noticed used books going up in price. Especially on Amazon and Amazon-owned ABE. And ever since Amazon bought bookfinder.com, the search results have deteriorated. The cheap books seem to have disappeared and the search results appear to be skewed towards Amazon and its affiliates.

Of late I’ve gone directly to ThriftBooks, bypassing their selections on Amazon and ABE. If I buy $10 worth of books, I get free shipping and that is a big help. The free shipping is not available if you buy Thrift Books offerings on Amazon or ABE.

All in all, used books remain a great bargain for the avid reader.

Ebooks

Deals on new ebooks are possible if you are willing to read indie authors.

I rarely buy new ebooks from the Big Five Publishers. They’re too expensive. The same goes for the regional, university, and small presses. An ebook of 100 pages for $15? Seriously? I saw that recently. And the author is dead. So who’s benefiting?

However, over the past couple years, I’ve noticed indie authors up-pricing their books. It’s now not at all uncommon to see self-published ebooks going for $4.99 and up, when just a short while ago the norm was $2.99 and $3.99.

Nevertheless, very good reads are available for $3.99 and less. It just takes a bit of looking. It also helps to stay away from authors bragging about their books being “bestsellers”.

Personally, I don’t spend more than $3.99 for an ebook. I just won’t do it. I self-publish. And I know for a fact one does not have to spend a dime to put out a book these days. If self-published writers think they need to spend hundreds and thousands of dollars to produce a book, and pass the cost onto me, then I’m not going to subsidize their poor judgment. And what’s more, I own a bridge in Brooklyn I’d like to sell them.

Recap

The prices for new books are only going to continue to go up. Those 35¢ and 50¢ paperbacks I knew as a kid aren’t ever coming back.

But there are still plenty of inexpensive options available to those of us who are avid readers. We just have to think smarter and quit buying the high-priced books.

So, what are our options?

  1. Free books. There are plenty out there, both new and out of copyright.
  2. Used books. Don’t buy new, if you can buy used.
  3. Don’t pay more than $3.99 for an ebook. Because in reality, they cost nothing to produce. That gives the author, if self-published, about $2.75 for royalty. As a self-published author, I’m telling you no one needs to pay big bucks to produce an ebook. So don’t go out of your way to make someone else rich and subsidize their unnecessary production costs.

Comments are always welcome, and, until next time, happy reading!

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Why Read Indie?

Why read indie, indeed? Aren’t self-published authors losers who couldn’t get a big publisher contract? Won’t I get a better book from a mainstream big corporate publisher?

As a reader, I can say one thing for sure: you’ll pay more money for the book you’re buying from the big corporations. And that is about it.

A few days ago, Jack Tyler posted on the Facebook public group, The Steampunk Dominion, his thoughts on the subject. Before we go any further, let me give you Jack’s post in its entirety:

WHY INDIES?

A simple question. Why should you, an experienced reader, carry a selection of independent authors on your reading list? For a very good reason. Originality.

What was the last original movie you saw? Can’t think of one? That’s because no one is making them anymore. That’s why we’re inundated with remakes of old movies, re-envisionings of old TV shows, old, popular books “brought to life” by the “magic of Hollywood,” episode CCXLVII of the big Space Saga. No one will take a chance anymore that something, God forbid, might not rake in a billion dollars a day.

Books have gone down the same path. Publishers, unwilling to take a risk, compete with one another to shovel out copies of copies of copies of The Last Big Thing. Where is the grand fantasy tale that doesn’t follow Lord of the Rings to the letter? How many versions of Twilight can you read before you can recite the plot points before you come to them? You may be surprised to hear that those cutting-edge stories and novels are out there waiting to be read, and I’m going to tell you where to find them.

In the files of independent authors. While traditional publishers cling to the center of Writingtown, searching the carefully tended lawns for the next retelling of a tired old tale, independent authors, just as independent filmmakers and musicians, are out on the fringe, past the edge of the map, chronicling the tales that no one has yet heard, that have yet to be told. These are the stories you want to read, the stories that are worth finding, the jewels that you’ll remember long after the last elf/dwarf/human/orc slashfest is in the landfill and long forgotten. These are the heirs to the tradition of storytelling.

Authors decide to self-publish for any number of reasons. Some because we have been rejected by traditional publishers, often for being too original to suit their no-risk publishing model. Some have gone indie because we didn’t want to get involved with the “you do the work, and we’ll keep the money” policy of the big publishers. Some of us are well-known traditionally published authors who have been screwed out of our due one time too many, but we all have one thing in common: We answer to our creative muse, and no one else.

We have all had an experience, maybe more than one, with an independent author who had no business writing a grocery list, let alone a book, and some of us may have said, “Enough of this! I’m sticking to the Big Five from now on.” That’s your choice, but you do yourself a grave disservice by that reasoning.

We all try new products every day. Whether it’s a new makeup, pain reliever, pipe wrench, or ball-point pen, we have all gotten our hands on one that doesn’t do what the advertisement said it would. But do we then say, “I’m never wearing makeup again!” Of course we don’t. We learn to be more careful consumers. There are many ways to carefully consume books, one of them being to never stray from the big names. Again, that’s your choice, but there are ways to find the quality indies as well, and if you want to read the books that are telling the new stories, you must include indies on your reading list. How do you find quality indies? Amazon.com is a huge help. Most of us publish there because they make it so easy, and they provide useful tools. Look for an indie who has high ratings, even if there aren’t too many of them. A low rating isn’t a deal-breaker either, unless that’s all there are, but ratings can help. Then once you find a book that looks interesting, use the “Look Inside” feature. Yes, it only shows you a few pages, but if the author can’t write, you won’t need more than a paragraph to determine that. Then, of course, there’s the tried and true method, word of mouth. If someone you know and trust is recommending an indie, by all means, take a look. You may discover worlds beyond imagining that lie at the tips of your fingers. So, come on out to the fringe; we’re waiting to welcome you.

As a reader of my fellow indie authors, I have to largely agree with Jack. Self-published authors, or Author-Publishers as I like to call them, can write and publish works no major or even small press would touch. Not because of quality, but because the publishers aren’t risk takers, or they have no idea how to market the book.

That doesn’t mean there aren’t indies who ride the current waves, for there are and their name is Legion. They are also the ones, who tend not to be very good.

Several of my current favorite authors are indies and I look forward to their new releases, because I know I’ll get a good read. One that will be entertaining, fresh, thought-provoking, and stimulating.

As a reader, I’ve been disappointed by too many big corporate-published authors. A writer who perhaps starts out promising and then fizzles by book three. Or a writer who never really starts out at all and I close the book only partly read and ask, “Why the heck did they publish this?”

By way of example: I love the TV series Midsomer Murders (well, until John Nettles retired). So I bought the first three books of the series on which the TV show was based. Carolyn Graham’s first book was great. The second book was so boring I put it down with only a quarter of it read. I loved the TV episode, though, which was based on the book.

Another example is Murder in the Marais by Cara Black. I stopped reading when Aimee Leduc (the detective) just so happens to have a neo-nazi outfit in her closet to wear when she tries to infiltrate a neo-nazi group in Paris and the group readily accepts her! Obviously Ms Black has no concept of how closed extremist groups are, and we all have neo-nazi outfits in our closet just in case we might need them. Right? Sheesh.

Yet, the Big 5 accepted Death of a Hollow Man (as boring as it is) and Murder in the Marais (as preposterous as it is) and published them. Why? Because they are easy to market. The fit conveniently on the bookstore shelf.

One more example. I love SJ Rozan’s private detective Lydia Chin. I’m less enthralled with her PI Bill Smith. The Chin books are fresh and interesting. The Smith books are typical and I’d even have to say average PI fare. Yet which books garnered the awards? Why the Bill Smith books, of course. Go figure. Not even the award givers want to go out on a limb!

I know readers frequently bash indies for typos. But seriously? Have they read current Big 5 books? Typos abound! And we get to pay big bucks for the privilege to read them!

Good indie books are out there in abundance. And they are very often at least half the price of the books put out by the Big Boys.

Take Jack’s suggestions and go hunting. A few of my favorite authors are J. Evan Stuart, Steve Bargdill, Chad Muller/CM Muller, Janice Croom, Ben Willoughby, Crispian Thurlborn, Erik Ga Bean (he’s not on Amazon), Renee Pawlish, and Sophia Martin (her Raud Grima series). And there are more!

Jack Tyler makes a great case for readers to venture outside of our little boxes and to read books written by indie authors. Independent author-publishers. The writers who are responsible only to themselves and their readers. Instead of the corporate bottom line.

You can find Jack’s series Beyond the Rails on Amazon. Here are links:

Beyond the Rails

Beyond the Rails II

Beyond the Rails III

Comments are always welcome and, until next time, Happy Reading!

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How I Choose What To Read

The other day I finished reading a novel (An Unsubstantiated Chamber by William J Jackson — do yourself a favor and get a copy) and was looking over my library to see what I wanted to read next.

With a couple thousand titles to choose from I was having a bit of a dilemma. Fiction or nonfiction? Sci-fi or mystery? Fantasy or horror? Or maybe a classic? I couldn’t make up my mind.

Then I got to thinking about Kate Summer’s article, which I’d talked about previously. I re-read the article and discovered, after I thought about it, in the matter of choosing books I was no different than most men.

I’m not a bookclub member. I don’t look to Twitter, Facebook, or G+ for recommendations. I can’t stand the clunky and cluttered layout of Goodreads and no longer go there.

Instead, I get recommendations from friends, online book reviews, or online recommendations from blogposts, podcasts, or the like. I also search Google or Amazon for books related to my interests, both fiction and nonfiction. For example, I like airships and regularly look for fiction and nonfiction books related to airships.

Of the methods listed above, getting recommendations from friends is probably the method I use the least.

Women, on the other hand, tend to be very social and tell others what they’re reading, or want to read, or freely ask who’s reading what. That is something most men simply do not do.

When I look at my own habits regarding reading, I do not usually talk about what I’m reading. On occasion I will tweet #amreading. But that has more to do with helping spread the word about other authors’s work, than it is me wanting to share with the world what I’m reading. The same with the writing of reviews.

So I find that I’m pretty much like most men when it comes to choosing a book to read and talking about what I’m reading, or more accurately not talking about what I’m reading.

Getting back to that book that I wanted to read, I ended up choosing Terry Newman’s Detective Strongoak and the Case of the Dead Elf. Now you may ask why did I choose that particular book and the answer is pretty simple.

Sometime ago Mr. Newman followed me on Twitter and we got to talking about our books and interests. I went over to Amazon and took a look at his book, read the reviews, took a look inside, and liked what I saw. In addition, Harper Collins only wanted $2.99 for the Kindle edition. $2.99 from a Big 5 Publisher is a rarity and I decided to buy. Even though I have a no new Big 5 book purchase policy.

My discussion with the author got me looking, but it was the writing and the reviews that got me buying. Pretty much a solitary decision-making process.

And if you’re looking for a book to read, take a look at Mr Newman’s fantasy mystery, it’s very good. And it’s still only $2.99!

By the way, if you have any recommendations for those you-just-gotta-read-this-book books, please tell me about them in the comments.

Until next time, happy reading!

PS — The 8-Fold Path has moved to Thursdays. See you then!

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